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The Gladiator
A road warrior vigilante avenges his brother's death at the hands of a crazy motorist by using his souped-up pickup to apprehend drunken drivers and others who abuse their driving privileges.
Release : | 1986 |
Rating : | 5.3 |
Studio : | New World Television, Walker Brothers Productions, |
Crew : | Production Design, Director of Photography, |
Cast : | Ken Wahl Nancy Allen Robert Culp Stan Shaw Rosemary Forsyth |
Genre : | Drama Action Thriller TV Movie |
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Too much of everything
Strong and Moving!
Just perfect...
Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
I love Abel Ferrara, but I'm guessing he was slightly high when he accepted this gig and had some bills to pay?? No that's cruel. Although the film stock and general production values of this are shoddy and televisual, Ferrara's gritty aesthetic just about peers through the sanitised veneer of this one. His mechanic best buddy is a nice character, and there are a few unintentional laughs to be had. Overall though, if this was your first insight into abel ferrara, then it would be a bad one to pick...Choose Ms.45, King of New York, Bad Lieutenant or Fear City instead....I believe Tarantino's segment of the forthcoming film GRINDHOUSE is about a killer, hit-and-run car.....I'm sure he's seen this one then! I also had the (mis)fortune of watching BLACK MOON RISING on the same day!? Also about cars/car chases/the fetishisation of driving souped up cars in the US. Is this the direction that Tarantino is travelling???.....
When one thinks of the singularly raw, gritty and hard-hitting cinema of Abel Ferrara (who's rough'n'tumble films include "Driller Killer," "Ms.45," and "Bad Lieutenant"), several scattered idiot box credits aren't the first thing to spring to mind. But back in the mid-80's the often fiercely indie and underground Ferrara briefly went mainstream and somehow wormed his way onto the boob tube, where he directed the "Crime Story" pilot, a few episodes of "Miami Vice," and this fairly generic, yet miraculously rough-edged and compelling made-for-TV feature. Ken Wahl of "Wiseguy" TV show fame gives a somewhat stolid, but overall acceptable and engaging performance as an amiably zhlubby blue collar ordinary shmoe ace automobile mechanic whose younger brother gets killed by a drunk driver in a sinister black muscle car. Haunted by his bro's untimely death and angry as all hell, Wahl builds himself a lethal souped-up tow truck, hits the dark, hazy, perilous Los Angeles nocturnal streets looking for that spooky muscle car, and winds up becoming a self-appointed vigilante who takes out all those leering, unruly, bellicose, recklessly inebriated killers on wheels who pose a general threat to decent, law-abiding folks on the road with them. Naturally the cops want to nail Wahl real quick and the media turns him into a folk hero.Okay, so the plot is little more than a vehicular "Death Wish" variant crossed with "Duel" and the picture does suffer somewhat from unavoidable mild'n'middlebrow TV movie sanitizing (the sporadic sappy pop-slop tunes mewling away on the soundtrack are especially irritating), but Ferrara's strong, sturdy and stylish direction certainly compensates for these minor flaws. As usual with Ferrara, he takes a provocative questioning stance with the obsessive, tormented protagonist, vigilantism is properly addressed as the knotty, nothing remotely simple or easy about it issue that it really is, James Lemmo's slick, polished, glittering neon-hued cinematography vividly depicts a luridly gleaming nighttime atmosphere, and the palpable evocation of the scary, forbidding and dangerous urban hellhole jungle setting positively seethes with a frightfully omnipresent menace. Moreover, there are fine supporting turns by Nancy Allen as a sweet radio talk show host, the always reliable Robert Culp as a hard-nosed detective, and Stan Shaw as Wahl's nice dude best buddy, David Frank supplies an effectively spare, shivery, jazz-flavored score, and the final showdown between Wahl and the muscle car delivers the pulse-pounding, heart-stopping, metal-mangling auto-to-auto stand-off goods. Sure, it's not exactly one of Ferrara's best-ever offerings, but this generally solid and satisfying item sure ain't no lemon, either.
I bought this for less than five quid, so I didn't expect much. The villan has a black 69 Dodge Charger and there's a 70's Torino in there as well - it's a bit like watching one of the Dukes of Hazzard episodes - there's one with the General and a Starsky Torino in a Junkyard. The Gladiator has the Duke traits - the story isn't great but you get a bit of car action involving 60/70's US cars. It works for me, I even spotted a black 76 firebird in a junkyard !
I was in sixth grade when i first saw this movie, it had everything i was looking for in an "automobile chase" movie, at that time that was what i was into, roadwarrior etc.....It had the drunk on revenge main character....who soups up his truck to take down drunk drivers after his brother gets hurt by one. And not to mention the standoff automobile fight scene in the end that would make vaughn from crash, pass out in ecstasy.did i mention that i loved able ferra movies before i even knew who he was?!If you ever get a chance to see this vehicle vigilance movie. then do so. Other wise you will miss his really cool harpoon gun.