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Dog Bite Dog

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Dog Bite Dog

A young Cambodian man who has been trained to fight for money in his country is hired to kill someone in Hong Kong. He performs the hit and then flees from Hong Kong police, who are wrestling with internal problems of a model cop and his son, who is also on the force and who was told by his dad not to become a police officer.

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Release : 2006
Rating : 6.5
Studio : Art Port,  Same Way Productions Limited, 
Crew : Director,  Producer, 
Cast : Edison Chen Sam Lee Weiying Pei Eddie Cheung Yiu-Cheung Lai
Genre : Action Thriller Crime

Cast List

Reviews

Lovesusti
2018/08/30

The Worst Film Ever

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GurlyIamBeach
2018/08/30

Instant Favorite.

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Pacionsbo
2018/08/30

Absolutely Fantastic

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Mandeep Tyson
2018/08/30

The acting in this movie is really good.

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Jan Strydom
2010/05/25

Judging by the reviews of DOG BITE DOG you'd think that you're going to see something that grabs hold and doesn't let go, but the fact of the matter is its not really the case.The brutal violence depicted in the film isn't really more violent than anything you're not use to already and it isn't as action packed as the positive reviews say, the fact is its not really so good that it has to come out in a 2 disc collectors edition, which it does by the way, also for a film with so many positive reviews behind it, it probably has one of the worst endings I've seen in a long time.I do agree with a few things the reviews commented on, the direction is very flexible, the cinematography is top quality, the acting is great and has an interesting character story but overall its not that great of a film and the ending is seriously stupid, this is the first film I've seen with rave reviews with such a terrible ending.It would've gotten a 5 but instead it gets a 3 because of the ending.

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viet_thien2069
2009/11/13

After watching this film, I was left with a two very annoyances about this film: why did they make Chen's character this "McGuyver hit-man" and Lee's character such an incompetent idiot? Chen's character's background is that he was raised in an underground Cambodian orphanage for blood thirsty fighter where they learn to brawl it out to the death like wild "dogs." This detail is pushed early on during a scene where he gets into a cab and as it starts to drive, he shows how he is unfamiliar with a seat belt. Soon after this scene, he has a similar situation at a dim sum restaurant. Not only is he uneducated, he is starving. This is not a reference to Chen's scrawny physique but to the two early scenes in the film where he is scarfing down food, one of which, being rice porridge off the floor of the lower deck on an old ship. Si in the first ten minutes of the film, it is established that Chen is malnutrition-ed, unmodernized,and has only thing going for him, his "dog" brawling fighting style of some sort. Despite this situation, Chen manages to out-shoot every policeman (even managing to ricochet a bullet off a metal pipe to hit a guy in a head, whom was holding Chen's girlfriend hostage) and has somehow attained a super human strength (swings a 50 lb block of concrete, plastered on the end of a metal pipe, to the head of the police chief AS he is getting shot in the chest, by said chief).Now Lee's character...okay, I get it, he's depressed, he's got some baggage, but wow, can he do anything right? One moment, they try to make him cool, composed and ready to take care of business, and the next moment, he just got beat again. First scene he runs into Chen, and he manages to misses him, from approx 15 ft, multiple times. Toward the end of that scene, Lee watches Chen as his close friend and coworker gets slowly stabbed in the neck with a long knife for a good full 5 seconds, while holding a gun to Chen face, at a 10 ft distance. Even at the end of the movie, Lee manages to get stabbed to death and fails once again.And my biggest problem with this movie is that it is presented in a manner that film makers are trying to get the audience to sympathize with Chen's character and that he is just "killing to survive." That would be a lot easier if I didn't just watch Chen kill innocent people throughout the whole awful movie. Of the numerous people he killed, only two people had the intention of trying to kill him, the police chief and Lee. Others were just people who were eating, boat owners, taxi drivers, and policemen trying to arrest him, not kill. Overall, Chen's character is a just a cold blooded killer who kills for what he wants, even if its just a free ride. (Did I mention he is carrying a wad of hundred dollar bills throughout most of the film?) My 3 stars go to some of the interesting director/camera work who got in some nice shots.Bottomline: One made for the nut-hugging Chen fans. For me, "Dog Bite This DVD"

