Watch It's the Old Army Game For Free

Very well executed

Touches You

Perfect cast and a good story

Better Late Then Never

It's the Old Army Game (1926) ** 1/2 (out of 4)Entertaining comedy has W.C. Fields playing Elmer Prettywillie, a druggist who constantly finds himself unhappy due to other people. One day he catches a break, which could lead to him getting rich but it might turn out to be a scam.IT'S THE OLD ARMY GAME certainly isn't what you'd call "classic Fields" but there's no doubt that fans of his will enjoy seeing him here. This is especially true since IT'S A GIFT is basically a sound version of this. The biggest problem with the movie is that the fact that the screenplay comes across like four or five short films instead of a real feature.I say that because we basically got different scenarios that Fields gets himself into. The first one is him trying to get some sleep yet a woman will stop at nothing for him to open his store. There's another subplot dealing with a very annoying kid that lives with him and who is constantly trying to get his way. You've got another subplot where Fields gets involved with someone who might be a bit shady.

At nearly 1 and 3/4 hours, this is far too long a silent comedy. The plot is very thin and so much of it is padded with "routines," that have no or little relation to the plot. Furthermore, the routines go on forever and forever, wearing out the audience with tedium and boredom. The film could have easily shaved half an hour off its running time and been the better for it. There are some prints that run 70 minutes and I have a suspicion that they play better than the original.Fields is quite slim and performs his many trademark routines with original aplomb. One screen title announces his mantra, "Never Give A Sucker An Even Break."Brooks has only a few scenes with Fields and as the romantic subplot heroine she could have been in an entirely different film and just wandered onto Fields' set. She is pert and pretty and shows a good grasp of romantic and comedic acting. Her resemblance to Clara Bow and Colleen Moore must have worked against her getting a foothold in silent cinema. She only appears on screen for perhaps 20-30 minutes of the film, all totaled, and is perfectly adequate. This was her fourth film and at this writing the second and third are still lost with the first missing a reel.This is one for Fields and Brooks fans, not for the general comedy audience. The best sequence in the film is the next to last one with fields running down a street, pursued by (he thinks) angry townspeople, shedding bits of clothing and possessions as he runs, presumably to lighten himself. Do watch it but don't expect to be blown away by it.

Once thought lost, this W.C. Fields silent comedy was later remade (more or less) as It's a Gift. Here he's a pharmacist instead of a grocer (I think the short The Pharmacist also re-uses elements from this one), and some of the gags are different. There's a subplot about Fields investing in a real estate scam. The guy who's running it (William Gaxton) has a romantic subplot with Louise Brooks, who works as Fields' counter girl. Alas, Fields without his voice is barely half as funny. His attitude remains identical, but his acerbic line readings are gone. It also doesn't help that the version presented on Youtube is run at a slow speed, making the film much longer than it should be. I wouldn't recommend it.

W.C. Fields was never at his best in the silent film medium, but It's the Old Army Game is nonetheless a treat for his fans, revealing our hero in characteristic form as he offers early versions of routines later perfected in talkie classics The Pharmacist and It's a Gift. The Great Man himself looks quite youthful here, still trim in his mid-40s and quite stylish in his checked trousers and straw boater, although he also sports the unfortunate mustache he wore in all his silent comedies. Like The Cocoanuts, the stage vehicle and subsequent movie debut for The Marx Brothers, the plot of this film was inspired by the Florida land boom, a highly topical subject in the 1920s. It's the Old Army Game is built around a satirical twist, however: instead of New Yorkers snapping up cheap land in Florida, we find Florida residents snapping up cheap real estate in New York! In any case, Fields' movies were never valued for their plots, it's the gag sequences that count. This film's highlights include our hero's repeatedly thwarted attempts to take a nap on his back porch, a rather nasty confrontation with an obnoxious baby in a stroller, a very messy picnic on the lawn of a ritzy estate, and traffic difficulties filmed on location in midtown Manhattan. The porch bit is something of a dry run for the immortal sequence in It's a Gift, but here's where the silent version suffers in comparison to the talkie remake: much of the humor depends on abrupt, irritating bursts of noise, so by its very nature this routine, which was first performed on stage, wasn't ideal for silent cinema.Incidentally, during the traffic sequence Fields has an encounter with a fellow motorist who is done up in stereotypical Jewish costume, complete with derby and grizzled beard. Happily, and surprisingly, their encounter turns out to be benign, without the heavy-handed ethnic humor that mars so many comedies of the period. The gent in the derby owns a junk wagon pulled by a mule, and when Fields has auto trouble the gent tries to help out. The situation does not end happily for our hero, but that's no one's fault but his own.Broadway buffs will be interested to find that the leading man is William Gaxton, best known for his stage performance in the Gershwin musical "Of Thee I Sing," but Gaxton never had much of a movie career and frankly doesn't register strongly in this role. Then again, he was up against formidable competition, not only from Fields but from his leading lady, Louise Brooks. A major bonus of this film is the sight of this beautiful young woman in her prime. There's a memorable scene featuring Brooks and Gaxton skipping a picnic so they can romp in the woods. Every close-up of Louise is worth the price of admission-- that is, if you can find a copy of this movie in the first place. Like all too many W.C. Fields films, It's the Old Army Game is not readily available in any home-viewable format. I saw it about ten years ago at the American Museum of the Moving Image in Queens, New York. We were told before the screening that the film was still in the process of restoration, "a work in progress" soon to be completed. For the first hour or so the image looked clean and bright, but then suddenly we found ourselves watching a heavily scratched and yellowed 16mm print for the last portion. I hope the restoration work was completed, but haven't heard of any public screenings since. In any case, here's a film ripe for recovery and rediscovery!