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Death Occurred Last Night

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Death Occurred Last Night

A chief police inspector investigates the disappearance of a 25-year-old woman, the daughter of a lonely widower. After she turns up dead, the cops race to find the killers before the grieving father does

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Release : 1970
Rating : 6.5
Studio : CCC Filmkunst,  Filmes Cinematografica,  Lombard Films, 
Crew : Production Design,  Set Decoration, 
Cast : Frank Wolff Raf Vallone Gabriele Tinti Eva Renzi Beryl Cunningham
Genre : Drama Thriller Crime

Cast List

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Reviews

Evengyny
2018/08/30

Thanks for the memories!

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Mjeteconer
2018/08/30

Just perfect...

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Glimmerubro
2018/08/30

It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

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TrueHello
2018/08/30

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

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BA_Harrison
2018/03/10

25 year old Donatella Berzaghi (Gillian Bray) is a total babe and a nymphomaniac to boot, but also has the mind of a three year old. Of course, there are some people who see her disability as a bonus and are willing to pay to do bad things to her, which is why she is abducted and put to work in a brothel.When distraught widower Amanzio Berzaghi (Raf Vallone) realises that his precious daughter is missing, he goes to the police, who begin a city-wide search for the young woman. After the girl turns up dead, having been burnt alive, Amanzio begins his own investigation, determined to make those responsible pay for what they have done.Although labelled as a giallo by some, probably because of its typically giallo-esque title, Death Occurred Last Night is more of a poliziotteschi, with the focus on the detective work carried out by cops Duca Lamberti (Frank Wolff) and Mascaranti (Gabriele Tinti). There's a lot of dialogue and little in the way of action, meaning that the film does tend to drag a lot of the time. Director Duccio Tessari sees fit to include some gratuitous female nudity to spice things up a little, and the climax is satisfyingly brutal, but on the whole this is a fairly mundane feature, with not a leather-gloved maniac brandishing an open razor to be found.4.5 out of 10, rounded up to 5 for the hilariously bad likeness of a suspect drawn by an interviewee at the police station, which the police sketch artist uses to create a portrait that is almost as bad.

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ernesti
2016/06/11

This is relatively forgotten giallo and not very widely distributed. I was amazed by the image quality and high quality of production and the beginning certainly promises a bit too much. The long sequence in the moving bus is very clever and shows the early seventies city traffic. They used to film starting sequences like these in the 70's and 80's in Italy. The music's also very good.It's all downhill from there as the film just declines to an ordinary mainstream film pancake. The film also doesn't have twists and surprises as everything is told and explained which makes quite tiring movie experience. The plot is very linear and easy and also the dialogue is very tiring to follow as it's not very well written and translated and there's plenty of it and on top of that it's all dubbed. By far it's not the worst dubbing that i've seen but certainly having lots of dubbed dialogue in a crime drama certainly hinders any film.Also the group of the bad guys were very unbelievable and the final confrontation with them is really disappointing and beyond generic. Throwing a pile of dirty laundry on a villain who then suffocates and another one's head being pushed on a washing machine door who also suffocates. Looks too easy and stupid for the high production value this film has.Acting's actually good if compared with other giallos but it can't save this dreadful film. How can such a wonderful starting sequence end up in a such a disappointing film. It's amazing.

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mogweezer101
2005/05/11

SPOILER WARNING - There is information in this post which may upset you if you have not seen the movie. If this troubles you = Please do not read on.. SPOILERS AHEAD...I couldn't agree more with the user aboves comments. This is a first rate giallo directed with clinical precision by Duccio Tessari. Raf Vallone's performance as the troubled father is incredibly moving. The plot isn't really typical of a giallo; A retired parent (Vallone) investigates the disappearance of his retarded daughter, last seen at home. As he searches for clues, so do the police, headed by the police commissioner (excellently played by American actor Frank Wolff, in one of his last roles). Both parties follow their own different lines of investigation meeting up in the final reel for the inevitable bloody conclusion.Aside from innumerable Italo-Westerns, Tessari only directed one other pure giallo 'Una Farfalla con Le Ali Insanguinate' (The Bloodstained Butterfly). Also a fine example of the genre and his talents, but it's nowhere near as well executed as 'La Morte...'. Whilst 'Butterfly' looks great and really does deliver the giallo goods the performances always seemed quite lacking to me. In 'La Morte..' it's the performances that hold it all together, rather than the other way around.If anyone has the chance to re-release this film (The Death Occurred Last Night) Please do! It was available in Italy on the CHV label during the 80's and 90's, sadly, now it is almost impossible to find in any format. 'The Bloodstained Butterfly' is readily available (in Italian language only) on DVD.

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Wheatpenny
1999/08/08

Part giallo and part drama, this movie's been overlooked by both the "mainstream" critics and the Italian-horror fans alike, and that's a shame, because it's one of Italy's more serious genre efforts of the 70's. The distraught father's race to find his kidnapped daughter before the police do, is both tense and poignant. It's free of the exploitative elements most genre films have, and along with Tessari's other thriller (Bloodstained Butterfly), one of the most mature Italian thillers of the decade. The ending is painful without being gratuitous, and well above something Hollywood could handle: compare the father's obsession to find the girl in this to Cage's in 8MM and be amazed at how crassly the latter is constructed. See this one!

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