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Nice effects though.

Good story, Not enough for a whole film

A brilliant film that helped define a genre

The film makes a home in your brain and the only cure is to see it again.

D.W Griffith's "The Sealed Room" basically is a variation on Griffith's interest on French-esque settings inspired from his obsession with French Film D'art School. ... Even with that in mind, I personally feel that it had his calibre in concentrating with emotional turmoil and his blueprint of heart filled vignettes in a great state of pandemonium. The human condition is seldom analysed, but the real external floods of it are definitely overt.Henry B Walthall, famous for the Confederate he played subsequently in "Birth of a Nation" plays a grandiose man and owner of a castle. He is in love with another woman and is in conflict with an interloper who is trying to raid his castle; he is sealed from any physical contact, surviving through hope, love and courage - However way they are integrated, it leaves on an open ending notwithstanding that. To me this is a quintessential movie to be viewed; the delicate and careful readiness of costume design and interiors, while very worn out, feels valuable to me and every bit of architecture in the movie. Albeit it lacks suspense, the movie ventures into an amazing Period and Foreign type of Genre, with elements that revive the early cinema novelty.

I found it interesting that two very famous silent film stars, actress Mary Pickford and director Mack Sennett, had supporting roles in this D. W. Griffith silent film. To add another famous name to the mix, the screenplay was based on an Edgar Allen Poe novel.Yes, this short film looks creaky but it's one year short of being 100 years old, so you can't expect much as far as a big-budget film. It's hard to relate to much at all, actually, because movies were only 10-20 minutes long at that time anyway, and since there was no sound, the actors acted more like mimes.Since "talkies" were still almost two decades away, even the silent actors hadn't quite got their acts down yet. You can see the result: insane overacting and wild, crazy facial expressions - actually laughable at times. But, hey, it was 1909. I find it amazing we still have the opportunity to look at a movie this old, and appreciate the fact it's available.

This early Biograph short was so much fun to watch. The second on disc one of D.W. Griffith's "Years of Discovery" DVD set (highly recommended) it features three excellent performances by the main leads, and interesting to see Henry B. Walthall (The Little Colonel, Birth of a Nation) as a campy musician giving a Countess the eye (and other things).The Countess' husband goes berserk at his wife's betrayal and has her walled into a little room with her paramour. It's kind of incredible that they wouldn't hear the wall going up, but hey, maybe the wine had something to do with it. Here Mr. Johnson (father of silent player Raymond Hackett) gesticulates wildly and this adds to the melodrama, but in an unexpectedly comical way. The best moment comes at the end. As the lady passes out from shock and fear, once she realizes she's doomed, Henry picks up his instrument and "fans" it over her. The way he did it was so unexpected and in a strange way kind of sexy, and I just lost it, and laughed my head off. The expression on his face! From that moment I was charmed by Henry B. Walthall.

One of Griffith's early Biograph films about a king who becomes enraged upon seeing his lover with another in her room. Clever, and mostly interesting for its historical value, this short film is quite entertaining and should not be passed over if you a get a chance to see it.