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A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

The lower end westerns are not known for cerebral plot and character development. This one scrapes the bottom with a hero hardly anybody recognizes because he's wearing a mask, a black hat, and a black cape. His voice (same flat drone--is he reading his lines?) never changes, his horse never changes, and the tack his horse wears never changes.Horse people NOTICE individual horses. I notice individual horses in these movies being used in ways that defy continuity. I also notice their bridles, especially the ornate ones. Surely in the setting of the movies such things would be noticed as well? While this is annoying on one level, on another it is so bad that it is entertaining. Obviously, this was produced for an audience that was none too picky, but even so, the target is set absurdly low. I liked the dismount/unsaddling maneuver, with Tarzan leaping into his own paddock.Ya gotta see it to believe it.

I love these old Westerns, but I have to call 'em as I see 'em. This one requires a major suspension of disbelief with the character of the Phantom Rancher, a pretty good gimmick except that he and Ken Mitchell (Ken Maynard) rode the same horse and no one could figure that out. Maybe that's why by the time Columbia Pictures put Charles Starrett to work as The Durango Kid, they had it all worked out that Durango would switch off between a white one and a black one.But whoa, wait a minute! Did they really use a trip wire to make old Tarzan go down the way he did in that crazy spill he took early in the picture? Like many cowboy movie stars of the era like Roy Rogers and Gene Autry, Maynard owned the horse he rode in his pictures, so I can't imagine he would allow that just to make an exciting scene. Maybe I'm wrong about the trip wire, but watch the scene closely and both horse and rider take a mean tumble. Later on Maynard (or a stunt rider) do another gimmick where he drops off Tarzan saddle and all making a getaway from the bad guys. That one wasn't as dangerous but still takes some kind of effort to pull off.Story wise, what you have is the hero making the scene as a result of his uncle's will that puts him in charge of the Mitchell ranch. Only thing is, the uncle was hated in these here parts because he held the mortgages on the other ranchers and began foreclosing on them. He was in cahoots with the film's main villain Collins (Ted Adams), but was murdered on orders from Collins because he wasn't playing ball the way he should have been. Nephew Ken's plan is to smoke out the bad guys using the Phantom Rancher gimmick, dropping money off with the neighbor victims so they can buy back their mortgages from Mitchell. Like the man said, that roll of money was getting just about worn out.You can say what you want about aging cowboy star Maynard, well past his heyday as a top flight draw for this flick. The real show was put on here by Tarzan, who somersaults, leaps fences, rolls in the mud and limps on command to fool the baddies. If he had a better agent, he'd be as well known as Trigger and Champion.

Ken Maynard was 44 when Phantom Rancher was released in March, 1940. (The copyright date in the film is 1939.) His physical appearance was still strong and that of a classic western movie hero, although older and slightly heavier. In Phantom Rancher we see Ken Maynard on screen almost the entire time. His acting was top notch as it should have been. Unfortunately, Maynard's career in films was coming to an end as he worked himself down from the bigger movie studios to Colony Pictures for this movie. The once great Ken Maynard was making poorly put together movies while Gene Autry and Roy Rogers were the kings of the western genre.The problem with this movie is the "phantom rancher" idea itself. No one can recognize the phantom as Ken Mitchell. He wears a simple mask and a cape, speaks with the same voice, and rides the same horse. Collins, the villain, is face to face with the phantom and never gets it. If there is a first rule of B westerns, it has to be "don't count the shots coming out of a six-gun." The same thing applies to the plot of this movie. You really have to be willing to let the story unfold unquestioned because the whole mask thing does not work in this movie. It is a major part of the plot, so you have to take it or quit watching.Ken Maynard was known for his riding skills, but we do not really see any trick riding in Phantom Rancher. There is a great scene that has Ken as the phantom riding back to his ranch to avoid being caught, and as Tarzan gallops at full speed he takes the bridle and saddle off. Ken jumps off with the saddle and Tarzan jumps into his corral. This looks like something Ken Maynard would have done years before, but the scene is carefully edited to give that appearance. I suspect it was a good stunt double. The scene is short, but it is the kind of thing that makes B western heroes larger than life.Dave O'Brien played many different types of roles in his career, and I am used to thinking of him in the Texas Rangers series. In Phantom Rancher he plays the part of the lead henchman. His character is the only one to suspect that Ken Mitchell is really the phantom rancher.The Republic Lone Ranger serials, The Lone Ranger and The Lone Ranger Rides Again, came out in 1938 and 1939. Equity's The Adventures of the Masked Phantom, starring Monte Rawlins, came out in 1939. I wonder if there was a rush by the smaller studios to cash in on the "masked hero" franchise of the Lone Ranger that Republic appeared to have locked up. Columbia would later do the Durango Kid series, with Charles Starrett using a bandanna for a mask.Some of the later movies in that series were a bit hard to believe.Phantom Rancher is good and not good. Ken Maynard is wonderful in this movie. The gimmicky plot is the weakness. I do not want to discourage anyone from seeing this movie, but it is better not to expect much and be pleasantly surprised rather than to expect a great movie and be disappointed.

Ken Mitchell arrives to take over the ranch belonging to his recently deceased uncle, but when he arrives he finds himself hated by all the townspeople, since his uncle was trying to acquire all the ranches in the area, and then foreclosing all the mortgages that were being taken out. What Ken doesn't realize is that his uncle was working hand in hand with realtor Collins, who had a rancher, Markham, killed when he wouldn't sell his ranch to him, and now everyone in town (especially Markham's daughter Ann) believes Ken killed Markham. In order to right the wrongs his uncle did, Ken garbs himself as the Phantom Rancher, where he pays off all the ranchers who wouldn't accept Ken's charity as well as round up Collins and his gang. So-so western where nothing is really spectacular, but nothing boring. It could have used more action, but Maynard's persona helped carry it in dull spots. Rating, based on B-westerns, 5.