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Weekend with the Babysitter
A middle-aged husband falls for his childrens' teenaged babysitter.
Release : | 1970 |
Rating : | 4.2 |
Studio : | Dundee Productions, |
Crew : | Director of Photography, Makeup Artist, |
Cast : | Luanne Roberts James Almanzar Steve Vinovich Annik Borel Roger Gentry |
Genre : | Drama Romance |
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That was an excellent one.
Don't listen to the negative reviews
A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
The movie is wonderful and true, an act of love in all its contradictions and complexity
Weekend with the Babysitter (1971) * (out of 4) A hot shot director (George E. Carey) has a fight with his wife who then runs away with their young son. The babysitter Candy (Susan Romen) ends up coming over and gets offended by a screenplay he's about to do. To set him straight, the babysitter takes the director to hang out with her hippie friends and later the two have sex. While all of this is going on the wife has been kidnapped by her drug dealer. Yeah. As you can tell, part of this film plays out like a remake of the 1969 film The Babysitter as this features the same production company, director, actor and even the babysitter's name is the same. While that film worked this one here is a complete and utter disaster, which has perhaps one good scenes but the rest of the movie should be thrown in the toilet, although I'm sure even the toilet would try to spit it out. We basically get the exact same story as the previous film but this time out for some reason they tried to deliver an action movie, which is just downright stupid. This was obviously shot on a low budget so all the action scenes look incredibly bad and they really don't make any sense. The mean drug dealers are all fools and you hate the wife so much you really don't care what happens to her. The one decent scene is when the hippies are trying to explain to the old man how to smoke grass. His reactions to what he's being told is pretty priceless. Stone is a tad bit better here than he was in the 1969 film but that's still not saying too much. The biggest problem is with Romen who just doesn't work as Candy. She doesn't have any of the charm that the other film had and she just comes off rather bland.
Despite the suggestive title, and the fact that it was produced by Crown-International Pictures (the makers of a number of sleazy drive-in movies), WWTB is far from the sleazefest that you may think it will be. In fact, the movie for the most part seems to be making an effort to be pretty tasteful. This may make the movie sound pretty boring, but the movie manages to be surprisingly entertaining all the same.To start with, the movie's male protagonist is not a selfish dirty old man who has the "seven year itch" and lusts after his family's babysitter. He's actually made to be pretty sympathetic early on. It's clearly shown that his marriage has problems, and while some of these problems may come from him, we see that the majority of the strife comes from his wife. (Also, we see that he has been making efforts to improve the relationship, but they haven't been working.) Then when he subsequently finds himself with the babysitter and starts doing things with her, having an affair seems the last thing on his mind for a considerable amount of time. As well, it's shown that when the affair starts, the babysitter does as much - if not more - to start the affair.Also a pleasant surprise is how our protagonist interacts with the friends of his babysitter. He doesn't talk down to them, seems genuinely interested in them, and freely tries their activities. Also pleasing is that these same young people don't seem to have a problem with him being much older than them. They are very friendly to him, and gladly teach him of his ways. There is an underlying sweetness to the movie, even with the inevitable nudity and sex that eventually arrives.In fact, the movie is actually very dialogue-driven for its first half, and while the dialogue may not be up to Shakespeare, it has a natural inviting feeling that keeps your attention. The dialogue makes these characters interesting, giving them quirks that you don't often see in movies like this. (Such as with the sympathetic junkie seen in the subplot with the wife.) The movie is far from perfect; the last hour has some clunky and somewhat boring bits, and there seems to be no firm resolution between our protagonist and his babysitter (or with his wife, for that matter.) But I still highly recommend this to those who like drive-in movies. Hard to believe this was directed by "Billy Jack" himself!
How could the previous reviewer not mention motorcycles, ocean cruising, flying, ski chalet fireplace, and so much more? And where else can you find Mona waiting for her husband to back the car out of the garage? Where did Mikey go? I missed that part. "Weekend..." reminded me of one of those low-budget Bigfoot movies. It certainly had it's dark moments, though. I give it an 8 for pushing the envelope.
I rented this movie not expecting much of anything, but I was completely wrong. This movie has everything a good, campy movie from the 70's should have: drugs, sex, more drugs, and a couple of lesbians to boot. If you just want a film to pass the time, this is a pretty good one.