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You won't be disappointed!

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Trying hard to like Leena Yadav's debut film 'Shabd', you sit thru the entire feature in eager anticipation of a/the/any magic moment. But ...Although the premise was novel, the buildup was not. One sex scene does not compensate for the lack of sexual chemistry between the leading pair. The Booker-prize winning author is trying so hard to come up with an authentic story for his next novel that he goes and casts his own wife as her rebellious alter-ego, easily falling for the 'forbidden fruit'. Shaukat Vashist requests, goads, almost forces his wife Antara to initiate an illicit relationship to help him craft a leading character in his next novel. When the 'truth' becomes stranger than his bookish 'fiction', and Antara meets and eventually falls for a dashing (yea, no less) young colleague, Mr Novelist is quite unable to handle it. But he saves the best, a one-page ending, for last.We are not led to believe that the entire thing is the writer's fertile imagination gone awry. Evidently Yash's character is real (witness the college peon asking Shaukat if he had any message for Yash, etc) and so is the romance that ensues between Yash and the writer's wife Antra. In the end, it appears the writer of "Shabd" was herself so confused about the interactions between her characters (there were only 3!) that she couldn't figure out how to end the characters or the movie!! The performance by Sanjay Dutt was the saving grace of this film. Zayed Khan is miscast as the college professor and lacks acting skills. Aish tries hard but her dialogs are so mushy; could have used some zing.The writer of this review believes that the writer of this movie should have worked harder on the writer in her movie.

Hmmm... thats the only thing i could say with confidence right after the movie finished. I do not recall many movies in mainstream Hindi cinema of the nature of this one with chartbusting casts. I have seen Ek Doctor Ki Maut, Khamosh, Hatya - all stories of a "different" nature, but most (not all) are made with casts of lesser followings or made with cast who are versatile and are not averse to taking risks in their character profiles. Khamosh had Amol Palekar (he can do any role), Ek Doctor had Pankaj Kapoor (rather less known at that time AND very well delivered).Here though, we had Aishwarya Rai whom you would normally see in a love story or action movie as the loving beau etc etc and Sanju dada who would normally be the worlds top most in whatever he does - they were a lost wife and even lost writer. Very unlikely for a mainstream Hindi movie. To make matters worse, Sanju dada's make up or the lack of it was totally devoid of any signs of insanity. The only early clue to the insanity is the continuous jarring incongruous background music - i think the music diro wanted to portray the complex bipolar interactions within Shaukat's mind.All else considered, Sanju dada's performance is almost flawless. He could have gotten rid of his mafia walk and stance for this movie and he could have had a more dishevelled look and probably some more peculiar behavior to drive home the insanity plea. Aishwarya did a great job. A slightly different makeup and wardrobe could have helped to bring the role out of the mainstream expectations and into the role of the distraught wife she played. I would say that the other guy was the best. Full of life and new ideas, very excited, very energetic and optimistic - a stark contrast to Shaukat. The director has put in a really good mix of environment (Shaukat's home, the art school, publisher's office, servants at home and the outdoors) to portray the characters.All in all, if you are prepared to watch a non mainstream movie with mainstream cast, this movie would be 5 stars when you watch it.

I said that I was going to re-post after I watched the movie and restate if my feelings still remains. I watched the movie today and it was okay. My expectations weren't too high for this movie, and the movie wasn't as bad as I read it would be. The main thing that took me off is Zayed Khan as Yash. I think his acting did not fit well and there was no connection or chemistry between him and Aishwarya (he also doesn't look well on screen with Aishwarya). He was just wrongly casted for the part or maybe he just didn't do justice. Even after Tamara told Yash she was married, I didn't have any type of affection or remorse towards Yash or Tamara and Yash's relationship (I think I was more happy that she told him to just Yash out of the picture)--it was just blend. The humor was confusing (yash humor especially) and not funny. I know when I re-watch this movie, I would forward through it.Another thing is the intro of the movie and the actors. I don't think it captured the audience as much as it should have. Again, when Yash was introduced I found him rather annoying. Aishwarya and Sanjay's acting abilities did not fall short especially towards the ending. Sanjay played well as a confused writer who got fiction and reality confused and Aishwarya as the victim in Shaukat's fiction and reality.The art in this film is also very good and beautiful. Overall, this movie has the potential to be a really good film with some changes; unfortunately, it fell short with the blend acting, chemistry, lack to carry out the concept story, and lack to get the audience interested with the characters.7.5 out of 10 mainly for some direction and art concept of the movie. I appreciate Aishwarya more in films such as Raincoat, Chokher Bali, HDDCS, and Devdas.

Despite a huge star cast, a new look, and a fresh musical score, Shabd has nothing much to offer. A real annoying part of this film are the letters that are constantly floating around in the background. There is not much of a plot in this film. Sanjay Dutt's character is by far the most irritating part of this movie. He is manic writer who is trying to control his surroundings by his writing. Holding steadfast to the idiom, "The pen is mightier than the sword," Sanjay wages war against his world. He is unnecessarily creating distance between him and his wife by forcing her to spend time with a handsome, humorous, and infatuated man. Sanjay's character is interesting, but there is no way one can drag this situation into a 2+ hour film. I feel that this movie would be better off as a short film. Songs are nice and fresh. Aishwarya looks stunning.