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Jessica
The Bergman sisters could not be more different. Jessica is a feisty tomboy who loves to help her father work their farmland. Her beautiful sister Meg is eagerly being groomed by her mother Hester (Lisa Harrow) to be the perfect wife, so that she can marry her way out of poverty. However, when the man, Jack Thomas, who Meg has set her sights on falls in love with Jessica and gets her pregnant, Hester schemes to wrench the couple apart to claim Jessica's son, Joey for Meg. Later she commits Jessica to a mental asylum. It is here that Jessica receives news of her lover's death and almost loses hope, but after enlisting the help of Mr. Runche, a down and out lawyer battling alcoholism, she is eventually released. Years later, it is the reformed Runche who gives Jessica the courage to fight for the return of her child. Eventually Meg and Hester call an uneasy truce with Jessica, and allow her to play a role in Joey's life as his aunt.
| Release : | 2004 |
| Rating : | 7.5 |
| Studio : | |
| Crew : | Additional Still Photographer, Camera Operator, |
| Cast : | Sam Neill Leeanna Walsman Lisa Harrow Tony Martin Oliver Ackland |
| Genre : | Drama TV Movie |
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Reviews
I don't have all the words right now but this film is a work of art.
Absolutely brilliant
It's a feast for the eyes. But what really makes this dramedy work is the acting.
It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film
Reading other reviews of this mini-series confirms my belief that it is one that people either love or hate. The reason is more than likely the plot of the novel by Bryce Courtenay. Either the viewer will see this as an astonishing true story of deception or a whole pack of lies. If you can't believe the story, both the book and the film will be difficult to enjoy. Having read the book first, I found the mini-series a very faithful adaptation. The characters in the book were accurately portrayed in the film and the acting was first class all round. We are used to BBC dramas with painstaking attention to period detail but it is rare to see an Australian story from the early 1900s in which so much care is taken with historical accuracy. The central tablelands villages of Carcoar and Millthorpe provide perfect backdrops, having been maintained as 19th century towns. I wonder did anyone notice that the sign on one of the buildings in "Narrandera" (actually Carcoar) had the town name spelled as it was in 1890? That level of attention to detail is typical of the fine work of the creators of this exceptional mini-series.
WARNING MAY BE A SPOILER!I thought it was great but i was i bit annoyed that Hestor never got what was coming 2 her by anyone or Meg. i wonder if at the ending when it was an older Joey at her grave if he knew the truth because he was friends with Mary Simpson and he wouldn't really of remembered her but he touched her gravestone affectionately. Also it was so sad that Billy died i knew from the moment Jessica was pregnant that Jack Thomas was the father as if she'd let Billy sleep with her. All in all i thought it was brilliant very emotional. i have a new-found respect for mini-series.
I thought this movie was absolutely excellent. Leeanna Walsman was so convincing as the lead character 'Jessica' that i'm still feeling upset about her plight two days after seeing the story. This truly is one of those shows that you really want to find out what happens but feel a little disappointed that it has to end.Great acting from the whole cast, beautiful cinematography and a story that'll keep you talking for days. Having not read the book i'm not sure how the movie has measured up to the novel but i have to say this is the best telemovie i have ever seen. If you have an interest in Australian history or simply love a good story you wont be disappointed with this one. As i said "absolutely excellent".
The book on which this film is based is an extraordinary read. I had fairly expectations for this small screen adaptation and sadly, it's left quite a bitter taste in my mouth. Disappointing to say the least.This film falls apart thanks to its woeful cast, with wooden dialog and unconvincing characterizations abound. Perhaps the only faces you will recognize belong to seasoned actors Sam Neil and John Howard, who each give fairly solid performances in their supporting roles (emphasis on the word SUPPORTING). The main cast? The people whose shoulders the entire film rests upon? Newcomer Leeanna Walsman in the title role of Jessica, tries to bring the ballsy young woman to life but for the most part crashes and burns in an explosion of poor acting. Lisa Harrow and Megan Dorman play the evil, manipulative Hester and Meg Bergman, but both highly incapable of eliciting any such belief in their roles. Oliver Ackland as Jack Thomas, the object of Jessica and Meg's affections, is simply a pretty face with very little substance and/or depth, hardly worth mentioning.So what is left? Visually, Jessica contains some slick cinematography that brings the era to life perfectly. But pretty pictures doth not a good movie make. Aurally, the soundtrack becomes very repetitive, containing little variation from the sombre piano riff and a moping, depressive violin.I know, 9 times out of 10 a film adaptation is never going to exceed the written material. But with such great material as its basis this film could have been something wonderful. That and the addition of a much better cast and a new music man... Bad, bad, bad.
