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Sick Product of a Sick System

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Everyone involved with this shyster of a movie must probably now be wanting to pay to have it burned. What a description defying disappointment. I don't think anyone comes out of this unscathed - what were they thinking...Dead Men Don't Wear Plaid? The lighting and Camera personnel try but everything else leaves them high and dry. Billy Bob Thornton doesn't pick his roles all that well, in fact, just seems to want the money - can't any longer see him as a recommendation to see a movie. This one also looks like it was a back yard production shot on VHS and doesn't even have enough pacing to be a good, bad movie! Only for the easily pleased.

This is an entertaining combination of "real life drama" and a superb comic book detective story woven together by the fervent imagination of a man suffering acute pain from his terminal cancer. Turning his mind to these thoughts takes him away from personal pain and transmits it to the character in his fabulously standard format PI Show. Made up from the real events in his own life inserting the actual people who surround him in real life into the roles of the characters in his make-believe life that he escapes to. This world of fantasy is black and white. A dying man seeing absolutes.As for the movie itself I thought some acting could have been better in the real world parts as opposed to the make-believe world which was meant to be cheesy. But it wasn't bad enough to spoil a good entertaining show that you wouldn't be worried about putting on to watch with your gran and I can't recall any swearing either. So there probably wasn't a lot. Must watch it again one day soon.

A recently paralyzed young man, Richard, is forced to face the indignity of having his greedy sister, Peep, and her sleazy boyfriend, Syd, try to take over his life and fortune. As a film noir fan, he escapes from the pain in his body and the indignities of his sister by creating a film noir world in his mind. In that world, he is detective Rick Stone out to save his beautiful blonde client from a murder plot conceived by her sister. All of the people in Richard's life play parts in his mind's movie. This is a delightful, tongue-in-cheek send up of all the hard-boiled detective movies you've ever seen. Great fun!

The talents of Billy Bob Thornton, Kay Lenz, John Ritter and Andrea Thompson aren't enough to salvage this crass and unimaginative drivel about Richard (Jim Metzler), a man with spinal cancer who discovers he can escape the pain for awhile through the use of `Objectification therapy.' By submerging himself into what is essentially a deep daydream, he is able to transport himself into an imaginary, black-and-white film noir world in which he is a Private Eye named Rick Stone. Apparently, director Stefani Ames had a limited shooting schedule on this film; too many scenes play like they were done in a single take with no rehearsal, as if the actors came away from the table after the initial cold reading with the cameras already rolling. Though obviously attempting to evoke the B-movies of the forties, the dialogue is laughably bad, especially in the black-and-white segments. Metzler's character, a cancer victim no less, is inexplicably unsympathetic, and Kay Lenz will not be getting a career boost from her turn as Richard's shrewish sister, `Peep.' Billy Bob Thornton and John Ritter will always have `Sling Blade,' and at least Andrea Thompson was lucky enough to escape this sort of fare for a spot on TV's `NYPD Blue.' The unfortunates rounding out the supporting cast include Victor Love, Norma Maldonado and Paula Marshall. The best thing that can be said about this film is that it makes one appreciate a really good movie. Where's Bogart or Mitchum when you need them? I rate this one 1/10.