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Good story, Not enough for a whole film

Absolutely Fantastic

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Amenabar 's "los ostros" (the others) is now a milestone for Spanish directors .That film overshadows every other work of the last ten years as a complete and perfect fantasy and horror film.(and Amenabar's two precedent films are at least as important and innovative) "Nos miran" is a decent attempt.His main subject -the dead are watching us and are jealous of us cause they are no longer part of the game- is ambitious and the director is not always up to scratch: the subway/train trick was already used too many times ("Jacob's ladder" ,the Spanish "Art of Dying" which is cast in the same mold ,or Autant-Lara's "Marguerite de la nuit").However the writers have included interesting elements: the cop's own story,the grandma who seems to know more things than she claims.And ,mainly in the first part,the director does not forget to show some ambiguity: everything can only happen in the hero's mind.Fortunately,special effects are kept to the minimum,which builds a threatening atmosphere.Not bad.

I was curious about this film, which I watched in DVD format. The film is based on a book by Javier Garcia Sanchez, "Los Otros", which by the way, it's the title of a better known film, "The Others", by Alejandro Amenabar. What I still don't know is whether Amenabar was inspired on this novel, or as the IMDb page indicates, he wrote his own screen play.Directed by Norberto Lopez Amado, this film came out after the more commercially successful Amenabar's movie. It's strange to have two movies about more or less the same theme filmed by two totally different directors, giving also two different accounts. If you haven't seen the movie, stop reading right here."Nos Miran" is a horror story. It starts in a flashback when we see a group of children playing in a railroad yard. Young Juan loses a dare and must lie flat on his back while an incoming train goes over him. At the same time, his young sister disappears in mysterious circumstances. The story goes forward as we watch a grown up Juan, now married to Julia, with two children of his own, a boy, and a girl. Juan works for the police department where he is given the task of solving the mystery surrounding the disappearance of a wealthy man. In pursuit of this goal, Juan discovers a link to the case when he is referred to go to an insane asylum to try to talk to the police detective that was involved with the case, originally, and now is a lunatic. The only thing he gets out of this person is: "They're watching us".This is a Gothic tale where reality and the perception of life in other dimensions blend to give a spooky feeling that yes, we are in reality being watched. But is the director referring to an abstract idea, or is he giving his own input in why people in his own country disappeared because of political turmoil? Knowing that Spanish directors, in general, love to have their own input about how they feel about their country, one wonders if the "disappeared ones" are the ones that either had to go away for fear of their lives, or are they the ghost of the "disappeared" in the civil conflict?Although the film has a vague ending, it creates an atmosphere of mystery and menace lurking behind everything in Juan's house. We don't ever know what really happened with Juan. All we know is that he has been wounded in a leg, but that is not the reason for his demise.Carmelo Gomez does his best work, in one's humble opinion, in this movie. His performance is multi layered. He expresses his confusion and his fear in a way that he hasn't done before. Either he responded to the material, or to the director, or he liked what he is doing here. Iciar Bollain, has nothing to do in the movie. The veteran Margarita Lozano is also totally wasted, as she stays away from the mystery that is at the center of the action in her own house. The children, Manuel Lozano and Carolina Petterson, are good in their portrayal of Alex and Laura.

I've seen this movie twice and liked it a lot both times, even more on second viewing. It's definitely not for everyone, especially gorehounds. It's pace is deliberate and while you probably won't get any "jump out of your seat" scares you do get some spooky moments and an overall creepy atmosphere. I agree that the film starts out like a police drama but as Juan delves deeper into the disappearance of a married man, he uncovers the startling fact that thousands of citizens from Spain have disappeared throughout the years without a trace. From there, the story starts to take a different spin and we also are introduced to the former detective who handled the case. He just happens to be locked away in a psychiatric facility where he mutters just two words over and over again, "Nos Miran" or "They're Watching". I'm sure many will probably turn their noses up at the ending as it may seem "hokey" or too "hollywood" to them but I love it. I think it works perfectly and if I may respectfully disagree with the other review, I found all the questions neatly answered and resolved at the conclusion. I'm not sure I can recommend this one as I'm not certain it's everyones cup of tea, but I really like it.

Disturbing and somewhat weird. That's what I would say about this one. Carmelo Gómez is at his best, but there was something that I didn't like when the film ended around 03:00 AM... 'Nos miran' is one of the new terror spanish movies, with a similar atmosphere to 'The Others' by Amenábar or 'The Nameless' by Balagueró (both of them are must-see). But there is something about the script I really don't like... The story starts as a typical detective movie, with Carmelo Gómez trying to find out what happened with Barreiros, a married man who disappeared three years ago. After finding nothing, he looks for stories of other people who disappeared... and then his life turns weird...The story is interesting. Bun when the movie ended, I couldn't help thinking "How? When? Where?..." The end is not well explained and that's why I think it could have been much better.