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Just perfect...

best movie i've ever seen.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

THE BLOODSTAINED SHADOW is an engaging if lesser giallo from director Antonio Bido. The problem with the film is its story, which is all too familiar from movies that came previously, in particular Argento's DEEP RED which is a big influence here. The Venice setting is a decent one but the film can't help but resemble Nic Roeg's DON'T LOOK NOW at times and of course it can't hope to hold a candle to that particular masterpiece.Otherwise this is a watchable enough piece with a story that resembles a jigsaw puzzle, with the viewer required to put the whole thing together. Some unexplained murders are assailing the main cast members, who are two brothers, a priest and a professor. Historical crimes, romance, mental illness, and a typical gloved murderer are all elements of the story. The cast is generally good, giving solid turns to sometimes clichéd characters, but the real star is Bido, who brings style rather than gore to his movie. The best parts are the atmospheric stalking sequences that precede every murder.

A practically goreless giallo coming fairly late in that genre's cycle, "The Bloodstained Shadow" (1978) yet manages to provide all the requisite thrills that Euro horror fans might reasonably expect. This was the second picture from director Antonio Bido, whose initial giallo entry, "The Cat With Jade Eyes" (aka "Watch Me When I Kill"), released the year before, seems almost forgotten today. Drawing liberally from 15 years' worth of giallo tropes and conventions preceding it (Bido, on this Anchor Bay DVD, acknowledges his debt to Dario Argento during a modern-day, informative interview), the film remains a very worthwhile contribution to the genre.In it, the viewer meets a pair of brothers, Stefano and Paolo D'Archangelo. When Stefano, a college professor (played by Lino Capolicchio, who some may recall as the leading man in Pupi Avati's grisly giallo of 1976, "The House With the Laughing Windows"), comes to visit his older brother, a priest living on an island off the coast of Venice, he picks a rather unfortunate time to do so. On his first night in town, Paolo witnesses the murder of the local medium woman, although the murderer him/herself is not visible in the driving rain. Before long, Paolo (played by Craig Hill in a very intense manner) begins to receive threatening notes enjoining his silence, while the trio of regulars at the medium's seance get-togethers starts to meet very violent ends. To help his distraught brother, Stefano goes into Sherlock Holmes mode, accompanied by a woman whom he'd met on the train trip to the island, Sandra (played by Stefania Casini, whose barbed-wire demise in Argento's "Suspiria" the previous year will be recalled by many)....Filmed largely on the island of Murano, right off the northern coast of Venice, "The Bloodstained Shadow" certainly does have local color and ambiance to spare. The town where Stefano visits looks beautiful and at the same time run-down, engendering a seedy aura of old-world, decayed charm. Bido and his director of photography, Mario Vulpiani, treat the viewer to many glimpses of the town and its canals, as well as nearby Venice; add this picture to the list of horror films that transpire around Venice in the winter, such as "Don't Look Now" and "Who Saw Her Die?" Plotwise, Bido's film holds together fairly well, unlike many other gialli that I have seen (I'm thinking of you, "Death Walks at Midnight"!), although most viewers will benefit from a repeat viewing to appreciate all of the film's plot subtleties. As mentioned previously, this is not a particularly violent giallo picture, and even the queasiest of viewers will have no problem watching the murders--a strangling, a spear to the chest, an old woman being thrown into a roaring fireplace, a slaying via motorboat in a nighttime canal, a throat slitting--that the film dishes out. And adding hugely to the experience is yet another wonderful score done by the prog-rock outfit known as Goblin. Here, the band has arranged and performs music by composer Stelvio Cipriani, and those viewers who have enjoyed the band's contributions to the Argento films "Deep Red" and "Suspiria" will certainly be pleased with its work here. Goblin goes uncredited in the film, as does director Bido's cameo role, playing a cemetery surveyor around 4/5 of the way in. (On a side note, this viewer just recently saw yet another Italian horror film with a score by Goblin, the 1979 cult item "Beyond the Darkness," which I can also recommend. This film is twice as sick and 100 times as gruesome as "The Bloodstained Shadow," and is quite the unforgettable experience!) As for the Anchor Bay DVD itself, it looks just fine, and the 13-minute interview with the modern-day Bido reveals him to be a man with an engaging personality and a clear memory. The film has been excellently dubbed for this print (although subtitles would still have been preferable), and in all makes for a very nice evening's entertainment. Just one thing: Make sure you look up the definition of the word "breviary" before venturing in....

I promise ABSOLUTELY NO SPOILERS ... which is important for a film like this.I'm surprised this film isn't rated more highly among fans of Giallo or Italian Horror.Like the best of its kind, it keeps you guessing ... and then second-guessing. You will suspect everyone! Often I told myself, "it would be too obvious if he or she is the killer but then again, maybe." (You can feel the writing toying with you!) Add to that the artistic sense, music and photography that make the best Italian films so compelling and you have dark, mysterious, creepy fun!

Dario Argento was,along with Mario Bava ,one of the two most influential forces as far Italian horror movies were concerned.As an user has already pointed out,the director desperately pretends he is Argento.Alas!Argento's sensational sense of space ,his non-Euclidian geometry cannot be imitated ,aped.Here the director tried to hold the cards and he dismally failed: horrible crimes ,strange characters(a priest that knows more than he claims,a gay /pedophile ,a medium), a scary painting (like in Argento's "Ucello dalle piume di cristallo"),and a young man whose past comes back to haunt him.Even Venice is ugly!It speaks volumes about the cinematography.