Watch The Vampire Bat For Free

Who payed the critics

It's no definitive masterpiece but it's damn close.

Don't listen to the Hype. It's awful

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

SYNOPSIS: A small German village is terrorized by an apparent plague of unseen "vampire bats" that suck their victims dry of blood. COMMENT: By the humble standards of Poverty Row, this entry indeed comes across as a remarkable little film. The cast clocks in as pretty wonderful for a starter: Lionel Atwill at his best in the movie's major role; Melvyn Dougas of all people as the baffled hero (which he plays with all his usual charisma); and-disappointingly as it happens because her role is not only small and pretty inconsequential (though she does have a key scene at the climax), and in addition she is none too flatteringly photographed-Fay Wray! Another cult favorite, Dwight Frye, excels in one of the largest parts of his career. Also good to see George E. Stone and Robert Frazer (although, oddly, the screenplay provides Frazer with neither entrance nor introduction. He just suddenly appears on the scene). Unfortunately, Maude Eburne, a ham of the first water, enjoys a disproportionate amount of deadly dull "comedy relief" footage. Not a director one usually associates with "class" (although he did handle many of the "Blondie" movies including the justly famous haunted-house entry, Blondie Has Servant Trouble), Frank Strayer really rises to the occasion here. Mind you, he is helped immeasurably by the movie's great production values, including the extensive sets designed and made over by Charles D. Hall (Dracula, Frankenstein, The Old Dark House, The Invisible Man, etc.) and the spooky photography and atmospheric lighting of Ira Morgan (The Great Gabbo, The Sea Bat, Washington Merry-Go-Round).

A small town is suffering a rash of deaths that appear to be the work of a vampire ... wounds on the neck, blood drained, etc. Local cop Melvyn Douglas is skeptical, but the townsfolk are convinced and eccentric, bat-loving weirdo Dwight Frye is blamed. How is seemingly benevolent doctor Lionel Atwill connected. An enjoyable, brief little programmer with an impressive cast (Fay Wray is also here as a love interest for Douglas).

"The Vampire Bat" is one of those underrated horror films of the early 1930's that seems to impress more with each viewing. I won't go into the details of the plot, as that has been covered multiple times in other reviews, and it's not the story that makes the film shine.There are three things that make "The Vampire Bat" stand out from the other poverty row films - the cast, the direction, and the comedy.The Cast - Lionel Atwill, Melvyn Douglas, and Fay Wray get the heavy lifting in the film, and all are excellent. Atwill is perfect for this type of part, as he demonstrated many times. Douglas is sufficiently perplexed as the investigator, and Fay Wray is just gorgeous in distress. The other players add sufficiently, especially Dwight Frye channeling a dimmer version of Renfield from Dracula.The Direction - Frank Strayer does an admirable job in shooting the film, with creepiness abundant and lots of camera movement. Some shots are just so outstanding (such as the opening scene), that they almost seem out of place in a cheap horror movie. Strayer provides loads of atmosphere and never loses the audience. An excellent job.The Comedy - As with most horror films of this time, comedy relief was thrown in to lighten the mood of the audience, and in most films, the comedy was misplaced and terribly unfunny. However, in "The Vampire Bat" the comedy, mostly provided by Maude Eburne as Aunt Gussie, is spot on and still funny today. This helps to keep the film watchable.The Downsides - There is really only a couple of downsides to the film. The first is the editing, which is clumsy and hurried. It sometimes spoils the excellent direction. Cuts are often not matched, and this can distract. Obviously, this was not a big budget film, so the sets and overall production values are not high, but this is mostly glossed over by the efficiency and care shown by the director, but there are a few scenes where the seams showed too much, like the cave scene, parts of which look like it was filmed in a closet.Overall, "The Vampire Bat" is certainly worth a look for the great direction, a mad Lionel Atwill, and the always lovely Fay Wray.

Tod Browning was probably very pleased if he ever saw this movie, as the plot is so similar to his London After Midnight (1927), and later remake The Mark Of The Vampire (1935)he would have been very complimented at such stealing! A top notch cast including Melvyn Douglas, Fay Wray, Lionel Atwill and Dwight Frye try hard to make The Vampire Bat believable, and it has some nice atmospheric touches and ghoulish moments; but it also has a totally ludicrous solution to the mystery and Maude Eburne, who makes Una O'Connor look like someone you'd love to spend an evening with! The story concerns a series of vampire-like murders in the German village of Kleinschloss. The local oddball Herman is a chief suspect due to his penchant for visiting victims the night before they were murdered and making pets from the local bat population. The locals, obviously having just moved from Ingoldstadt near the Frankenstein residence, pursue him to his death, which they hope will solve the problem. Kindly Dr. Otto Von Niemann (Lionel Atwill) even admits that it looks like Herman (Dwight Frye) could be the one responsible. The local police inspector (Douglas) finds himself beginning to agree. You know where this is going, don't you? Atwill can act this sort of stuff on his head, and he's always welcome and value for money. He really needed a better script, as it's not very clear exactly what he's trying to achieve. Frankenstein creates a man-monster, Von Niemann what looks like a bath sponge!The Vampire Bat never gels very well but it does have its moments, notably a medical blood draining session and some shadowy sequences with the murderer leaping across the rooftops near the beginning of the film. I won't go any further into the story other than to say it ends in a rather nasty case of...Epsom Salts! What is of interest is the cast. As well as the horror regulars mentioned above we also have Lionel Belmore (Frankenstein) Robert Frazer (White Zombie) and Rita Carlisle (Dr. Jekyll and Mr. Hyde) to round things out and its always fun to watch such actors go through their usual routines. A minor entry then in the early 30s horror boom, not without compensation.