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A lot more amusing than I thought it would be.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Blistering performances.

The largely inferior American bastardization is a genuine travesty. I recently saw the original 114 minute Japanese language version on glorious widescreen. I must say this film packs a serious wallop. Unlike the US version which goes for the throat in the first ten minutes, this version takes time to properly develop it's characters and set up the mood. The film opens up in feudal Japan with a descendent of Nishiyama (Tetsuro Tamba)being persecuted for bringing the writings of Nostradamus into the country. His father was also persecuted during WWII as he predicts the rise of Hitler. The opening credits are chilling, one of the best intros I have ever seen in a movie. The music by Isao Tomita is one of the best film scores ever produced. I hope Toho ends the studio ban. This year marks its 30th anniversary and it's been banned for over 20 years. What are they so afraid of? Their are plenty of films over there more offensive to sensitivities than this film. This is a very different kind of Toho film and the US version obscures it. There's graphic violence, brief nudity and the handling of its subject matter is unflinching. Many of the scenes presented in the US version that appear nonsensical, pointless and mediocre are all explained here. The actors do a fine acting job (Seven Samurai and Godzilla's Takashi Shimura makes an appearance as a doctor) and Kaoru Yumi is a real hottie. The director Toshio Masuda and screenwriter Yoshimistu Banno (the Godzilla vs Hedora director) do a splendid job balancing beauty and the grotesque. this film is SUPERIOR to all other disaster films because it has heart, spirit and a brutal go-for-the-throat approach. The filmmakers were fearless making this. Lastly, Teruyoshi Nakano's special effects are superb to say the least, but admittingly some scenes dont work (the giant bats and the little girl jumping incredible heights). The traffic jam explosion scene is amazing. There's some stock Footage from The Submersion of Japan and The Last War, though. A subtitled print has to exist somewhere. I really hope classic media does a wonderful job on the DVD release.

Oh, what a wonderful movie!!!! I loved it!!! Ok, special effects are a little weak, but the script was terrific!!!

I have a bad feeling that this started out as a serious indictment of man's destruction of the Earth's environment. Unfortunately it was treated no better by it's American distributors than any other Toho daikaiju epic. The dubbing is as bad as ever, the pan and scan transfer makes the film almost unwatchable, and there are lengthy (dull) expository passages that probably played better in Japanese. I'd like to see a widescreen print with subtitles. Good music by Tomita, at least!

This film is so powerful that it was successfully banned in its native country. Unfortunately, horrible dubbing and sound mix, commercial fade-outs and other tampering have cheapened the film into only a hint of its original brilliance. The film sports a unique score by Isao Tomita, which, for me, defines the essence of decline in the penultimate year of the 20th century we are now in. Unfortunately, bad choices in American narration cause erratic volume changes which decrease the effect. Critics attacked it for the distinctly seventies fashions which are, as predicted, back in vogue. The film was actually not written by Yasumi, but updated from his script for _Sekai Daisenso_ (_The Last War_) and credited to him out of respect. Perhaps if the film, which is minimal on narrative and seems a forerunner to the work of Godfrey Reggio, were given a widescreen and subtitled reissue (and what better time than this year), respect for the film would increase. It pulls out all the stops with disasters, including the pestilence of giant slugs (which are simply giant slugs, like though that plague India, not flesh-eating or blood-eating as detractors of the film would like you to believe) and plants that tear through subways (and no, they do not eat people as some reviews claim). Nature takes things back from the city, young people find solace in random sex, wanton drug use, and suicide. Traffic jams wreak havoc as people get out of control, food rations are torn away as people believe there are shortages, while luxury beef diets continue, and Nishiyama believes they are all related to the prophecies of Nostradamus. Bizarre effects ensue, like snow on the pyramids, and people's highest morals are challenged. What we have is a work of cinematic brilliance torn apart by an American distributor until what results becomes fodder for MST3K. Know what neurofibromatosis looks like?