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Night of the Dead: Leben Tod
Pregnant and frightened, Anais is not allowed to leave the specialized hospital where her husband, Peter has a medical internship with his uncle, Dr. Gabriel Schreklich, a man with a serum that can resurrect the dead. But things go terribly wrong and the Ghouls take over the hospital. Now, the only way for Anais to save her unborn baby is to get one of the Ghouls to help her to escape.
Release : | 2006 |
Rating : | 3 |
Studio : | |
Crew : | Director, |
Cast : | Joey Jalalian Gabriel Womack David Reynolds Carla Valentine |
Genre : | Horror |
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Thanks for the memories!
Fantastic!
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
I've made no secret of disliking The Asylum's films, and saw Night of the Dead out of curiosity and to see if The Asylum were going to make something tolerable. I Am Omega is their best film and that only ranges from mediocre to decent. Night of the Dead is not their worst but I'm afraid I have to counterbalance the positive reviews and say that I didn't like it at all. The lack of originality was a problem, as there is nothing that is surprising at all here, but not the biggest problem. In terms of story it was the pace that was the let down. It unfolds very slowly, nothing wrong with that providing that the story itself is interesting, in Night of the Dead's case it wasn't, coming across as insipid and dull instead. The stupidity of some scenes is overwhelming, I never bought the idea that the characters even in the same buildings could be so oblivious to everything that's going on. The scene with the frog is over far too quickly and none of the attacks are suspenseful or horrifying. Some have said the gore was creative, I personally found it very phony and eventually somewhat excessive also. Technically, Night of the Dead is no better. The special effects are artificial and the editing is choppy. Things get even worse in written quality, with dialogue that is hackneyed and reeks of cheese and characters that are never developed and annoyed the heck out of me, in fact not in a while have I seen characters from any film act so stupid. The acting is also awful, there is a strong impression that nobody wanted to be there and with dialogue and characters as bad as they were I am not surprised. I personally found the leads to be too bland to have one ounce of likability. If there is one redeeming quality, it is a semi-decent last 10 minutes, it is at least decently paced and has some tension. However it does come far too late, especially considering that by the halfway mark I seriously did consider turning the film off, but being fair I stuck with it. Overall, really awful with next to nothing to like about it. 1/10 Bethany Cox
Other people have posted reviews and have stated "beware of those who give this movie a low rating because they have some kind of ax to grind or they're jealous, etc." Well I'm here to say I knew nothing about this film when I picked it up at the local rental store, knew nothing of it's director or producer, anything at all. The cover looked interesting! I'm a bad horror film fan...love 'em. Re-Animator being one of the best! This film compares itself to that wonderful piece of shlock, and "Night of the Dead by Eric Forsberg" is so far from being comparable, I don't even know how to put it into words. I joined up to IMDb in order to write this review -- that's how bad this film is. I can not recommend this film at all, the story is weak, the camera work is terrible and looks like a home movie, and the acting?... shameful. Sorry guys but this is one horror film fan that is very disappointed. You did get me to rent it though, with your packaging and enticing text... congrats on your marketing! Maybe you should try that field and leave film-making to the professionals.
This was a very well done movie. Very good work by the doctor, a good portrayal of a mad scientist absorbed by his work and blind to its failings. The part of the muscle man assistant was very well played. There was something about the doctor's wife that I really liked, but I couldn't put my finger on it. Solid performances overall by all the cast.The first half was somewhat trite, the plot was predictable and some of the scenes just gory. The second half is well worth the wait, and the final scenes let it all hang out. The plot twist at the end was quite good, totally unexpected.Overall very creative. Make sure Dr. Gabriel Schreklich never takes your rectal temperature.
If you like blood and gore, Eric's Forsberg's "Night of the Dead, Leben Tod" is for you. It is awash with blood and slimed with gore. Plus it's a lot of fun. The audience at Hollywood's Shriekfest laughed out loud -- that is when they weren't gagging, squirming in their seats or covering their eyes. Not only that, but for an ultra-low budget horror film, it has an especially well-written story with sympathetic characters, believable acting, good production values and a kick-butt musical score.Louis Graham is sentimental and mad as the conflicted Dr. Schreklich whose "experiments" are driven by love for his family -- unfortunately with horrific consequences. Deirdre Lyons as the snarling, sexy Schatzi would make a perfect "Fangoria" cover. As the pregnant Anais Sturben, exotically beautiful Joey Jalalian is convincing in both her feminine fragility and in her new-found strength to save her child and husband. Gabriel Womack, who plays Peter Sturben, is an action hero in the making, yet he has the sensitivity to play the soft side of a husband who loves his wife and child so desperately that he will do anything for them, despite pangs of conscience. David Reynolds ("House of 1000 Corpses"), as the doctor's creepy assistant Gunther, not only revels in the blood and gore, but is given an added dimension by his touching relationship with Nurse Krakenhaus played by Silvia McClure. The Autopsy Ghoul, Charles Schneider - who is also responsible for directing the second unit -- meets his end with a memorably grisly death. And there is nothing scarier than a seven-year old ghoul -- Lola Forsberg as the doctor's daughter, Christi -- that can take down a full-grown man! Tom Devlin and his team from 1313 FX have pulled out their whole bag of tricks to provide the "gore-rific" make-up effects for the film, including severed heads, bashed brains and gallons of blood. His efforts have already garnered several film festival awards. Art Director, Daniel Lavitt, deserves credit for setting the scene with a hospital full of pickled body parts and dinners bound to turn your stomach.The cutting-edge editing by Mary Ann Skweres keeps the story moving and helps to sell the effects by not lingering on them long enough to show any flaws. An unflinching commitment to take the film's bloodiest sequences to the limit is achieved by the quick jump-cuts that add a relentless intensity to the pacing and never let the viewer catch a breath. The orchestral score drives the audience on this bloody joy-ride of a film. Composer Bob Bayless, who has worked with top Hollywood composer Jerry Goldsmith, draws on suspense, horror, drama and rock elements to compliment the emotional complexity of the story while adding a few scares of its own."Night of the Dead, Leben Tod" might make you gag, squirm, cover your eyes or even laugh, but it never compromises the horror that makes it an instant cult classic!The film is produced by Cerebral Experiment with Hollywood Dell Digital Studio providing post production services.