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Sorry, this movie sucks

How sad is this?

In truth, there is barely enough story here to make a film.

The acting in this movie is really good.

I was a little bored with the first half hour of this film, but a well-written turn of events sends this movie in the right direction. It mixes a few classic themes (marry vs. deportation, country comes to town, wealth vs poverty, town goes to country, etc...) that could have made this movie completely formulaic. However, formula goes out the door with Jimmy Stewart's charm and Hedy Lamarr's stunning beauty. Once both characters spend screen time together, consistently, the energy of this slightly screwball romantic comedy picks up quickly. The grandmother is all wisdom, wit, and heart. Her common sense needlework samplers are artfully placed and still hold true today. The grandmother's calm voice, the sound of crickets chirping, and the other country nuances slow down the pace to a level that seems so foreign to an actress like Hedy Lamarr. She seems so out of place, but that is what makes her so enjoyable to watch. She melts slowly from the WWII city girl ice queen fugitive until she's relaxed and calm as if she can go home again, but this time to a slice of Americana rather than Austria and with a moral upstanding young man if that's the choice she's willing to make. This has just been made available for purchase on DVD. It's now on my "to buy" list and certainly worth a watch on TCM if you enjoy this genre and these wonderfully magnetic actors.

A nice romantic comedy about a marriage of convenience between Hedy Lamarr and Jimmy Stewart where an illegal Austrian woman is subject to deportation and looks for a US citizen to marry to avoid being deported. A very good supporting cast helps to carry the movie throughout the plot. The weak points in the movie is how a woman would go to a near perfect stranger's apartment to discuss the marriage proposal and how she could have allowed herself to be "forced" to accompany her husband of convenience to his family farm for a visit. I think the film needed a bit of more development between the two characters as they were falling in love. The ending seemed a bit too rushed. The woman's original lover just driving away that quickly after she decided to stay with her husband did not seem plausible given the relationship that the former lovers had at the beginning of the movie. It was still a nice script with fine performances.

Love and marriage are two of the most prevalent topics in our society today. It seems every novel, movie, and song has something to say about it. When marriage is discussed, it is usually followed by the most recent divorce statistic. Virginia Van Upp and Patterson McNutt have written one of the best theories on this subject.Bill Smith (James Stewart) is an unsuccessful writer who is literally down to his last dime. Johnny Jones, played by the gorgeous Hedy Lamarr, has just found out some devastating news. She is an illegal immigrant from "what used to be Austria." Immigration has finally tracked her down and is giving her a week to find a husband or she will be deported and face certain death. But their lives change for the better one night when Bill and Johnny both enter a little restaurant to get out of the rain. One thing leads to another and Bill gets into a fight. Johnny, having witnessed the whole thing comes to his defense and they are both thrown out. She is delighted to hear that he has no money and decides to propose a marriage of convenience. Johnny asks Bill to marry her in exchange for the cost of living. Bill is very much opposed to the idea but in the end she talks him into it with the understanding that when he sells his novel, he will pay back everything.Johnny visits Bill once a week to give him the check and Bill begins to write about their situation. Bill falls for Johnny, and soon finds out that there is another man in her life. When Bill learns he's sold his manuscript he visits Johnny to sign the divorce papers but under one condition. "In my opinion it's perfectly alright for two strangers to get married but you've got to know each other before you get a divorce," he says.The title of the movie comes from the first line in Christopher Marlowe's The Passionate Shepherd to His Love. James Stewart is marvelous as the country boy who is willing to fight for what he wants. Hedy Lamarr is excellent as the Viennese refugee trying to make the best life she can for herself. Come Live With Me is more than just another typical romantic comedy. It is intelligent and heart-warming, and discusses things like modern marriage, reality being stranger than fiction, and a happy ending versus a realistic ending.

I loved every frame of this 1941 light romantic comedy when Hedy Lamarr is paired with Jimmy Stewart.It has been said so many times before but Hedy had such beauty both in body and spirit that it is almost worth seeing a film with her in it just to gape in awe at her.I am gradually building up my collection of Hedy's films which include Exctacy (1933), Algiers (1938), Her Highness and the Bellboy (1945) and Dishonored Lady (1947).We must not forget that she also had intelligence and invented in 1942, at the height of her Hollywood career, a frequency-switching system for torpedo guidance that was two decades ahead of its time which with a colleague, she patented.In this film Hedy has overstayed her visitor's visa and the immigration officials are on to her.This is unfortunate for her in war time as she would have to return to her native Vienna.Of course as the good natured immigration official suggests, if she could find a husband within the week he decides to turn a blind eye, she could stay in America.Cue Jimmy Stuart failed writer who has the rejection slips and pawn tickets piling up in his flat.Can he meet this week's rent?Hedy has an idea.She requests he writes down his weekly expenditure and she will pay him regular amounts based on this budget in consideration of a civil marriage of convenience, thus avoiding deportation.Jimmy Stewart will regard as an accumulating loan until such time as his novel is sold to the publisher's and he will have enough money to pay off the debt.The coincidence is that his publisher (Ian Hunter) is simultaneously having an affair with Hedy.She only visits him at his flat to pay him his regular instalment, so despite being husband and wife, at least in the eyes of the law, they never really have got to know one another.As time goes by Jimmy is starting to care for Hedy and he invites her to visit his grandmother in the country where passions deepen.Hedy is still unsure at this stage and uses a ruse to phone her married sugar daddy Ian Hunter giving him directions where she is.It is night and Hedy and Jimmy both must go to their respective bedrooms but Jimmy keeps making excuses to stay in her bedroom before reluctantly leaving.Their bedrooms have a partial wall over which light can be seen so they can converse with one another when both in their beds.The Grandmother has a hobby of embroidering sayings all around her home some of which humorously fit the action on the screen.When Ian Hunter arrives at the address to fetch his mistress, guess who Hedy selects? What I find fascinating about Hedy in her film roles (apart from her obvious physical beauty) is her genuine Viennese accent, her honesty, integrity, and intelligence and she is every inch the lady.In 2013 I wrote a general amendment to this and other user comments which also applies to those actresses whose films I have already commented on IMDb.com in recent years.My love goddess/film actresses are Margaret Lockwood, Jennifer Jones, Vivien Leigh, Hedy Lamarr & Ava Gardner.Perhaps you will notice they were all dark brunette 1940s (& 50s) stars.It occurred to me that there should be one defining film which perfectly encapsulates for me their intrinsic personality, talent glamour & intellect.These are my choices after years of deliberation: Margaret Lockwood - "The Wicked Lady" (1945), Jennifer Jones - "Portrait Of Jennie" (1948), Vivien Leigh - "That Hamilton Woman" (1941, Hedy Lamarr - H.M.Pulman esq (1945, Ava Gardner "One Touch of Venus" (1948).