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Highly Overrated But Still Good

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

One of the most extraordinary films you will see this year. Take that as you want.

A hiccup in the Torchy Blane series, "Torchy Blane in Panama" (1938), dropped the Farrell-MacLane combo in favor of Lola Lane and Paul Kelly. Despite an ingeniously fast-paced script and admirably deft direction by William Clemens, this entry was not popular with audiences who clamored for the restoration of Farrell and MacLane.Never one to disappoint the picture-going public, producer Bryan Foy rushed his original stars, Glenda Farrell and Barton MacLane, into "Torchy Gets Her Man" (1938). On this excursion, Torchy uncovers the brains behind a counterfeiting racket. Another tightly-written script, another great assembly of top-notch character players, plus -- would you believe? -- a really outstanding music score. Glenda Farrell so enjoyed Getting Her Man with director Bill Beaudine (who encouraged her to set a new record in speedy dialogue delivery), she specifically asked producer Bryan Foy to assign him to "Torchy Blane in Chinatown" (1939). Three or four critics actually regard this entry as the best in the series. Certainly the support line-up headed by Henry O'Neill, Patric Knowles and James Stephenson surpassed even the highest standards of the other entries.Stephenson, who was on the verge of major stardom after his riveting performance in "The Letter" (1940), died in 1941 just as he was about to reach the top. A stage-trained actor with a magnetic personality, rugged yet soulful features and an expressive voice of unique timbre and resonance, Stephenson never gave a less than compelling performance in his life. "Torchy Gets Her Man" was certainly no exception.

Torchy Gets Her Man (1938) ** 1/2 (out of 4) The sixth film in the Warner series has Glena Farrell returning to the role of reporter Torchy Blane. This time out she learns that her fiancé detective (Barton MacLane) is working with a government man as they two to capture a counterfeiter known as $100 Bailey. TORCHY GETS HER MAN is certainly a step up from the previous film, which was just downright flat due in large part to a weak story and the lack of Farrell. Thankfully the studio was able to get her back for this installment and there's no question that the picture is much better for it. As with the previous entries, the stories themselves aren't the greatest things out there but this here is good enough to at least keep you interested in everything that's going on and the cast just makes everything all the more entertaining. Farrell was certainly at ease in the role and I think her comic timing is right on the mark from start to finish and she just gives such a fun performance that you can't help but smile watching her work. MacLane, also back after missing the previous film, is good but there's no question that he's not given too much to do. Tom Kennedy nearly steals the film as the dimwitted driver and wannabe poet. The supporting cast doesn't feature any real stand outs but everyone is nice in their roles. I think the weakest thing about this entry is that director William Beaudine lives up to his reputation of just doing one take. There are some pretty ugly and cheap shots to be seen here and it takes the "B" level quality down a notch. Still, he at least keeps the film moving at a nice pace and fans of the series should be entertained.

Like others here have observed, the "Torchy Blane" series by this point was moving further away from the mystery genre and more towards the crime-adventure genre. In fact, the one good twist of the plot is not only revealed to the audience halfway through, but Torchy herself never figures it out until it is revealed to her as well. Torchy is still smart, but no longer the smartest person, or should I say smartest living being, in the film; Glenda Farrell is still a winning lead, but the dog (a German Shepherd) steals the show. Overall, I would say that this series seems to be running out of steam. I did like Gahagan's racetrack-betting system, though. ** out of 4.

After a one film absence (where Glenda Farrell and Barton MacLane were replaced with different actors playing their roles in a previous film), they are back. As a result, the quality of the film is better than this last outing, TORCHY BLANE IN PANAMA.This Torchy Blane story all revolves around how stupid the police and how audacious criminals can be. The plan that is hatched really is insanely dangerous and makes little sense, though it does make for a decent film--if you don't think very much!! A criminal poses as a federal agent (this will get you a bazillion years in prison if you are caught) and convinces the amazingly gullible police that he needs their help in catching criminals passing forged $100 bills. So the police arrange for the local race track to give this crook a job, where he makes a ton of money for his gang substituting real money with forged! Idiot cops.Overall, the film is a pretty typical and brainless outing for the series. The only thing of note is that the longer the series went, the less chummy Torchy and her boyfriend, McBride, behaved. In the first film they got engaged. However, here in the 6th, they are dating but that is all and there isn't much romance between them.The only bright aspect is Gahagan. The longer the series went, the funnier and more endearing he became. His "system" for horse betting is amazing...simply amazing.