Watch Terror-Creatures from the Grave For Free

Absolutely Brilliant!

It's easily one of the freshest, sharpest and most enjoyable films of this year.

One of the most extraordinary films you will see this year. Take that as you want.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

When an attorney arrives at a very old manor home of the recently deceased owner, he learns the history of the place: The deceased owner was someone who could summon ancient souls from their graves - they were victims of the plague. The attorney stays to learn more and the occupants of the home will die one by one in a gruesome manner.Barbara Steele is good in the film. The film is worth watching if you like the "spooky old manor home" type of films, Gothic movies and zombies and/or vampires. It's not the best "spooky old manor home" film but it's not the worst - it's a fairly good and entertaining film.This movie would be good to make into a double feature with Nightmare Castle (1965) starring Barbra Steele or even The Old Dark House (1932) with Boris Karloff.7/10

When an Italian Gothic Horror film from the 60s stars Barbara Steele, this is more or less the recipe for cinematic perfection, at least in the mind of yours truly. The wonderful Miss Steele, doubtlessly the most iconic Horror actress ever, is best known for her fantastic roles in some of the most fascinating Italian Horror films, including Mario Bava's masterpiece LA MASCHERA DEL DEMONIO ("Black Sunday"/"The Mask of Satan", 1960), Antonio Margheriti's masterpiece DANZA MACABRA ("Castle of Blood", 1964) and I LUNGHI CAPELLI DELLA MORTE ("The Long Hair of Death", 1964), Mario Caiano's AMANTI D'OLTRETOMBA ("Nightmare Castle", 1965), Camillo Mastrocinque's UN ANGELO PER SATANA (1964), and Riccardo Freda's L'ORRIBILE DR. HICHCOCK and LO SPETTRO. Outside Italy, she starred in another one of the all-time greatest Gothic Horror films, Roger Corman's PIT AND THE PENDULUM (1961), alongside fellow Horror legend Vincent Price. While Massimo Pupillo's 5 TOMBE PER UN MEDIUM aka. TERROR CREATURES FROM THE GRAVE (1965) is not among the most memorable Italian Horror films starring Steele, it is nonetheless an entertaining and creepy little flick that my fellow Eurohorror buffs should enjoy.In 1911, the attorney Albert Kovac (Walter Brandi) arrives at a Gothic castle in order to settle the will of the owner, Jeronimus Hauff. Hauff died one year earlier, but insisted in being interred for a year, before being re-buried. The castle is now inhabited by Hauff's daughter Corinne (Mirella Marvadi) his second wife, Corinne's step-mother Cleo (Barbara Steele), and the caretaker Kurt (Luciano Pigozzi). The rest of the personnel leaves the castle by night, since it is said to be haunted. In the 15th century, the Hauff castle had been the scene of the grisly execution of several man accused of deliberately spreading the plague out of pure malice. At the attorney's arrival, the village near the castle is struck by a series of mysterious and violent deaths...As almost all Italian Gothic Horror films, this one is elegantly filmed and supported by a moody score. For 1965 standards, the film includes several moments of rather explicit gore. The death scenes are great and there are some awesome macabre set-pieces such as a glass showcase displaying severed hands. While there is no explicit sleaze or nudity, the film delivers some mild erotic scenes, such as Barbara Steele taking a bath. The settings are nice, and the film maintains an eerie atmosphere from the start. The storyline is not too coherent, and, sadly, Barbara Steele's screen-time is very limited. Apart from Barbara Steele, the most well-known face in the film is Italian cult regular Luciano Pigozzi, who is known for his resemblance to Peter Lorre, and who was part of countless Italian genre flicks from the 60s to the 80s.Overall, 5 TOMBE PER UN MEDIUM is not one of the highlights in Barbara Steele's Italian Horror filmography; however, this has to be seen in the context that the film is in excellent company. Italian Gothic Horror films with Barabara Steele are generally as atmospheric and great as Horror cinema gets, and even this lesser one is a highly entertaining film that Cult lovers should not miss. Barbara Steele, we worship thee!

An attorney (Walter Brandi) arrives at a castle to settle the estate of its recently deceased owner. The owner's wife (Barbara Steele) and daughter reveal that he was someone who was able to summon the souls of ancient plague victims and, in fact, his spirit was roaming the castle at that very moment.Not surprisingly for an Italian film of 1965, the quality (at least in the copy released by Mill Creek) is of average or below average quality. And unlike Mario Bava's "Planet of the Vampires", which came out the same year, this film is in black and white. Hopefully some day a company will invest in cleaning up an original print. (Dark Sky Films would be perfect for this, if we use their version of "She-Beast" as a template. Comparing the Mill Creek version of that film with Dark Sky's is the difference between trash and treasure.)The most redeeming element of this film is Barbara Steele, who steals the show with her large, mesmerizing eyes. Walter Brandi, who plays the attorney Albert Kovac, is a formidable lead, and it is a shame I am not better acquainted with him. He appeared in other horror gems of the era: "Bloody Pit of Horror" and "Curse of the Blood Ghouls", and acts as sort of a poor man's Giacomo Rossi-Stuart. Interestingly, the actress who showed the most potential -- Tilde Till, who played the maid -- never acted in anything else.Director Massimo Pupillo gave producer Ralph Zucker the directing credit, despite Zucker having no directing responsibilities at all. Why Pupillo found this film not worthy of carrying his name is beyond me... it is a solid story, allegedly based on the work of Edgar Allan Poe (though I do not know which story and rather doubt the source). To say Pupillo was a rival of Bava would give him too much credit, but he is an important figure in the early Italian horror scene.Perhaps, in fact, Pupillo was a colleague of Bava's. The film's writer, Romano Migliorini, also wrote the Bava classics "Kill Baby Kill" and "Lisa and the Devil"... not to mention the original "Inglorious Bastards". So maybe they were all within the same circle? Yet, Bava now has the glory while this atmospheric Gothic horror -- easily on par with Roger Corman's Poe films -- is left forgotten.Luca Palmerini's review consists of two words: "good stuff". Ignoring the occasional audio problems and lackluster video quality, this is a fair statement. The plot, acting and directing are all superb, and any fan of classic film will really enjoy it. Again, I hope a better copy surfaces, but until then there is still enough to appreciate here.

With a title like "Terror Creatures From the Grave", you would think the picture would be an exercise in campy horror and cheesy special effects. But you know, this was actually a pretty neat little creep fest, and for it's relatively compact run time of just under an hour and a half, the picture offers some of the best lines you'll ever come up with in a 'B' grade horror flick. For example:"Are you putting me in the torture room?" - Albert Kovac to Cleo Hauff"I've summoned them from their graves and now I'm among them." - the voice of Jeronimus Hauff"The corpse collectors always come when somebody's doomed." - the library clerk"The living I may fear, but certainly not the dead." - Kovac againTop all of that off with one of the most innovative suicide/hari kari scenes ever, and you've got a unique little excursion into dementia cinema that would be hard to top.I read with some interest the other reviews on this film by other posters, and I have to wonder why I'm in the minority on the following point. Most take it as a given that Jeronimus Hauff was actually dead, and came back from the beyond to take out his revenge on the five witnesses to his purported death a year earlier. But what about that scene when the servant Kurt laid the body of Hauff on the stone tablet, bewailing the loss of his master? Hmmm.