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Surprisingly incoherent and boring

Good story, Not enough for a whole film

Good films always raise compelling questions, whether the format is fiction or documentary fact.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

There are a couple guys whose movies I will automatically see if possible: Gene Hackman and Anthony Hopkins. Because the latter was in this one, I gave it a go. Unfortunately, I never bought into his character. It's not for the effort made by a wonderful actor. It's a bad casting choice. He seems out of place. I'm also intrigued by the guy whose job it is to be involved in espionage, ignoring the warnings of his superiors. Hopkins knows this guys every move and knows that he has become an imperfect cog in the works. Granted, this goes back many years and the sophistication of the world of the spy has changed, but there is so much carelessness here. We also have fragile characters who probably should never have been signed up for this job. Anyway, when Hopkins' character moves in, I just never buy it. I also never buy the business of creating a relationship, only to betray it and ultimately gain nothing from it. This is a poor man's "Tinker, Tailor, Soldier, Spy." It is so lacking on so many levels. It also has a pretty schmaltzy ending which I won't betray. See what you think.

This movie has three serious flaws. It never finds a focus, (ultimately, I cared very little about any of the characters), it has the always fateful flaw of dialog that gets lost in whispered tones or buried beneath the score or SFX, and finally ... WHY, in heaven's name is Anthony Hopkins using his not-so-convincing American accent to play a character that could have been played better by half-a-dozen American actors? And I'm a Hopkins fan! Sorry, it just doesn't work. Although it tries to be both a suspense and love story, it accomplishes neither. That's all the more frustrating when the end arrives with what I assume is an homage to Casablanca. The whole thing is poorly focused and generally weak, despite solid performances by Isabella and Scott.

In 1955, Berlin is completely crowded of spies of different nationalities. The British civilian Leonard Markham (Campbell Scott) is requested to support an American – British joint-venture in a secret project leaded by the American Robert Glass (Anthony Hopkins) due to his knowledge of electronics. Afterhours, in his spare time, the naive Leonard meets the divorced Maria (Isabella Rossellini) in a night-club and they have an affair, falling in love for each other. However, Otto (Ronald Nitschke), the former husband of Maria, threatens and blackmails her, affecting the personal life and the professional performance of Leonard, culminating in a difficult situation for him. "The Innocent" is a surprisingly good love story in times of cold war. While in "Casablanca" the elegant Rick Blaine spontaneously sacrifices his love for Ilsa Lund Laszlo in a noble situation, in "The Innocent" we see a sacrifice of a love provoked by a dirty and nasty situation. However, this movie has action, love, black humor and suspense and is a worthwhile entertainment. My vote is seven.Title (Brazil): " O Inocente" ("The Innocent")

There was here a phenomenal film but something got into its system and destroyed it. Not completely, whoever perpetrated the crime wasn't talented enough to go all the way and some beautiful pieces of evidence, showing the masterful hand of John Schlesinger, survived the massacre. The atmosphere of the first hour for starters. Isabella Rosellini's performance. Her best. Campbell Scott an actor incapable of being boring, not even when he plays bores. Trevor Howard before him was a master at that. The truth is that the reviews had been so bad that the only two reason I actually bough a ticket were 1. John Schlesinger, one of my heroes 2.Hart Bochner, yep, after "Apartment Zero" I was desperate to see him again, in anything. Well he was hardly in it, at least not on this, obviously, mutilated, butchered version I saw. I did spend quite a few bucks in therapy to have my therapist say that my obsession with "Apartment Zero" was quite harmless. No, according to him my real problem was a huge monstrous woman. I must confess it disturbed me a little bit. But that night I had a dream. I dreamed that the film had been taken away from John Schlesinger by a huge monstrous woman. Go figure.