Watch Shogun's Samurai For Free

Memorable, crazy movie

As Good As It Gets

The film's masterful storytelling did its job. The message was clear. No need to overdo.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

"Yagyu ichizoku no inbo" (let's just say "The Shogun's Samurai") is somewhere between horrifically boring and mind-bogglingly painful to watch. As an historical epic, it could have had so many more chances to be a rich saga... but it's really no more than just another cheap '70s action flick with a based-on-real-events story and an eyepatch-sporting Sonny Chiba. Before this movie's halfway point, I was even tempted to commit seppuku! The music is like a thousand dogs in heat wailing in your ears to a tune composed by Ennio Morricone (that's not an insult towards Morricone). The use of zoom lens cinematography is more nauseating than fascinating. And in terms of action, it's really nothing more than a series of brutal attacks and oh-no-they-didn't shocks. What a terrible movie.

I have seen nearly all the films of Kurosawa and dozens of other Japanese films as well. Compared to these other films, this is a rather average to poor film. The plot features two warring brothers--neither one of which I cared much for--and it is very confusing keeping up with who is allied with who. The music and cinematography is pretty good, but the special effects, at times, are terrible--rubber heads flying off with about the same realism as the average high school play! On top of these complaints, the ending of the movie completely DESTROYS and UNDERMINES the entire picture. It turns out that the end isn't true but was completely "fudged". What's the point of this, then? If you HAVE seen this film, understand that there are MANY better films out there, so don't give up!

Kinji Fukusaku's conspiracy thriller is a rousing entertainment, but its entire premise is a piece of fiction. The second Tokugawa Shogun, Hidetada, retired in 1623 in favor of his second son Iemitsu. Hidetada lived 9 more years in peaceful retirement, following a precedent set centuries earlier by Emporers (back in the days when Emperors, not Generals, ruled the country). Iemitsu's brother Tadanaga was briefly a rival for the position of Shogun, during 1633, but Iemitsu was very far from being a transient, inconsequential placeholder. He ruled until 1651, and took three steps which largely defined public policy for the rest of the Tokugawa era. He violently suppressed Catholicism, using mass crucifixions in his suppression of the Shimabara Rebelion. He closed the country in 1641 to all foreign influence and trade except for a small Dutch trading station in Nagasaki. Finally, he required each of his major vassals (the daimyo)to spend alternate periods of six months in Edo and six months in their home provinces. Beyond the opportunity for surveillance, this system forced the daimyo into ruinous conspicuous consumption and prevented effective challenges to the Shogun for 200 years. This film comes from an age when female warriors had become a commonplace, but well before spurting blood was acceptable. From his tame cameo appearance, you would hardly guess that Toshiro Mifune had more than 50 films ahead of him. The juicy action roles go to Sonny Chiba and Tetsuro Tamba as rival champions of closely related schools of swordsmanship.

Director Kinji Fukasaku is perhaps best known, in his homeland at least, for his Japanese gangster films, a series with which this movie shares a number of characteristics. Violence and political intrigue are themes throughout both Shogun's Samurai and Battles Without Honor and Humanity, and both feature a lead character who finds his loyalties challenged by betrayals. Both films also feature a large number of characters who seem to have little purpose but to die, and since so little is done to develop them, their deaths have little impact when they do come. This film has other flaws as well. The makeup, costumes and sound design are distractingly poor, and the battle scenes were substandard as well, inferior to other samurai films of earlier years (Seven Samurai comes to mind). Sonny Chiba plays the Sonny Chiba character in Shogun's Samurai, the no-nonsense master swordsman who strides through the film, scowling menacingly. What a guy; he even gets to wear an eye patch. If you were expecting to see the legendary Toshiro Mifune, you may be disappointed; his appearance amounts to little more than a cameo, and just when it appears that his character might do something interesting, he disappears for good. Overall, the strengths of the film are its story, which is infinitely more comprehensible than those gangster films, and the challenges posed to traditional concepts of good and evil. Two brothers are challenging for the throne of their recently departed father, who may have had some help on his way out. Early on, it looks as if we will be faced with a couple of characters who couldn't be more clearly good and evil; after all, the older brother stammers and has a birthmark, the sure sign of a villain. Eventually, however, it becomes clear that in a winner-takes-all struggle for power, there are no heroes and villains, only winners and losers.