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The Naughty Flirt
A coquettish socialite falls for a straight-laced associate in her father's law firm. But she must also fend off the advances of a greedy fortune-hunter and his sister.
Release : | 1930 |
Rating : | 5.7 |
Studio : | First National Pictures, The Vitaphone Corporation, |
Crew : | Assistant Camera, Assistant Camera, |
Cast : | Alice White Paul Page Myrna Loy Robert Agnew Douglas Gilmore |
Genre : | Drama Comedy Romance |
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You won't be disappointed!
Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Until I saw this movie last night, I'd never even heard of Paul Page who retired from film-making after appearing in a minor role as Jerry Bronson in the Wheeler-Woolsey Kentucky Kernels (1934). Here the dull Page has the male lead opposite super-sexy, rich heiress-running-wild, Alice White, while Myrna Loy likewise shines in the smaller role of villainess, Linda Gregory. Fortunately, Alice and Myrna give the movie sufficient lift to keep the foregone plot afloat – and this despite Eddie Cline's somewhat erratic direction which manages to touch all bases from boring to humdrum to bright, from static long takes to sweeping tracking shots, and from dull close-ups to swift, scenic cut-ups. Fortunately, we can't cast any aspersions at all on Sid Hickox's moody photography. And as for the musical collaboration between music director Erno Rapee and orchestra conductor Leo F. Forbstein, all we can say is "Wow! Wow! Wow!" In fact, I've never heard better from the Vitaphone Orchestra. This magnificently recorded, full-blooded music run-out alone makes the Warner Archive DVD an absolute must-buy! Just don't forget to leave the DVD running when "The End" title blacks out. Thank you, Warner Archive! Thank you!
Alice White was an adorable flapper, whose career was over before it started. She was First National's answer to Clara Bow but she didn't have the longevity of the red headed "It" girl. 1931 started with "The Naughty Flirt", one of her best films and ended with "Murder at Midnight", in which, although billed prominently, she was only given about two decent scenes.The plot is 60 minutes of frivolous fun with White doing what she does best - being adorably flirty and making every man her slave. When Kay (Alice White) and her gang are hauled into night court for disorderly conduct, she meets Alan Ward (Paul Page) an associate with her father's law firm and it doesn't take him long to fall under her spell. She already has a persistent suitor in Jack Gregory (Douglas Gilmore) who is always asking Kay to marry him. He, along with his scheming sister, Linda (Myrna Loy) have ulterior motives - they have been wiped out in the stock market crash and hope that if Jack can marry Kay their financial worries will be at an end.The "Cinderella Dance" is one of the film's highlights - all the girls take off one of their shoes, put it in the middle of the ballroom and then the boys have to pick one and dance with it's owner. White, who made her name with a couple of excellent musicals from the early talkie era ("Broadway Babies" (1929) and "Show Girl in Hollywood" (1930)) is not asked to sing or dance here which is a pity. She also gets a run for her money from Myrna Loy as the sultry Linda. Why it took so long for Loy to "make it" (1933's "Animal Kingdom" was her big break) is one of Hollywood's real mysteries. However White's cutie pie acting wins through - she is impossible to resist.Although she had a very hectic private life, maybe what happened to Alice White were films like "The Naughty Flirt". 1931 was one of the worst years of the depression and with a title like "The Naughty Flirt", reminiscent of a jazzy, carefree past, the movie going public may have been turned off. In this year of unemployment and breadlines, if films started out with scenes of high living ("Bad Company" and "Dance Fools, Dance") audiences wanted to see stars really suffer before realising that the simple life was the best.Highly Recommended.
Alice White is, indeed, a "Naughty Flirt". She plays a "wild and crazy party girl" who loves to go out and engage men. One man, a lawyer, resists her advances - so, naturally, she wants him most of all. He spanks her for her naughty ways, and it changes her life (she tells him he really makes an "impression"). She gets herself a job as lawyer Paul Page's secretary and does tough things like clean his inkwell. Myrna Loy is good as a supporting player who wants to set her brother up with wealthy Ms. White. White is an engaging and funny performer, but her character behavior at the end of the film is so dumb it spoils the film. It shows the character has no maturity. If I were Mr. Page, I would shine her on - or, give her another spanking. *** The Naughty Flirt (1/11/31) Edward F. Cline ~ Alice White, Paul Page, Myrna Loy
I just wanted to see this film because of Myrna Loy. I love Myrna Loy. But Myrna doesn't have much to do in this film. Most of the spotlight is on little, vivacious, cute Alice White. I became a fan of her. She's the ultimate flapper. She reminds you of a Clara Bow or Toby Wing. She's very natural- even though many say she didn't like talkies and feel uncomfortable. She didn't seem like it. This is a pre-code picture about a flirtatious woman which is played by Alice White who makes bet too see which guys she can hook, line, and sinker. But with one of the guys she ends up falling in love. Myrna Loy in this picture is coming into her own trademark acting in this film. Her aloof, snotty, sophisticated comedy/acting would be noticed and loved not along after this picture. If you can find it, you'll treasure it.