Watch I'll Take You There For Free

Thanks for the memories!

Simply Perfect

Fantastic!

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Bill (Reg Rogers), a real estate salesman in New York City, is unexpectedly jilted by his beautiful, artistic wife. She runs off with a gentleman who purchased a nice house from Bill, in upstate New York. Totally in despair, Bill is doing badly at work and at home. His sister (Adrienne Shelley) decides to jolt her brother out of his funk by arranging for him to meet one of her old college friends, Bernice (Ally Sheedy). Bernice, however, is a bit of an odd duck and Bill insults her on their first date, causing her much pain. Yet, Bernice decides to get even, by kidnapping Bill and taking him on a car trip to visit her relatives. Will Bill be able to break free of Bernice's clutches? Will he want to? This is a very original film, with characters and a script that take the viewer into the realm of the unusual but satisfying world of offbeat movies. Sheedy is quite wonderful as the decidedly different woman and Rogers just fine as the heartbroken husband. The rest of the cast, including Shelley herself, who wrote and directed the film, are more than adequate. Given the probable budget constraints, the movie nevertheless looks great, with nice sets, costumes and amenities. If you have seen Shelley's Waitress and are looking backward to her other films, you will find this one an interesting first effort. Although it is not as successful or as universal as Waitress, no one could ever deem this flick as dull. Therefore, anyone who loves a departure from run of the mill movies will find this one easy to embrace.

There are so many comments on this film, yet I found them to be misleading. This a corner-cutting, over-used scenario where a normal human being becomes a partner in crime to someone of the opposite sex for no apparent reason. Boy meets girl. Girl holds boy up at gunpoint for something ridiculous. Boy is intrigued. You know the drill: The antagonist turns out to be a wild, free spirit instead of a sociopath... Toss in a few words of wisdom from Alice Drummond and you have a recipe for Love. Sheedy's 'is she crazy or does she just need a hug?' role from The Breakfast Club simply reeks as a lead character. And all that is left is a truly ghastly turkey of a movie.

I'LL TAKE YOU THERE (2000) **1/2 Reg Rogers, Ally Sheedy, Adrienne Shelly, Lara Harris, John Pyper-Ferguson, Alice Drummond, Alan North, Ben Vereen.Adrienne Shelly, who became something of an independent filmgoers' version of a pin-up role model/icon with her frequent collaboration as filmmaker Hal Hartley's muse, takes her second attempt in the director's chair with a screwball comedy that has earmarks of her auteur, as well as Woody Allen; good for a start.Bill (Reg Rogers), a successful real estate agent in New York City, is going through the darkest depression of his life. It's been three months since his beautiful sculptress wife Rose (Lara Harris) left him suddenly for his best friend Ray (John Pyper-Ferguson) - who, to make matters worse, bought a secluded house in Upstate New York from Bill - without warning and it has hit him hard, like a ton of bricks. To complicate his already descending spiral is his well-meaning sister Lucy (Shelly) who drops by one day to clean his house, cook him a meal and get him back in the game of life by fixing him up on a blind date with a former college friend who on cue arrives on his doorstep. Bernice - aka CC - (Sheedy in an ebullient, effervescent screwy performance) turns out to be a nightmarish apparition for Bill, who uncharacteristically slights her with a series of heartless, matter-of-fact delivered opines about her: a virtual character assassination.This horrible evening in a never-ending string of dismal days for the morose Bill only gets worse when he gets in his mind to take his grieving to the next level and decides to pursue his estranged spouse by trading in one of her necklaces at a neighborhood pawnshop for a gun. Upon leaving the helpful proprietor (played by the one and only Ben Vereen!) CC is waiting outside the store for Bill and is clearly not herself and tells him just that. That he has dismantled her spirit and she is a shell of a woman now. In a clumsy attempt at an apology she later revisits him at his apartment and after a series of angry yet comical conversations she finagles a ride to her dying grandmother's home from Bill in his journey to win back Rose which winds up on a serpentine sidetrack after CC robs a dress boutique of its trendy, pricey wares and forced to stay at her grandmother's.There Bill meets Stella and Max - CC's feisty grandma and her new companion (played by the estimable character actors Drummond and North, respectively of `Awakenings' and the original tv series `Police Squad!' which spawned the `Naked Gun' films) - who show their eccentricities including a bawdy, yet romantic song (`The Bastard Song') - and manage to cast some sort of wonderment over Bill into finally thawing out from his sad hibernation and seeing CC as a sweet, beautiful woman who clearly is more than she appears to be.Shelly balances the neat highwire act of farce, screwball comedy, buddy-romantic/on-the-road hybrid with potential to spare in this low budget valentine to all those wild spirits with a touch of self-realization (the elderly couple is loosely based on her own grandparents whom she dedicates the film to). The dialogue has its own pizzazz but not as smart as say Woody Allen yet has its own appeal, however wacky and possibly far fetched (the constant `threat' of the gun turns out to be one of the all-time visual gags - when triggered a small American flag pops out), particularly Sheedy's funny speech during the heady climax. Rogers, an area theatrical actor best recognized as one of Julia Roberts' dumpees who sparks Richard Gere to investigate her in `Runaway Bride', is low-key yet very touching and humorous, even when he is on the border of committing either homicide or suicide and suggests a sleep-deprived Griffin Dunne (come to think of it the story also has echoes of Martin Scorsese's `After Hours' about a yuppie lost in NYC's Greenwich Village surrounded by an outlandish, crazy quilt of characters).What she may lack in cinematic quality - although I did appreciate the hand-held videotape flashback in a painful car ride Bill recalls - Shelly does manage to commit to a story that is recognizable no matter how preposterous or kooky it may be. That's a compliment!

Real cool, smart movie. I loved Sheedy's colors, especially the purple car. Alice Drummond is Wise And Wonderful as Stella. I liked Sheedy's reference to how her face had gotten fatter. The roadside dance scene is brilliant. Really liked this one.