Watch That Certain Woman For Free

Pretty Good

best movie i've ever seen.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Bette goes down Kay Francis territory in this 30's women's film, not getting a break from the men in her life (which are many), yet finding sympathy in the oddest places-her men's wives.She is the widow of a gangster and is being followed around by a reporter out for a scoop on "Where are yesterday's gangsters?". Now working for a highly respectable lawyer (Ian Hunter), she runs into an old beau (Henry Fonda) whose tyrant father (Donald Crisp) dominates his life and instantly sets out to keep Fonda and Davis apart. When they elope, Crisp confronts the two on their honeymoon, and Davis decides to leave behind the man she loves, apparently realizing she's married to a wimp. Guess what happens nine months later. Yep, Davis is now a single mother, and has managed to keep Fonda from finding out about their son. Hunter, who is a loveless marriage with Katharine Alexander, makes Davis his mistress, something his wife doesn't seem to mind. But when tragedy strikes and the two women are snapped together in a photo, the scandal sheet makes it appear like a slugfest. Fonda turns up, having married a sweet society lady (Margaret Lindsay), but she was crippled in a car accident while on their honeymoon, so he is desperate to get Davis back. Papa Crisp makes another threat against Davis, so she must take drastic steps to ensure that he does not destroy her life again.It is ironic that Davis's married name from her first husband is Mary Haines, the same name as the cheated on wife in the then hit Broadway play "The Women", filmed two years later by MGM. Like MGM's Norma Shearer (Mary in the movie version of "The Women"), Davis was queen of her studio (Warner Brothers), having just taken over that title from the reigning queen of mother love sob stories (Kay Francis). The problem in the movie is that it is so unbelievable that a seemingly tough mob widow would not stand up to the threats of the nasty father, played by the normally likable Donald Crisp. I found his dialogue to be so inane that I cringed every time he came on screen. All of the men are one dimensional-Crisp is totally nasty, Fonda is a wimp, and Hunter is so extremely noble he appears to be the male Ann Harding. There are nice scenes between Davis and the two women in her lover's lives, and Dwane Day gives a cute performance as Davis's four year old son. Mary Philips is also memorable as Davis's devoted companion.Warner Brothers had their share of mother love stories, most notably several with Kay Francis, including one of my all time favorites, the same year's "Confession". Those ones are better recommended than this one. Davis would fare better two years later as an unwed mother in the excellent "The Old Maid".

I was delighted to find another Bette Davis movie that I hadn't seen. I loved the goodness of the women in the story. I thought the acting was excellent. The movie highlighted the dilemmas women can face when they operate with genuine love and self-sacrifice as a motive. I noticed that the two young wives looked remarkably alike, and I wondered if it were by design.I get that the story might be a bit of a stretch, but truth is no stranger than fiction, and the story was plausible for me. I would watch this movie again in time. I enjoyed seeing such a young Bette Davis and Henry Fonda. One thing I especially enjoyed about the movie is that it was operating in the social conscience of the time.

The kind of contrived mess that gives the term "women's picture" a bad name. Bette Davis is the former gun moll turned respectable legal secretary who marries a wealthy, irresponsible weakling (Henry Fonda, poorly miscast). When Fonda's bully of a father (indomitable Donald Crisp) has the marriage annulled after just one day, a distraught Davis runs off, not knowing she and Fonda have conceived a child. When the lovers are finally reunited years later, Fonda has been married to a woman of his own social standing (radiant Anita Louise). The new wife, confined to a wheelchair following a car accident (the result of Fonda's reckless drinking), shows not a shred of bitterness toward her husband and, in fact, pleads with Davis to assume her role as Fonda's wife since the wife herself is unable to give Fonda the child he has always wanted. What Davis does next will come as no surprise to fans of this sort of tripe but Davis, cast against type as a self-sacrificing mother, is vibrantly warm and pretty and her performance surprisingly free of artifice.

Audiences will groan at the character of Mary Donnell. Bette Davis is normally looking out for number one--and she's definitely her good old self in the first half of the movie. The widow of a gangster, Donnell has become a super-competent legal secretary for a respected attorney in a big firm. She fends off unwanted press attention and generally handles herself quite well as a tough single girl in the big city.She becomes the mistress of her married boss at the law firm (although the Hays Office undoubtedly required the removal of any breath of sexual content here, it should be pretty obvious to all what is going on). In the second half of the movie, which focusses on Jack Merrick (Henry Fonda), whom Donnell has always loved, she achieves peaks of self-sacrifice that will send you staggering to the bathroom to throw up.This is the sort of film that gives soap opera a bad name.