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Truly the worst movie I've ever seen in a theater

Don't listen to the Hype. It's awful

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Intelligent, droll, well made study of one cowardly man creating a new identity and remaking himself as a hero under the cover of war. Poses interesting questions about identity and truth, and how we all invent ourselves. Some terrific cinematography, and a solid lead performance by Mathieu Kassovitz. On first viewing, something was missing for me emotionally. Sometimes the ideas seemed heavy handed, and other times, motives and characters underdeveloped. But on re-visiting the pieces fell together, and while the underlying ideas still sometimes felt familiar, the sting of the satire danced beautifully with the underlying sadness of the main character.

This film is a true masterpiece. The character delineation of our hero and how he gets there is true comedy at its best. Great comedy not only makes us laugh but makes us reflect on human life at the same time. This film does that. We get a satire on recent French history and well as the mores of the society. There are so many scenes where one knows that only a French film could be made this way.This film is even better than Mr. Audiard's marvelous film "Read My Lips." The acting is superb and the script flawless. Do yourself a favor and rent this.

Set in the period before, during and just after WWII, Jacques Audiard's brilliant and witty satire is about a compulsive impostor, Albert Dehousse, who so successfully convinces the French authorities that he fought in the resistance that he is made an officer in the army occupying Germany. It is not the easiest of viewing for non-French speakers who have to follow the sub-titles, but is well worth the trouble. The movie's timeframe flashes back and forward; and director Jacques Audiard tells the story via a number of different devices, including normally acted sequences, voice-over, mock documentary interviews, newsreel footage, and even shots of the orchestra playing the background music. Mathieu Kassowitz portrays adult Albert as someone who is superficially engaging, but is empty inside, and has to consciously learn and then act out almost every gesture or emotional response. Like the film, Albert consists of disparate fragments, skillfully edited together into a convincing whole.There is probably a pointed message here for the movie's home audience, about the way France as a whole has exaggerated WWII resistance, and swept collaboration under the carpet. But the film raises general questions about how we play roles and falsify our past histories in everyday life; it also reminds us that impostors, including some so-called celebrities, depend on our gulliblity for their success.

Sweeping tale of a smart and lucky imposter, masterfully played by Mathieu Kassovitz during most of the movie. This combines short real footages with great acting all around. David Fernandes is touching as the young Albert, Jean-Louis Trintignant is perfect casting as the older/narrator.An unforgettable movie. Have to see it to believe it. Perfect script. Once again a wonderful movie that did not get the respect, publicity, "fame" it fully deserves.See this!