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Jason Lee
2007/09/14

Note: This is more of a semi-review, so if you're still looking forward to seeing the movie, you might not want to read this. However if you wish to avoid a frustrating experience, then read on.Dog Bite Dog is a refreshing change in Hong Kong cinema. As the starting credits came on, I noticed that the movie was produced by a Japanese producer, and directed by Soi Cheaung whom I'm not familiar with. This was enough foreshadowing for me to be prepared for something different from your regular mainstream Hong Kong flick. But I was not prepared for over an hour and a half of disbelief.The movie starts out quite well, with maturing star Edison Chen playing the role of an assassin with the instincts of a killer canine. Gone are the days of the street kid rapper-wannabe, Edison has really come a long way and he plays a role similar to that of Jet Li in Danny the Dog (aka Unleashed). I like Edison, but personal preference could not save the unrealistic scenes in Dog Bite Dog. The storyline is decent, Sam Lee's character has a complex background that I won't spoil, and he's a "bad cop" which most of us would probably enjoy. But for some reason, Edison's character Pang is some kind of super human, he is just invincible to the point where you start to laugh in amusement. In the first encounter with the cops, Pang kills at least two innocent citizens before taking another hostage, while the cops panic and put down their guns. Obviously, Pang manages to escape, but not without killing a cop in the process, and the hostage as well. At this point you'd want to prepare yourself because this is going to happen very often. I think perhaps the director is trying to show the compassionate side of man, as the cops are constantly trying to stop Sam from being too brutal and sympathize for the hostages. This kind of attitude always gets themselves killed however.I didn't take a body count, but Pang must have killed over 50 people in the end. Basically when he needs a car, he goes in, kills the driver and takes the car. In one scene, he enters a fishing boat at night and kills an elderly couple just for fun, and leaves. Yes, director, I understand that he has no feelings. But what I don't understand is why the need to make a complete MOCKERY of the Hong Kong Police Force? In one shootout scene near the end, one of the cops finally snap and take the girl as hostage (Pang's girlfriend apparently) in order to get Pang to release his hostage, a cop. The superior officer tells the snapped cop to release the girl, but then suddenly Pang shoots the cop holding the girl right on the head. He then obviously kills his own hostage, and runs, while the cops stand in disbelief, and me staring in disbelief. Sorry guys, but if this was in America, Pang would probably have like 20 bullets in his body, hostage or not, and I refuse to believe Hong Kong police are stupid enough to stand and watch. When one citizen is killed, it gets blown to ridiculous proportions by the media, one death is a serious thing in HK. There is NO WAY they would deal with a mass murderer like this. There were so many times I was just laughing and shaking my head in sadness, and I found myself fast forwarding the "compassionate" moments of Pang because, I just could not relate with a mass killer no matter what excuse he has, or how he was brought up to be the way he is. In our society, killing people at will is simply unacceptable, no matter if it's your fault or not. Another strange concept was that all the cops, who are supposed to be I'm assuming either Homicide cops or CID, why are they all armed with six shooters? Even regular street uniformed cops are now switching to Glocks, I have no idea why the director and/or producer needed to "dumb down" the cops in order to make their point. The final half hour of the movie was so laughably pathetic, that I found myself telling the story ahead of the movie itself. The girl, whom I never got to know her name because she seems to have a kind of speech impediment, is newcomer Weiying Pei, 18 years of age from Mainland China and she gives a fantastic performance, as well as being naturally beautiful. But what I can't stand about her is the way her presence dumbs down the cops. I can understand them not paying too much attention to a weak and injured girl, but this girl has bashed Sam on the head before, it's obvious she's "with" the criminal. How she is so constantly ignored and underestimated is simply pathetic, predictable, and an insult to the viewers' intelligence.This movie would probably appeal to those who are a bored closet psycho who has dreamed of murdering people for fun after playing too many video games, or if you're simply too tired of the clichéd Hollywood movies. Or if you have a beef with the HKPF and would enjoy watching cops getting owned. It was refreshing, but I can't say I enjoyed it.

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fertilecelluloid
2006/10/07

Ultra-grim crime drama from Pou-Soi Cheang, the director of "Home Sweet Home". Tonally, it reminded me of Billy Tang's "Run and Kill", although it's not as polished as that. Nevertheless, it's an engaging, flawed bit of mayhem about a Cambodian loner, Pang (Edison Chen), who arrives in Hong Kong to kill a lawyer. While fleeing the scene, he kills the partner of cop Sam Wai, who, to add insult to injury, is in the midst of dealing with his dying father, so Sam begins an insane, obsessive manhunt for Pang that results in close to a dozen dead bodies and relentless violence. There must be something in the air lately because I've never seen so many humans beating the pulp out of each other as I have lately. This is grim, nasty stuff, which is why I'm so partial to it, and I applaud its downbeat vibe. It's visually arresting and the sound design is very unique. Dramatically, everything spirals downwards until every character finds him- or herself in a world of screaming pain. A subplot involving Pang's attachment to a sexually abused girl adds depth to the story and spawns a surprise fourth act which boasts a fine act of grotesque surgery.

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