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Biohazard: The Alien Force

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Biohazard: The Alien Force

Triton Indutries has created a genetically-engineered creature using DNA from human sources. During the course of the experiment, however, the host mother carrying the mutant escapes from the laboratory compound, giving birth shortly thereafter. The intellient "baby" beings hunting down and killing its male DNA donors, while at the same time trying to mate with its female donors. The head of the lab wants to destroy the monster before the press can get wind of the story, but the former head of security wants to expose the whole thing.

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Release : 1994
Rating : 3.3
Studio :
Crew : Special Effects,  Director, 
Cast : Christopher Mitchum John Alexander Trevor David William Grefe Patrick Doran
Genre : Horror Science Fiction

Cast List

Reviews

XoWizIama
2018/08/30

Excellent adaptation.

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ThrillMessage
2018/08/30

There are better movies of two hours length. I loved the actress'performance.

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Adeel Hail
2018/08/30

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

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Deanna
2018/08/30

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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Woodyanders
2016/09/22

A deadly and predatory genetically engineered mutant (James L. Miles in a funky, if hokey rubber suit) made up of the DNA of various donors escapes from a lab so it can hunt down and kill the male donors while attempting to mate with the female ones. Meanwhile, nefarious lab head Donald Brady (token semi-name Christopher Mitchum, who just barely manages to retain his dignity) wants to capture the beast for his own evil reasons. Boy, does this hilariously horrendous honey possess all the right wrong stuff to qualify as a real four-star stinkeroonie: Ham-fisted (mis)direction by Steve Latshaw (who also co-wrote the supremely silly script), terrible acting from a lame no-name cast, tacky gore, cut-rate (far from) special effects, rusty tin-eared dialogue (sample line: "He can smell you boys -- be careful"), a mechanically bouncy synthesizer score, and ineptly staged monster attack scenes. Naturally, we also get a generous serving of yummy (and utterly gratuitous) bare distaff skin. Florida exploitation cinema legend William Grefe has a funny bit as loudmouth drunk Mr. Babb. An absolute schlocky hoot.

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kenton99
2007/11/12

This is a good cheesy B-movie. A monster is running around eating people up. The creature looks great but the acting is bad. There was one point in the movie when i didn't even know what was going on. That was one of the only down sides. It was like they just gave the scrip to someone else and told them to write. The monster looks like a gorilla with green scales and sharp teeth. A great Bmovie! Over all i enjoyed this movie very much and i am happy to have added it to my collection. In case you want to buy this movie on DVD go to Amazon.com. Thats were i bought my copy, I don't think they sell it in stores.

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Steve Van Kooten
2007/04/16

Contains a little blood, no boobs n' fluff. An evil corporation (there's no other kind) attempts to capture one of their experiments, which is running around a big city killing men and raping women. Of course, a thoroughly uninteresting hero steps up to put a stop to the violent creature. - - - This is completely DTV material. Latshaw strikes again with this forgettable creature feature that fills the bare minimum requirements of action and stupid nonsense, but is a bit too light on the sleaze to be worth the time. There are some decent moments throughout, but no sign of tension or a well thought out plot. About the only thing that stands out is the fantastic looking creature suit. Compare that with the suit used in Ray's "Biohazard" and you can see where the minuscule funds went... it sure wasn't the actors.*1/2 out of 4

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Escoba
1998/10/23

I never thought that a straight to video, EP format film could be so engrossingly luscious. The sparse, unembellished dialougue would make Hemingway proud, and the Faulkneresque surrealism tops it off. A bold, yet flawless combination results. For example, when the bio-baby's mother uses a basketball under her shirt to simulate pregnancy, the sport's inherent physical violence foreshadows the creature's ultimate nature. Conversely, when the four-door Pontiac, just before being struck by the missile, is replaced by a two-door Buick, it becomes apparent that means of this sort will only reveal the chaos that must ensue whenever anyone employs violence. The only virtue of the car which remains unchanged is its color, red, which needs no explanation. Similarly, when the editor inverts the negative of the crashing helicopter, well, the imagery is readily apparent. This film, while disturbing, will forever change not only the way you look at filmmaking, but your view of life itself.

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