Watch Boys of the City For Free

Slow pace in the most part of the movie.

Just what I expected

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

The Plot.It's been two weeks of unrelenting New York City summer heat. Sooner or later the boys are apt to get into mischief, so Knuckles takes the load of 'em to Algy's father's camp in the mountains. The trip gets sidetracked when they cross paths with Judge Parker' party on the road. The Judge, hiding from the mob, is desperately heading to his mountain manor when he runs the boys' vehicle off the road, nearly disabling it right before his own car conks out. With only the boys' car barely able to travel, they all wind up at the judge's manor where ghostly sightings, spooky organ music, death threats and a creepy housekeeper await them. Judge Parker is the very judge who once nearly put Knuckles on death row for murder. When the judge turns up dead, Knuckles is in trouble again, with little brother Danny and the gang ready to help him out. I used to love the Bowery Boys / East Side / Dead End Kids when they ran on local TV as a kid. These guys sure knew how to milk a series and they might have lasted as long as the 3 Stooges. In movies, from 1937-1956! With nearly 70 features to their credit. Huntz Hall isn't in this one yet, and he's missed. The movie is only 68 minutes long but feels like 3 hours! Half the film is over before they even get to the haunted house.As an aside, the guy from Reefer Madness is in this movie. It's not a very good film. The later humor filled movies were far better.

I wasn't too familiar with the East Side Kids or Bowery Boys going into this cheap, short 1940 feature, and without the context that many other reviews have, it leaves a lot to be desired. The first thing that's wrong is the title, as the "Boys of the City" spend almost the entire film in the country.The band of broadly-portrayed juvenile delinquents are going to be sent to jail for not very much, but instead accept a deal to spend time at a house in the mountains of upstate New York. Maybe this is a thing that really happened, but it doesn't seem very plausible.From there it turns into a listless attempt at a spook comedy, the trouble being that there aren't many attempts at comedy. Most of the apparent jokes are broad racial stereotypes of the one black character played for humor. The "joke" being that he is extremely cowardly, and on one occasional that he is delighted to get a slice of watermelon instead of actual dinner. The final "gag" consists of a couple of his friends confusing his hand with a piece of chocolate cake, then shoving the actual cake in his face. Even allowing for different social mores in 1940, this is just mean-spiritedly racist. And even if it weren't be very funny.There's a large section of the short running time devoted to the "straight" plot, involving a judge who is on the run, afraid he'll be murdered. None of this is very compelling or sensible. The "spooky house" is clearly supposed to be an old mansion, but looks like an undisguised studio set house.So in all, not much to recommend this modest comedy. There are few gags, and most of the ones that are there are undisguised racism. The mystery plot is dull. The chills aren't very chilling. If it weren't for the vigorous stereotyping, it would be almost pleasant viewing, but without inspiring any real laughs, scares, or attention.

Determined to keep the East Side Kids out of trouble and ultimately out of juvenile hall (which to be honest, they'd still be too old for at this early point in her career...), an understanding judge sends them to his country home in the mountains. They end up in the spooky mansion of a judge who is an important witness in a criminal case and deal with the possible presence of ghosts, as well as a spooky housekeeper, various secret passageways, and most frighteningly, murder! The result is one of the best of the early East Side Kids films after their Warner Brothers years that is entertaining from start to finish.While this entry in the series is missing Huntz Hall, Bobby Jordan and Leo Gorcey are still around as the leaders of the gang, leading in both dialog and action, with only a few comic bits given to the black Sammy Morrison. Of course, some of those bits are extremely racist, especially when sinister looking housekeeper Minerva Urecal serves the boys small fruit cups and gives Morrison a huge piece of watermelon. Urecal has one of the best roles of her career, spoofing every sinister housekeeper or strange relative, most obviously Eva Moore in "The Old Dark House" (spooking heroine Inna Gest with comments on her "pale, white flesh") and Judith Anderson in "Rebecca".While the plot is predictable, the screenplay is loaded with some of the funniest malapropisms of the kid's extremely lengthy career and there is definitely a macabre element to the spooky atmosphere, from the antique graveyard in Judge Forrest Taylor's back yard to the "Cat and the Canary" like candle-lit hallways. It ranks high above many of the similar films being done at the low-grade Monogram and PRC (and even the slightly more expensive Universal) and the results make this a film you might want to re-visit, even if you'll steer clear of this delightfully haunted mansion.

The pieces weren't quite all there yet (paging Huntz Hall!), but this erratic poverty row feature set the parameters for the long running Bowery Boys series. Additionally, the film was directed by Joseph H. Lewis, who did his best to add interesting camera angles and spooky lighting to this low budget affair. Unfortunately, TCM's print is in very rough condition and a lot of Lewis' work has been washed out by decades of mishandling. Nonetheless, this is well worth a look for fans of the noir director as well as those who enjoy the teenage antics of the East Side Kids. If there's one regrettable element in Boys of the City, it's the appalling racism of screenwriter William Lively's script. One of the most commendable things about the later films in this series is the (generally) colour blind approach to Sammy Morrison's character, but in this effort, poor Sammy was burdened with jokes about spooks, watermelon, the ol' plantation, and his beloved Mammy. Still and all, he does a good job with the material and remains (after Gorcey and Hall) the most memorable of the series' characters.