Watch Twelfth Night, or What You Will For Free

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Twelfth Night is one of Shakespeare's most accessible and enjoyable comedies for modern audiences. The most popular film production of the play is the 1996 Trevor Nunn version, which is awash is summery color and broad humor.This modest 1988 film could not be more different from the Nunn film. Instead of emphasizing the comedy, the underlying melancholy stemming from the play's theme about the pain which comes from love dominates the entire story. Instead of vivid colors, we get a wintry setting and costumes dominated by blues, grays, and blacks. It gives the movie an almost desolate feel with little slapstick at all.It's an interesting approach to the material and the characters pull it off well. Even though this is merely a filmed stage production, it is engaging enough and the unique focus of the production makes it worth a single view.

This is my favorite filmed version of Twelfth Night -On DVD at last! Branagh's production captures both the humor and the melancholy of the play, with excellent performances all around and a stand-out performance by the late, great, Richard Briers as Malvolio. Patrick Doyle (along with an assist from Paul McCartney) provides an atmospheric score to accompany the shifting moods, with several songs sung by Feste the Fool (Anton Lesser in one of his best performances). The Dickensian setting compliments the story well, while purists will rejoice that the text of the play is complete. The DVD also features an informative, behind-the-scenes interview with Kenneth Branagh talking about the stage production and the play itself. Buy a copy for yourself, and a few more as gifts for friends -This is a real treat!

Personally, I like this Branagh-directed version very much (well, this movie was directed for TV by Paul Kafno, but it's based on a Branagh staging, and this is what the actors are performing). Granted, it cannot compete with the 1996 Trevor Nunn film, which is excellently colorful and comedic, and had a much bigger production budget.The Branagh production is set in a TV studio in which has been built the ruins of a formerly rich but now dilapidated estate (Olivia's), and almost all the action takes place there, except for the scenes at Orsino's estate, which are covered in an atmospheric blue sheen that I found very effective at conveying the melancholy of the play (and Orsino's character in particular).It's true that this production isn't very funny (although I was quite amused by the bit with the Christmas tree). I think this is deliberate. Branagh does not treat this as a comedy, but prefers to delve into the melancholy depth of the text. Thus, he does not provide a folk comedy, but a study in literary profundity. This is to the benefit of those, like myself, who like a philosophically heavy Shakespeare. Note that this version is 2 hours and 35 minutes long, and actually includes all the original text (although I thought Orsino's scenes were rather few and far between), which is always a big plus in my book.I think all the actors of this production are excellent (and with great enunciation!), but it's true they lack the charisma of better-known faces like those of the Trevor Nunn movie. However, the one element that I find superior in the Branagh version compared to the Nunn version is Malvolio. Now, personally, I think, sacrilegiously, that Malvolio is generally the most boring thing about Twelfth Night. He's sort of like an artificially included comedy element which isn't that funny. I like the rest of the action much better. In Trevor Nunn's excellent movie, Malvolio is the one thing that, to my mind, does not work. Hawthorne acts the part too dramatically, and with too much self-pity. True, Malvolio does exhibit extreme self-pity in the original text, but I think this is supposed to be played for laughs and not to make audiences feel sorry for him (which, based on Hawthorne's histrionics, we never really did anyway). So I thought Richard Brier's Malvolio in the Branagh version was significantly better; still a sad and pathetic character, but in a way that gels with the rest of the mood of the play. He was more downbeat, and never distracted us from the rest of the action. So, overall, I enjoyed this production a lot, and will recommend it to those who prefer both a pensive and a complete text as basis for performance.8 out of 10.

I was disappointed with this production. I do prefer traditional settings with Shakespeare; but aside from that, the performances were just not strong enough. Malvolio's cross-gartering & yellow stockings simply do not lend themselves to 19th century dress as depicted in this version. Shakespeare wrote the play around 1600 and at that time yellow stockings could be much more easily displayed. But in the rest of this play, as well as the later half of the 19th century when this versions is set, men including Malvolio were wearing full-length pants. It makes the cross-gartering & yellow stockings much more of a contrivance than it would in a traditional Shakespearean setting.Part of what made this film disappointing was the weather that was displayed. It was dreary most of the time, if not snowing. This is a comedy and the setting should be light & cheery in comedies. I see that the setting was at Christmas, which is fine I guess, but the overall effect of the weather is to make the play seem more dreary than it should be.The part of Olivia was done fairly well, but there were no really standout performances here. Viola simply gave an average performance. Aguecheek here should be much more effeminate. Sir Toby Belch should appear more drunk & slovenly most of the time. He appeared to me a little too dignified. Malvolio, being the object of much of the clownery, should be more indignant than he appears here. On his release, he stands motionless in silence for some minutes. Fabian seems almost sorry for him, instead of snickering as he might be.All in all I found the performances to be fairly average. I have seen this play on stage several times and it was done significantly better every time than it was here. The acting was much more intense in the performances I have seen on stage than the acting in this version.