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the audience applauded

That was an excellent one.

Highly Overrated But Still Good

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

I am very, very critical of most movies. Especially these type of indie flix where the 2-bit actors recite their barely memorized lines one after another after another with little emotion. Or overact using the f-word to show their "range." Or act in ways no normal person ever would.You won't find this in Favor, my friend.I caught Favor on Comcast Xfinity Streampix last night and its the best movie I've seen in 5 years. Maybe 10. The casting, acting, script writing, character and plot development, and entertainment value are all 10 out of 10. I put it up their with Blood Simple, one of my top 10 of all time. The main character (Blayne Weaver) acts exactly like you would expect a man to act in his predicament. His wife (Cheryl Nichols) was amazing and it was hard to believe she was acting. What a star, and what a gorgeous woman. And the bad guy - Patrick Day. Wow. Maybe the best acting I have ever seen, and I mean ever. Yes, there are some flaws. The policewoman and her smart alec demeanor was over the top and a throwaway part. The plot had a few minor holes, but so did The Departed and The Godfather. But even with these minor flaws, I still cannot recommend this movie more. It's low budget indie look and style add so much to the realism. Compare this to the piece of indie trash called "At The Sinatra Club" I saw the night before or the ridiculously stupid waste of celluloid "Iron Doors" I saw the night before that and one can see what a true masterpiece this is.To all involved with this movie: Well done! BRAVO! Please make more just like it and this time get a major release so I don't have to catch your fine work two years later on Comcast.

I am totally speechless. I just watched this little indy thriller that I knew nothing about and it blew me away! Whoever the hell Paul Osbourne is, my guess is that we'll be hearing a lot more from him. This film is about a guy who inadvertently kills a woman he's been seeing on the side and gets his childhood friend to cover it up for him.However his loser friend starts demanding all sorts of stuff from him, like giving him money and hiring him in a job he's clearly not qualified to work at. This suspense just keeps building and building, the acting of the two primary actors is just amazing. Osbourne not only directed this but also wrote and photographed it as well. It is so rare to find an unknown flick that is as good as any thriller I've seen in a long time. Do yourself a Favor and rent or buy this. I will be watching this again real soon. Danny.

This feels so much like a Nineties suspense/thriller and it really plays like one. There are almost no cellphones used, and the way in which the scenes were shot really felt like the simpler lighting, and low definition. That is the setting for the most part, and once past this you can get to the meat of the movie, which is in no way perfect, but has some good strong acting, and you can see the effort on the screen. The story flows with a few stutters, and backtracks on itself a lot, however you do get good tensions between the characters, and even though the shots were way too claustrophobicly close up when they did not all have to be, even the boardroom stuff is passable for the acting if nothing else. Speaking of nothing else though there is nothing more that saves this movie, the story is crooked, and connivingly obvious, and it still thinks that it is fooling you when it does the inevitable. So I think that I Enjoyed the acting in this movie by both of the leads Good, or Evil, you have to decide, and the supporting cast were really the big strength of the movie more than just a cameo by Jeffrey Combs is still just filler if you look at it on it's own, but worth my time. I only recommend this to fans of Nineties suspense, or Fifties to Eighties B-movies as that is all you will really be getting here.

Kip Desmond seems like one of those guys who hit the lottery. Prosperous job, beautiful wife, he's just LUCKY. The durability of his luck gets a major test in Paul Osborne's new drama/thriller, "Favor".There's no spoiler alert necessary to tell you the plot of this film. The concept is laid out in the first scene and fires out of the gate from there. The script is streamlined nicely to deliver this plot and not get involved in stray scenes that meander for no reason or jump into side plots that go nowhere.Kip gets what he wants, and what he's wanted for sometime is Abby, a local waitress with whom he's been having an affair. But when things go bad (that bad), Kip ends up going to an old high school friend to help him get rid of the body. The high school friend, Marvin, agrees and…well, let's just say it doesn't go so well. Every attempt to keep the act and the situation clean gets foiled by blackmail, guilt or really bad decisions."Favor" follows the path of good modern day thrillers like "A Simple Plan" and "Blood Simple", apparently, movies with "Simple" in the title. But "Favor" is far from simple. Osborne has created a steady air of "uncomfortable" that permeates each scene as the choices the characters make become darker and more desperate. There's nothing more fun at the movies than watching characters get deeper and deeper in trouble, and there's no shortage of that in "Favor", as the stakes get raised in scene after scene, sometimes to funny, but often to shocking results.Blayne Weaver plays Kip, a fine bit of casting, as Weaver can play weasel quite well. Patrick Day is the casting coup here, nailing pathetic loser who can turn around and be quite conniving. We all know and fear the hell out of the guy he's playing. They all live in our hometown, which is why we left there years ago. Other supporting cast members include Cheryl Nichols, Christina Rose, Rosalie Ward and Jeffrey Combs, but the film belongs to the leads just driving that story home. Again, a film this single-minded is refreshing.The tech elements are consistent. As most indie films are, this is shot digitally, but unlike most indie features which go nuts with the depth of field 'cause "Yay! We can do that now! Just like film!", you're never saying to yourself, "Look at how nuts they've gone with the depth of field 'cause they can do that now. Just like film". Instead, the cinematography serves the greater picture of setting the tone. And the tone is dark. The intangibles are here that always set an indie apart from a major studio picture. As they're intangible, I don't know what they are, but all independent films have them – just…little things that make this film an indie, but I think Osborne's writing shows he could just as easily collaborate with Robert Richardson, Rick Carter and Michael Kahn, so guys, clear your calendars.There's something enjoyable about watching the comeuppance of a white, privileged, entitled guy. I remember this guy Brad Wilkins from my college (yeah, his name was BRAD), and he never thought the rules applied to him. Man, I'd like to see him involved in the quagmire Kip finds himself in. And that's another positive quality of "Favor", you can't really root for Kip, or Marvin (or BRAD). They're pretty repellent guys. But you can't stop watching their story, and you hope the damage they cause doesn't spread.But it does.Enjoy.