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Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

The acting is good, and the firecracker script has some excellent ideas.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

I recently stumbled upon this film on Channel 4. Thankfully I only missed the first ten minutes as it turned out to be a most enjoyable film.If you're reading this review then you have most probably seen the movie so a synopsis is not needed.All I really have to say is that the mainly female cast is absolutely superb. I defy anyone to pick out a single performance that stands out from the rest. Phyllis Calvert, Patricia Roc, Thora Hird..the excellent cast just oozes British actresses who went on to even greater performances.The only thing that let's this film down are the actors who play the British soldiers. Whilst they are good, I found them maybe a little too old for the parts.All in all though, it is a splendid film. If a remake were made today, it could boast an amazing cast of todays British talent.I checked IMDb after watching this film and sadly, most of the cast are with us no more. It is as a tribute to them that I write this little review.

While I could see a few plot problems here and there, this British propaganda film did a good job of rallying the folks at home for the war effort. It begins in France just after the fall of the country (summer 1942). While you rarely hear about them, naturally some British citizens got stranded in the country and could not make it back to the UK. This film concerns British women who were interred by the Germans in a rather nice and luxurious hotel. While I have no idea how the Germans actually treated such women, I doubt if they were as nice and lax as they were in the film. This is a rare case where the Nazis portrayed in the propaganda film seemed nicer than the real thing--usually it's the other way around! The film initially is about these women adjusting to their new home and it took a strange turn when three British airmen were shot down and actually sought refuge with the women! The idea of them being able to just sneak in to this guarded facility seemed hard to believe. However, because the acting was very good as well as the direction and script, it seemed to work well. Despite a good job, there were a few sour notes. One was that when the prisoners or escaped fliers fought with Nazis, the bad guys had a very convenient habit of NOT crying out for help when they were attacked!! The other was late in the film when one woman went from loving one of the fliers to turning him in to the Nazis with incredible speed--it made no sense and seemed quite contrived. Still, the film generally underplayed the drama and was otherwise pretty convincing.For a somewhat similar plot but better handled is Claudette Colbert's "Three Came Home"--which is based on a real American woman's experience in a Japanese internment camp.

All those women are confined in a remarkably luxurious German internment camp without male company. What a waste, as so many of them seem to have film star looks and wardrobes to match. So what better spot for some British airforce chaps to seek refuge? Seriously now folks, those British boys must be helped to escape at once. But it's awfully hot in here don't you think, perhaps I'll just take a bath...After a slow and rather class-conscious opening, the story develops into a stylish, sometimes funny and often sexy battle of wits against the usual hapless German guards and the occasional informer. Along the way, the camera lingers wistfully on every stockinged thigh and lacy bosom, but somehow everyone manages to keep thinking of England – at least some of the time.A top cast of female leads.

The critics were a bit sniffy at the time of its release, but this is one of the jolliest films made during the war. It concerns a group of English women caught in France during World War II and interned in a posh hotel. It's full of the sort of "There'll always be an England" stiff upper lip stuff that looks so kitch these days, and yet there's also a feeling of release for these women since there are no men around.Sadly, some RAF men accidentally parachute into the camp and the women have to hide them from the Germans. The men are undercast and a bit dreary, but they wouldn't stand a chance against the cream of British character actresses anyway.The rest of the film concerns the women's attempts to smuggle the men out of the camp. The plot however is irrelevent. What matters is the way these actresses work without having to compete for billing with any male star. The film is fun, risque and the best British romp before Tom Jones.