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Pretty good movie overall. First half was nothing special but it got better as it went along.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

The film never slows down or bores, plunging from one harrowing sequence to the next.

This film was not met his character of Leonid Brezhnev because has missed interesting features that included enlarged eyes bow and big shoulders and noted letter written by Elaine was dated 1985 but really an error, Soviet Embassy or Consulate are the expertise but Foreign Office do not, not sure about requirement for this.

Ah, but if only it were realistic. Because if anyone knows anything about the way the Soviet Union dealt with sailors in those days, the regime would never have let these two guys go off by themselves on shore, not even for a short while. I hope no one has to explain to you why. And even if this sweet young thing did get her chance to get a letter through to Brezhnev, he would surely be wondering how this sailor was able to free himself long enough to get into this situation in the first place, and I can tell you he wouldn't like it — even if the propaganda value might otherwise be useful.But of course, romantic notions of life in the Soviet Union were not exactly rare at the time — especially, perhaps, in a very depressed place like Liverpool in the '80's. I wished Elaine luck, but it's kind of like watching one of those old Science Fiction movies and hoping the aliens and the earthlings can learn how to get along, because you know that in real life you don't really have to or get to.

The opening scene in "Letter to Brezhnev" shows Soviet sailors Sergei (Alfred Molina) and Peter (Peter Firth) sighting Liverpool and recognizing it as the Beatles' hometown. When this happens, you know that you're in for something neat, and your assumptions get confirmed with what happens in Liverpool. Sergei and Peter have a brief fling with working-class Liverpudlian women Elaine (Alexandra Pigg) and Teresa (Margi Clarke).But, since this is the Cold War, the Russian guys obviously can't stay in England very long, and so they quickly have to return home. But Elaine can't forget them, and goes so far as to write Leonid Brezhnev a letter asking if she can come to the USSR to meet them. Needless to say, this isn't too popular with the British authorities, who decide to question Elaine about it.This is a most interesting look not only at working-class England, but also at the human aspects of the Cold War. Everyone in the movie does a very good job, especially Molina. I'm eager to see how he does in "The Da Vinci Code".

Atmospheric, un-slick, and utterly unique, Letter to Brezhnev captures a slice of the 1980s which seems all the more extraordinary in 1999. Graced by realistic acting, deft camera work, and a superb soundtrack, one is successfully transformed to a period and a place, in this case wonderfully dreary Liverpool in the early 80s - New Wave music and the Cold War are in full swing. Such a movie is hip today but rarely achieved. The story may seem a little far-fetched - Liverpool girl (Pigg) gets Russian guy (Firth) with a little help from no less than the Soviet Premier - but some of us who grew up in the 80s like to think that it could. The 80s were like that. Now, we just have awful, cynical, formulaic pap - Reality Bites and Boys on the Side...whine, whine, whine. Why can't more movies like Letter to Brezhnev be made?