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Terror from the Year 5000
Prof. Erling and his financial backer Victor build a prototype time machine to snatch objects from the past. Latest find, a statuette, radiometrically dates to 5200 AD! When this draws colleague Richard Hedges to the island lab, Erling reveals that 20th-century objects put in the machine seem to be "traded" for analogous future objects by intelligent life. And on the sly, Victor's been trying to get a living visitor. Does the future need help, or is the present in danger?
Release : | 1958 |
Rating : | 2.9 |
Studio : | American International Pictures, La Jolla Productions, |
Crew : | Production Design, Production Design, |
Cast : | Ward Costello Joyce Holden Frederic Downs Salome Jens |
Genre : | Science Fiction |
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Reviews
Wonderful Movie
Save your money for something good and enjoyable
I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
AIP and 2.5 statue 5200 ad Florida swamps future---medallion asking for helpCurrently, "Terror From the Year 5000" has an abominably low score of 2.5. This would indicate that this is a truly horrible film...but it isn't. Now I am not saying it's a good movie, but the picture clearly is suffering from "Mystery Science Theater 3000" syndrome. In other words, when a film is made fun of my the show, huge numbers of the viewers of the show go online and bombard IMDb with scores of 1. If you look at the bottom 100 films on IMDb, you'll also see that nearly all of the American films from the 1950s, 60s and 70s were skewered on that TV show as well. Often, much worse films manage to stay off the list simply because of exposure. So, if you are looking for a film as wretched as "Plan 9 From Outer Space" or "Robot Monster", well, you should keep looking.The film is about a weird experiment going on in the middle of nowhere in Florida. Why this odd location? Because the project requires so much energy it would tend to interfere with the equipment of folks living nearby. And what IS this huge power draw for....well, to make contact with folks from the future! Eventually, they are able to bring objects from the year 5200! And, a bit later, they get a medallion that is begging for help! So is this future trying to contact us? And, is this a good thing? Now I am not going to say that this is a great film. The 'monster' is silly but there are much worse examples from the era. Overall, an okay movie but certainly not an awful picture. The acting and direction are competent...not really good, but competent.
This is the first time reviewing a movie featured on MST3K, but I do not let Mike and the bots influence my opinion on the movie. I have seen some pretty good movies on that show, and the hilarious riffing just enhanced it. This movie, however, was really bad, like most movies featured on the show.I think the worst thing about this movie is the pacing. Basically a guy finds some statue thingy, which he uses some kind of weird science to determine it's from the future, and then nothing really happens for half the movie. There's nothing wrong with a slow- building thriller, but there's no tension in the first half. Sure we get some pointless subplot about a love triangle or something, but this is a movie obviously marketed as a sci fi thriller. How about some thrills? Those of you patient enough to get to the titular "Terror" will at least be treated with some cool make up effects, which is basically the only reason I gave it a three instead of a one. But other than that, the second half doesn't have much thrills either.But enough of the pacing, let's talk about some of the filmmaking. Like I said before, there's some good make-up near the end. But the person wearing the make up was in a really stupid costume, but I can't really explain much more without ruining the film. There was some on location shooting that appears to be shot at night, without much lighting, so it was too dark to see what was happening at times. There was also lots of padding, with pointless shots of driving and walking, and a couple over long scenes with a scientist and a time machine being, uh, scientist-y. As for the acting, it was wooden, but the average amount of wood you'd find in a b-movie.I would recommend the MST3K episode, but this movie is probably unwatchable without it.
Hey, the night scenes were even hard to make out on the 1962 Zenith black and white TV, but it still scared us so much that my sister and I couldn't wait to be frightened by it the following year or whenever it was shown again and it was definitely tops on our scary movie list. I mean come on, Sorry, Wrong Number(1948) was pretty scary back then. But this hideous looking creature stole the beautiful nurse's face and the scene where she confronts the guy in the hospital bed is chilling indeed. This is one horror flick that has managed to stick in my mind for forty some odd years. Its not like it won any academy awards but neither did Hitchcock.
As far as I know, this is the first American feature film about time travel via a time machine. A time machine was featured in the American serial BRICK BRADFORD (1947) and in the English comedy TIME FLIES (1944). Film firsts should be noted and applauded even if the films they appear in are otherwise unremarkable. TERROR FROM THE YEAR 5000 is a somewhat lackluster production with uneven performances and direction. I say that this film is shade a better than most other low budget quickies from 1958 in that its story slightly more imaginative. The time machine was something new to films in 1958, the bit with the hypnotic finger nails is certainly unusual and don't forget the four eyed mutant cat from the future. I thought the idea of having the future women at first mistakenly speaking Greek was a clever idea, since the present people had sent the future people with trinkets that had Greek writing on them. The make up for the future woman is quite poor, no wonder the director mostly kept her face hidden throughout. There is one scene where the scientists leave the island and go to a movie on the mainland. AIP studio heads must of come up with this scene to insert a little promotion. The film they go to see is AIP's I WAS A TEENAGE FRANKENSTEIN. Oh, by the way, I like the 1958 Edsel Corsair that Ward Costello drives.