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I don't have all the words right now but this film is a work of art.

Great Film overall

Excellent, Without a doubt!!

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

This movie has possibly the lowest entertainment value/star power ratio I've ever seen. Bob Hope and Lucille Ball, two of the 20th century's greatest comedy geniuses. Plus the legendary Jim Backus, Rip Torn, and a surprise uncredited cameo from a television comedy icon of the 1950's and 1960's who has a brief part as a hotel clerk. You almost have to give the writing, directing, and production team credit for taking a cast this spectacularly talented, and making them so dull and unfunny.A major problem is the casting. The lovable Bob Hope as a mean-spirited, psychologically abusive husband? Lucille Ball as a mousy, milquetoast-ish wife who mostly takes the abuse her pathetic husband dishes out? The real life Lucille Ball would have kicked Bob Hope's character to the curb after the first 30 seconds -- and we all would have cheered!But another major problem is that everyone seems to be sleepwalking through their parts. You would expect Jim Backus and Rip Torn to breathe a little life into their characters, but quite untypically, they seem to be phoning in their lines and waiting for their paychecks. Although I am quite impressed with Rip Torn's ability to do handstands in his younger days.If you are a fan of any of these stars, they ALL have done better films. I'd suggest checking those out first.

This movie seems to have sparked an almost even mixture of highly favorable and downright negative reviews. I'm afraid I agree with the negative brigade. After the box office disaster of "Beau James" (1957) in which Hope invested his own money and literally lost his shirt, he seems to have taken any assignment that came along. (Personally, I thought "Beau James" was an absolutely terrific movie. I loved it, but hardly anyone agrees with me). Anyway, for whatever reason, I think most of us would agree that Bob Hope made some very poor films in the 1960s, starting with the verbose but unfunny "The Facts of Life"; continuing with "Bachelor in Paradise" (which starts amusingly, but the promise of its sprightly opening scenes is unfortunately not realized); recovers a lot of momentum with "Road to Hong Kong" (even though it's one of the least amusing of the "Road" pictures); then really plumbs the depths with "Critic's Choice". For me, it's a movie with no virtues at all. The characters are not just unsympathetic, they're thoroughly unpleasant. As a result, everything they do and say is negative. Maybe it worked well on the stage, where the audience is less involved, less close to the venal, utterly selfish, self-promoting characters. Maybe?

I find the negative views of this film baffling. I saw it as a kid when it first opened, and have seen it many times since. It's one of my favorite Bob Hope films, and one of my favorite Lucille Ball films - primarily because both of these fine actors are given deeper roles than usual. The quips and comedic shenanigans are there, but rooted in realistic characters and credible motivations. Which only makes them funnier. This is a film that works as drama first, then finds the comedic possibilities.I also appreciate this as one of the very few good films *about* writing. The various phases that Lucy goes through in 'finding her muse' are true to life, and even somewhat inspiring. The reaction of others - especially critic-husband Hope's subtle jealousy - will be familiar to anyone who's ever tried to do creative work.But most of all, I love this film because it is often screamingly funny. Some of the dialog with Hope's ex-wife is very sharp. One of my favorite lines in any movie comes from Hope, after breaking the mainspring of his watch: "Symbolism. I cannot stand symbolism!" Hope spends almost the latter third of the film roaring drunk, delivering some of his best schtick. His scene in the theater balcony almost made me wet myself when I first saw it, and remains a classic slapstick moment. Again, all the funnier because it happens in such a believable context. (As Charlie Chaplin pointed out, when a clown takes a pratfall, it's not nearly as funny as when a pompous stuffed-shirt does it.)If you haven't seen this film, keep an eye out for it; you've got a real treat in store. And if you have seen it but haven't enjoyed it... No, I'm sorry: I have no advice for you. You're too far gone.

If you normally associate the name 'Lucille Ball' with a crazy redhead who is outgoing, somewhat loud, and exciting, then this is definitely not the right movie for your Lucy collection. It is repetitive, humourless and quite dull, if I might say... Lucy plays a very quiet and stubborn woman in the film, and Bob Hope is not at his very best. It was actually quite disappointing to watch this film, I am sure that there are many more films with the same cast for you to enjoy with better quality...