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Carver's Gate
The world is a bleak desolate place where the people live in elevated cities. As the ground is uninhabitable, the citizens spend most of their lives wasting their time in virtual reality. Carver is a dream-breaker whose job is to enter the world of VR and fix what is wrong. And what is wrong is that his gal pal Dinah has been murdered in VR which should not be possible. But Carver soon finds that Dinah has constructed a transducer which allows people to enter VR without other equipment, but creates a rift. That rift causes people to enter VR, but also allows the creatures from the game to enter the real world.
| Release : | 1996 |
| Rating : | 3.7 |
| Studio : | Producers Network Associates, |
| Crew : | Director, Writer, |
| Cast : | Michael Paré Kevin Stapleton |
| Genre : | Thriller Science Fiction |
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Reviews
A Masterpiece!
I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
I remember this uncut gem from the early days of SciFi Channel. It was their "Cinema Event" of the month or some such. Their way of making the repetitive nature of the channel with all its Buck Rodgers and 70's scifi, seem non-existent. So they threw some money into this concept and got themselves yet another low grade SciFi flick shot in Canada. Pare' was convincing as the lead but seemingly disinterested in his surroundings. The other actors/actresses seemed like they were overacting when matched against him. Though low budget it had some interesting set design. I even believe they built a miniature city for those futuristic exterior shots these films need. No pricey first generation computer effects here. Its a shame too, after seeing the stirring and incredible work of Mamoru Oshii and his film Avalon, I know this film could have been made better with a better budget and finer attention to details in story and effects. Alas, not every director seeks to max his budget for the sake of the art.
The biggest mistake the film makers made with this film is they actually FINISHED it. And the biggest mistake the TV network (whoever it was) made by buying this movie was that they actually BOUGHT it and AIRED it! This is so bad the film should be stripped from the reels and used to tow out cars stuck in the snow.
Imagine if your Quake game started spewing out monsters in the real world who would like nothing more than to kick your ashes all over the floor.In a bleak future (is there any other kind in sci-fi?) humanity escapes from encroaching eco-doom in a game called the Afterlife. The inventor of the game finds a way to bridge the gulf between the virtual game world and the real world, but is brutally murdered soon after. A dreamcop (responsible for making sure everyone plays this game) investigates and discovers that the bridge is turning into a floodgate for all the evil existing as opponents in the game to flood into reality.Sounds crappy, but this is a lot better than you would think. Michael Pare is an average actor who has a real talent for picking unusually interesting scripts: "Streets of Fire", "Moon 49", etc. Check this one out if you get a chance.
Sure, there were things that this movie lacked, but on the whole it delivered on what it promised. It was a fast-paced action movie, that was ahead of its time (released years ahead of The Matrix and EXistenZ )There are some very competent performances (Peter Wylde, and Tara Maria Manuel), and some that fell short (Michael Pare), but on the whole this movie was entertaining and without pretensions. Could this be the grandfather of virtual reality movies?
