Watch Hard Rock Zombies For Free

I love this movie so much

Instant Favorite.

Absolutely Fantastic

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

This film has it all! A pedophile romance, a switchblade wielding werewolf granny in a wheelchair, Hitler, zombie midgets, awesomely cheesy 80's tunes, nudity, and some of the worst acting and editing i've ever seen. This is one of those rare movies that's so bad it's good. It's offensive, bizarre, and just flat out hilarious (unintentionally, of course). If any of the aforementioned story elements intrigue you or if you're just into really low-budget 80's horror movies...then this might be worth checking out. Would make an awesome double feature with "rock and roll nightmare". The love ballad "Cassie" should be the theme song for all pedophiles.

Many aspects of this film might remind you of a Lloyd Kaufman Troma movie, only cheesier, and with a more disjointed plot (yes, both those points are possible). There will be no mistaking that this film comes from the 80s, with the poofy hair and glam rock. Hard Rock Zombies contains several montages, most of them embarrassing, and one of them confusing.There are certainly some unique scenes in this film that you're likely to have never seen before, however, part of the reason for that is how dumb and/or absurd they are. The plot is mostly nonsensical, and sometimes difficult to follow. That being said, the absolute silly nature of this film is what made it most enjoyable. This is the first movie I've seen with a Nazi zombie midget riding and biting a cow.Gorehounds: there is a pretty steady stream of violence throughout the film, some effects are better than others, but I would say they were pretty good for the very low budget they presumably had. While there aren't too many innovative acts of mayhem, there were a few things I hadn't seen before.Some might wonder about the nudity factor. There are really only two scenes, and they are very brief. They feature the same woman. You see her buttocks briefly in both shots, and breasts in both, from 5 miles away in the first scene, and very briefly close-up in the second (in the shower). It seems the actress may have been somewhat uneasy about baring her breasts. Watch as she stabs a man, while taking care to cover her breasts with her free arm! That said, she is well-endowed, and, well, a hot 80s blonde! This movie is worth checking out if you like absurd and cheesy comedy horror, and don't mind or enjoy sappy romance. You will learn about the evils of rock 'n roll, the means of resurrecting the dead (which the movie can't seem to decide on), and the true fate of Adolf Hitler.

A simply hideous and allegedly cutesy'n'campy tongue-in-cheek horror spoof with a numbingly cheesy heavy metal rock music gimmick. A pathetic hair band called Holy Moses agrees to perform a gig in a nowheresville Northern California hamlet. Unbeknownst to the band, there's a strange family of murderous freaks in the immediate area led by a still alive Adolph Hitler (depicted here as a fat, lecherous old goat who makes love to Eva Braun while his deformed dwarf grand children watch). The band gets killed by the freaks, but come back as vengeful zombies. The band proceeds to butcher the family, only to have them return from the dead as zombies as well. The freaky family naturally attack the surrounding uptight square townspeople. Next thing you know zombies are everywhere. They engage in all kinds of broad, ridiculous, groan-inducing stupidity: a midget zombie tries to eat a cow, a little old lady zombie who also transforms into a werewolf (!?) hobbles about in her wheelchair, another midget zombie hitchhikes on the side of the road, the band performs a snazzy goth-rock number for a talent agent, and the jerky townies decide to sacrifice a local virgin to the teeming zombie horde.Sound good? Well, it sure ain't man. For starters, the tiresomely arch and pseudo-hip comic tone affects a gratingly smug and off-putting forced sense of wannabe funky-cool posturing. The gormless, sophomoric humor resorts to demeaning racial stereotypes and dopey pun-ridden dialogue ("She's a fine mama") in its pitiful attempts at eliciting cheap laughs from the audience. Krishna Shah's limp (mis)direction, working from a terribly asinine script written by Shah and David Ball, fails to inject any wit, style or vigor into the idiotic goings-on. Tom Richmond's flat cinematography falls back on dreadfully dated mid-80's MTV rock video visual clichés: madly darting to and fro pans, tilted camera angles, gauzy backlighting, and the ubiquitous curling swirl of hazy smoke billowing in the background. The hopelessly lame head-bangin' music is sheer torture on the ears. The colorless acting, an excruciatingly lethargic pace, John Carl Buechler's crummy make-up f/x, the mild gore, the uniformly obnoxious and unlikable characters, and a general air of total creative impoverishment further sink this clunker like an 80-pound boulder. The absolute dregs.

Ah, eighties music. When it was good, it was good; and when it was forgettable, it lives on only in artifacts such as this movie. Rock and roll zombies, midget Nazi rednecks, a grandma who turns into a werewolf, a nearly mute young girl with Groucho Marx's eyebrows, and Adolph Hitler himself—how can you go wrong with a lineup like that? Very easily! All in all, a bland movie. You can obviously see how the filmmakers were trying to keep themselves interested, with limited results: The Hitler scene (I honestly thought the movie would get better after that); Hitchhiker Girl's repeated interpretive dance sequences; even the deformed dwarf slowly eating his entire body (in the last scene, he's nothing but a head -- and then he sucks his face into his mouth and chews, leaving only a skull). Despite all that, you could almost hear the director yawning. Or maybe that was me.