Watch Deer Woman For Free

It's no definitive masterpiece but it's damn close.

Fresh and Exciting

It's easily one of the freshest, sharpest and most enjoyable films of this year.

The film never slows down or bores, plunging from one harrowing sequence to the next.

John Landis, known for his cult achievements from the '80s, such as "An American Werewolf in London", "The Blues Brothers", "Twilight Zone: The Movie", "Three Amigos!" and the video for "Thriller" by Michael Jackson, after 20 years, with episode "Deer Woman", returns to genre in which he is the best - a combination of horror and comedy. Not at all scary, but original, interesting and at times hilarious story of a being from Indian mythology, the beautiful girl with the legs and the power of big deer, who seduces men and then tramples them to death. The ending is bit lousy, but overall it's pretty much fun.7/10

John Landis, famed director of "An American Werewolf In London" (1981) delivers more satirical Horror about animal-people with his first entry to the "Masters Of Horror" series. Only that this time, it is not Werewolf but a Native American Deer-Woman who terrorizes the area. A run-down homicide detective (Brian Benben) believes that the person behind a mysterious murder-series is none other than a figure from Native American mythology: A deer-like creature in form of a beautiful woman. "Deer Woman" is witty, highly entertaining and doubtlessly the sexiest episode in the series, but even though I liked it a lot I cannot give it a higher rating than 6/10, simply because I like my Horror to be scary, which this simply isn't. This is not to say that this isn't a must-see for my fellow fans of the series though. "Deer Woman" has a nice atmosphere, an original screenplay which funnily references Landis' earlier work, "The Blues Brothers" (1980) and "An American Werewolf In London" (1981). Brian Benben and Anthony Griffith are also good in their roles of the investigating police. The most convincing quality of "Deer Woman" however, is the eponymous lady herself - the sexy Deer Woman played by the stunningly beautiful Cinthia Moura. The female cast members of MoH episodes generally tend to be hot, but this lady easily outshines all others. Moura is incredibly sexy and also very good in her role of the "Deer Woman". Sadly enough, this Brazilian beauty has not yet starred in anything else, but I sure hope that this will change.

This is easily one of the best MOH entries I've watched thus far, and definitely the most entertaining. I missed out on Landis' second horror outing – INNOCENT BLOOD (1992) – so I was relieved to note that he has lost none of his talent in this field (to say nothing of his uncanny ability to mix chills and gore with broad humor) in the years since AN American WEREWOLF IN London (1981); by the way, there's a brilliantly funny reference to that landmark film here. As can be guessed from the title, what we have in this episode is a half-woman half-deer who seduces and then brutally murders her prey (actually reminiscent of "Carpathian Eagle", one of the more successful entries in the HAMMER HOUSE OF HORROR [1980] TV series). Of course, nobody at first can make the connection between the presence of both a sensual native American girl (one minor gripe I have with this is the fact that everybody seems to fall for her obvious charms without once questioning her inability to speak, unless we're to believe the victims are all lechers) and a deer-apparently-gone-berserk at the scene of each crime!; the single funniest sequence is the hero having multiple (and wildly divergent) visions of the first murder – culminating in a bit where a deer, clothed and walking upright, makes off with a girl into the woods! Running hand in hand with the investigation is his story – a disgraced cop forced to deal with cases of animal aggression slowly regaining his integrity and faith in the job. Ironically, since he'd been demoted after having accidentally shot his own partner, it's only after his new assistant succumbs himself to the titular creature that he's able to bring her to book. Wisely, Landis leaves his comic baggage behind for the intense (if somewhat abrupt) finale – though coming in again at the very end as the hero realizes that he won't be able to satisfactorily explain the mystery to his superiors, so that it's back to 'harmless' animals for him from there on in

Burnt-out, cynical Detective Dwilight Faraday (winningly played by Brian Benben) and affable Officer Jacob Reed (a likable performance by Anthony Griffith) investigate a baffling series of brutal murders in which a handful of men are savagely trampled by a large, lethal animal. The pair discover that a deadly, yet enticing Native American woman (the stunningly gorgeous Cinthia Moura) is behind the killings; she seduces guys and then pulverizes them with her powerful deer legs! Director John Landis, who also co-wrote the witty and inspired script with Max Landis, takes an admittedly silly premise and deftly mines it for all the often sidesplitting off-the-wall black humor he can feasibly milk from it (there's an especially nifty dialogue reference to Landis' horror comedy classic "An American Werewolf in London"). Moreover, Landis delivers a handy helping of graphic gore and a decent smattering of tasty distaff nudity (Moura looks smoking hot topless). Benben and Griffith display a charming and appealing chemistry as the engaging lead characters; they receive nice support from Sonja Bennett as spunky coroner Dana. Jon Joffin's polished cinematography, Peter Bernstein's folksy, flavorsome score, the steady pace and the gruesome make-up f/x by Greg Nicotero and Howard Berger are all up to par. A hugely amusing romp.