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Best movie of this year hands down!

Good movie, but best of all time? Hardly . . .

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

The two hours come across as a tantalizing version of the classic Henry James novelette. To me, the story appears more a psychological mystery then a ghostly horror tale. But either way, the results are fascinating, though I can see why viewers preferring cut-and-dried story lines might be unhappy with the results.A well-meaning governess Miss Cubberly is hired into an English country mansion to tutor two young children. While there, she's drawn into a web of creepy events. The young brother and sister are beautiful and charming, but perhaps they are also possessed by the evil spirits of dead former governess Miss Jessel and dead former house valet Quint. On the other hand, perhaps the ghostly visitations are actually mental projections of the new governess about whom we crucially know very little. For example, she certainly appears consumed with her charges welfare, but is she also mingling their behavior with her own deep-seated confusions about innocence and sex. Does she, for example, confusingly blend the sexual libertine Quint with the budding adolescent Miles. Story here is foremost. There's no real interest in mood, or even Technicolor ornaments. Instead, we're riveted to the characters, minus peripheral distractions. Acting-wise, Redgrave's just right for the well-meaning governess, though I would have preferred a little more ambiguity in some of her behavior. Stealing the film, however, is young Jasper Jacob as Miles. I don't know that I've ever seen one so young (14) convey such a sense of wickedness, particularly with his gimlet shaped eyes. Several of his scenes with the mature Redgrave are unusually unsettling in their teetering sexuality.I've read James' novelette, but had a hard time with the congested prose, which I assume was meant to provide insight into the governess's mental state. Nonetheless, the book was, like the movie, oddly captivating to the end. And as an exercise in dark psychology, I don't think I've read or seen anything more mysteriously tantalizing. So, if you don't mind ambiguities, catch up with this little exercise.

THE TURN OF THE SCREW is, of course, another version of the classic ghost story written by American author Henry James. This one is produced by Dan Curtis as one of the many TV movie adaptations of classic horror literature that he turned out, and the screenplay was by sci-fi writer William F. Nolan. It's very different in tone to the classic film version of the story, THE INNOCENTS, but no less interesting. Lynn Redgrave plays the repressed nanny who becomes to believe that there's something very wrong about the children in her care. The cast do a fine job here, particularly the child actors for whom the material must have been different, and there's an appropriate atmosphere of regret and nostalgia which sees film through some of the slower moments. Redgrave does worried very well, and for once the low key nature of the production works.

*** POSSIBLE SPOILERS ***Perhaps its unfair to rate and comment on this as I haven't seen this since its original release some thirty years ago. However I remember being very affected by it, so much so that it sent me to the novella with which I promptly became somewhat obsessed. From what I recall (Quint was very vivid, as was Miles), however, I believe this is probably a heavy-handed version of the great James story, which is tremendously ambiguous and designed (as James himself said) "to catch those not easily caught." James wrote an unconventional "ghost/horror" story using the motif of the supernatural to drive his point home. I distinctly remember the very dramatic ending of this Redgrave version (note: her father Michael appeared as the Uncle in The Innocents), it is not about possession or spirits at all. That is far too literal and misses James' meaning entirely. That said, I believe The Innocents, another version mentioned by other reviewers, released in 1961 starring Deborah Kerr, is a more faithful adaptation, but still too heavy-handed in the depiction of the children and what is (or is not) happening. Good as Kerr is, she is too old for the role and brings her own natural elegance and poise which is in stark contrast to the governess's increasing, hyper-paranoia. So while I will always be grateful for this Dan Curtis version which impressed me so much as a kid (and why I rate it a 6), it led me to Henry James and the hope that someday someone will make a proper adaptation of a truly chilling tale.

******Spoiler Alert ******** Actually, I think the previous reviewer misunderstood the end of the movie. Young Miles became possessed by the spirit of the older man. He was not acting as Miles any longer. He was acting as an adult. Young Miles had never been brazen enough to drink brandy in front of his governess before. That was an obvious indication that he was possessed by the spirit. Therefore the double meaning of "Turn of the Screw" is quite appropriate.This movie was never really horrifying to me. It was quite creepy and mildly amusing. It's an enjoyable evening if you like movies set in the Elizabethan period. Watching it during a thunder storm enhances the creepiness.