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Highly Overrated But Still Good

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

It was a real chore to watch this one. The script is silly, the acting is beyond poor, and the musical performances are tedious. There's no charm here; steer clear.

Way too heavy on the violin and musical numbers. This one would have benefited from a spiffing up of the script. Claudia Dell, in one of her earlier starring roles is the charming, flirtatious Kitty Bellairs, in this LONG period piece. They keep breaking out in song, but more of a story would have made it a better film. The one bright spot here is Walter Pidgeon, from such awesome films as Mrs. Miniver, Forbidden Planet, Voyage to the Bottom of the Sea, and SO many others. I won't talk about the story here, because my god, it goes on and on. All quite inane. Co-stars Ernest Torrance, who had been around hollywood for YEARS. This seems to be based on a novel by Egerton and Agnes Castle (Egerton ? must be a french name, as he was born in france). Directed by Alfred Green, who had started out in silents. While he didn't receive an oscar as director, several of his film stars DID receive oscars for their performance. At least it's all over in 63 minutes, a Warner Brothers shortie. Skip this one, unless you are a fan of the actors involved. Sound and picture quality not good in the version i saw, but I guess for history's sake, we're lucky to still have it around.

In the very early 1930s, operettas were quite popular. Films like "The Rogue Song" and "Sweet Kitty Bellairs" were just a couple such movies and less than a decade later the style was resurrected with the Jeanette MacDonald and Nelson Eddy films. However, by the mid-1940s the genre was just about dead due to changing tastes and when seen today the pictures come off as very strange and old fashioned. Based on what I've seen, I can understand why they are no longer popular.When "Sweet Kitty Bellairs" begins, a group of rich 18th century folks are heading to the spa town of Bath for a holiday. However, their carriage is waylaid by bandits and the cheeky masked leader decides that instead of stealing all their valuables that he'd just take a kiss from Kitty. While she protests, it's pretty obvious to tell that she is quite taken by this stranger. And, what's also obvious is that the nice man she later meets at the spa is actually the bandit dressed in the fine clothes of a gentleman. What will come of this? See the film (or, better yet, don't).This film was creaky with age and left me very, very bored. Much of the music just put me to sleep but the bad acting made it even worse. Particularly bad was Ernest Torrence who just didn't seem to know how to deliver his lines...though he would improve in later films. Perhaps he just wasn't used to sound films. All I know is that the movie left me very cold and this sort of silly fluff just didn't appeal to me. Far less well made and interesting than a MacDonald/Eddy film.

A musical mix-up of identities, duels, and love, SWEET KITTY BELLAIRS takes place in the English city of Bath in 1793. The plot involves jealous lovers, intrigues, a highwayman, and masks as Kitty (Claudia Dell) tries to unscramble a few mysteries and win a shy lord (Walter Pidgeon). Amazingly this fluff comes from hard-boiled Warner Brothers.Not a bad film at all, this one simply got lost in the glut of musicals in the early talkie period. Originally shot in Technicolor, this film survives only in B&W and was one of many "operettas" to get released after the success of RIO RITA.Dell is very pretty but has only a so-so singing voice. Pidgeon seems oddly cast but handles the songs well. Ernest Torrence is a surprise as the blustering husband. June Collyer plays Julia. Flora Finch plays the old gossip. Lionel Belmore, Tom Ricketts, and Arthur Edmund Carewe also co-star.A highlight is the ribald song "Peggy's Leg."