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Kitty

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Kitty

Pickpocket Kitty's life changes when painter Thomas Gainsborough makes her portrait. The artwork gains the attention of Sir Hugh Marcy, who later decides to use her for his benefit.

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Release : 1945
Rating : 7
Studio : Paramount, 
Crew : Art Direction,  Art Direction, 
Cast : Paulette Goddard Ray Milland Patric Knowles Reginald Owen Cecil Kellaway
Genre : Drama History Romance

Cast List

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Reviews

Cubussoli
2018/08/30

Very very predictable, including the post credit scene !!!

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SoTrumpBelieve
2018/08/30

Must See Movie...

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StyleSk8r
2018/08/30

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

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Hayden Kane
2018/08/30

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

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bruno-32
2010/02/06

Yes, the costumes were beautiful...so was the production...alas, no Technicolor, which it deserved...we're talking about 1945, not 1935..cheap Paramount.. They seemed to prefer Technicolor for those Dorothy Lamour jungle movies. As for Paulette, it was her best performance that i could recall, though she was never considered a good acting actress. I did find fault in her cockney accent 'period'. Her acting improved as the story continued. One scene that puzzled me, was the one with Dennis Hoey who was trampling Paulette as he discovered her robbing him, and the young girl killing him accidentally. The bad housekeeper saw this and chased her to her death. I wondered what ever happened to her...and her witnessing this? To me, that was a major flaw of this movie. Bad editing? There were no scenes following on this matter. Did not the police investigate his death? Did not the housekeeper, who hated Paulette, informed the police that she was robbing her master and that led to his death...You would have thought the housekeeper would relish the thought of reporting Paulette to the police, after Paulette reprimanded her for smacking the young girl earlier. This bothered me in viewing it. As for Ray Milland, he was at his best, as usual, and won an Oscar that same year 1945, for "lost Weekend" and became a big leading man.

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bkoganbing
2010/02/04

Paulette Goddard reached one of her cinema high points in portraying the title role in Kitty. The film is part Pygmalion, part Forever Amber, and part Oliver Twist and all entertainment.She's a diamond in the rough, a rare beauty who was bonded out of fondling home to Sara Allgood who runs a Fagin like enterprise for girls. But Paulette has found a way to make a more honest living, she's posing for Sir Thomas Gainsborough. She's discovered doing just that by a couple of Georgian blades, Ray Milland and Patric Knowles.Milland finds her later and discovers her origins, but the painting she posed for has come to the attention of Lord Reginald Owen who would like to get to know the lady. Milland sees opportunity here and together with his aunt Constance Collier starts tutoring Paulette like Henry Higgins did with Eliza Doolittle on the finer points of genteel manners and speech.He tutors her well and Paulette's beauty does the rest. It's a pity that Kitty was not done in color, perhaps had it been made even the following year Paramount might have invested in it.What they did invest in and I'm sure this was at the insistence of director Mitchell Leisen was in Art&Set design. Leisen who did this before he became a director caught all the mood and ambiance of the late 18th Century Great Britain. The Art&Set Design earned Kitty its only recognition from the Academy of Motion Picture Arts&Science with an Oscar nomination in that category.Leisen also did well by his players. I did so love the bickering about art with Cecil Kellaway as Gainsborough and Gordon Richards as Sir Joshua Reynolds. Also take note of Dennis Hoey as the first of two husbands Goddard acquires going up the social ladder. Believe me, Scarlett O'Hara had nothing on Kitty.

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cris_ace
2008/07/03

Some 20 years ago, I left my VCR recording late at night, there used to be good movies on TV at 3 or 4 a.m. I expected to enjoy the movie, but I didn't know it was going to be the movie of my life! I just love it! I kept the VHS for years, unfortunately, I moved and I lost it. I still hope some day we'll get a DVD edition for it would be a pity such an excellent movie could fall into oblivion without letting everybody enjoy it. I particularly enjoyed seeing the evolution of Paulette, she goes from a guttersnipe to a lady and the transformation is perfect.."she's become that lady"..and she really had.. "Love a duck me pearls!" "Sir, a joke is never as funny the second time".DVD NOW!!!

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AnnieP
1999/05/11

I remembered this one from TV a hundred years ago. Paulette Goddard has the title role, and she is quite beautiful and completely convincing. Real-er than Eliza Doolittle, she slips in and out'a Houndsditch slang, but she is never comic or plays it broad. She is a lady long before she marries into royalty.Her persistent love of Hugh (played at his caddish-sexy best by Ray Milland) is the engine that drives the story. Plenty of good supporting roles, including Sara Algood, Cecil Kallaway (playing Gainsborough),Eric Blore, and that divinely handsome eternal man-who-loses-the-girl, Patric Knowles.I loved it - and though I am not a great Ray Milland fan, I find he can be very convincing as a lover. His only better example of it is "Golden Earrings" with Miss Marlene Dietrich. And as for Miss Goddard, we never saw enough of her to type-cast her - feisty, spirited, yes, but a little unexpected in the depth of her performance, and a very lovely lady to boot.This is what movies used to be - good characters (somebody to root for), an intelligent story, and Glamour. I recommend this picture highly!

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