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Sorry, this movie sucks

I don't have all the words right now but this film is a work of art.

Great Film overall

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Hrishikesh Mukherjee's Anupama is a brilliant film about one young girl who is lost within her own world, and about relationships between people from different social classes. Sharmila Tagore plays Uma, whose mother died at her birth. As a result, Uma has lived all her life with her father's reproach and blame for having lost his beloved wife because of her. She grows to be a shy and reticent girl, who remains most of the time silent. The story follows Uma's coming of age as a person mostly because of her relationship with a poor poet named Ashok (Dharmendra).A poignant film portrayed beautifully and realistically, it is a subtle yet powerful episode evidently made with a lot of graciousness and sincerity. Mukherjee's direction is very good and is aided by fantastic cinematography, great editing, very pleasant music, and above all, very well-written dialogues and very well-defined characters. Although many may consider the film too slow and even boring, I didn't find the slow pacing problematic at all. On the contrary, I was engaged by a masterful film with a very interesting portrayal of relationships in different families and most importantly a fair and precise depiction of the social values, gaps and conditions of the times.The film has a great collaborative work by the ensemble cast. Sharmila Tagore delivers a very beautiful restrained performance. Dharmendra is fantastic as the sensitive poet Ashok. Shashikala is extremely likable and funny and makes her presence felt as the vivacious Anita. Ditto for Deven Verma who plays Arun. David provides great comic relief as Uma's father's friend and his stories throughout the film are hilarious. Tarun Bose is great as Uma's father Mohan, and the ever great Durga Khote as Ashok's mother, as well as actress Naina as his sister, provide great support. All in all, I highly recommend this classic to people who like artistic quality films.

Besides being a very watchable film, it is a must-have for all serious students of Hindi cinema. The film is dedicated to Bimal Roy (practically the entire crew is comprised of people who worked for Roy) and in this film, Hrishikesh Mukherji's narrative style is clearly reminiscent of Roy's style. Hemant Kumar's music from this film is practically legendary, as are Kaifi Azmi's lyrics. The film has a few flaws -- it starts and ends beautifully, but could have been tightened up around the middle. The lead duo, Sharmila and Dharmendra, are adequately good, but it's the support cast that really carries the film. The director spends time working on the relationships between the cast - Deven Varma and Shashikala, despite (or because of) the latter's slightly annoying excess, have surprisingly good chemistry, and David, doing his classic overgrown bachelor is dependably great. The film is stolen though by Tarun Bose, who plays the lead character's troubled father to perfection.The thing that strikes out about the film is how well it comes together as a whole -- the cinematography, screenplay, the music, the editing and the acting. To the credit of Mukherjee and Roy alike, the film epitomizes the Black & White class drama that so strongly influenced Indian popular cinema in the post-independence era. I cannot recommend the film enough.

I had really fond memories of this film but on revisiting it I was actually taken aback at how many problems it had. The bad: 1. Shashikala played a most exaggerated character and got annoying after a while, plus she acted 18-20 years old and was clearly an older woman.2. The story was melodramatic and exaggerated.The good: 1. It is a Hrishikesh Mukherjee film - loaded with pluses. 2.Sharmila was awesome as Uma - the traumatized silent girl; she was beautiful and extremely competent at showing emotions without words. 3.Dharam was best in the idealist roles. Here he is just so good - often seen in a singlet with holes, and never stylish but always full of his own inimitable style. 4. Tarun Bise, David, Deven Varma all did a good job. 5. The music was fantastic - Bheegi Bheegi fiza, Yaa dil ki suno duniya waalon, Aisi bhi baatein.On balance a good film, watchable for the lead pair, the songs, but surprisingly not one of the best from the maestro.

A heartbreaking tear-jerker that explores life and death through the eyes of a young woman who has lived as a burden to her estranged father. Both, Dharmendra and Sharmila Tagore establish their signature acting in this movie.