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Forgetting the Girl

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Forgetting the Girl

Kevin is obsessed with finding a girl who can help him forget his unpleasant past. However, all his encounters with the opposite sex inevitably go afoul. As the rejections mount, Kevin's futile search for happiness and love becomes overwhelmingly turbulent, forcing him to take desperate measures.

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Release : 2012
Rating : 5.2
Studio : Full Stealth Films,  Forgetting the Girl, 
Crew : Director,  Story, 
Cast : Christopher Denham Lindsay Beamish Elizabeth Rice Anna Camp Phyllis Somerville
Genre : Drama Thriller

Cast List

Reviews

VeteranLight
2018/08/30

I don't have all the words right now but this film is a work of art.

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Arianna Moses
2018/08/30

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

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Deanna
2018/08/30

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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Logan
2018/08/30

By the time the dramatic fireworks start popping off, each one feels earned.

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Knox D Alford III (knoxiii)
2014/10/26

Forgetting the girl is a provocative well paced movie. It delves inside the mind of a man who is extremely mentally ill. Some would call the movie sick & twisted. But, this is a movie that shows light upon dark subject matter that as much as we would like to deny exists, does. For a somber subject such as death, it has a cavalier & carefree tone. It attempted to misdirect viewers by offering three plausible killers. I felt it was clear what type of surprise the audience was in for & it was just a question of when it would happen. Anna Camp & Elizabeth Rice were gorgeous additions to the leading cast. I felt neutral about the leading male, as almost any actor could have played the role, and perhaps elevate the movie's rating.It is rated AO which I assume stands for adults only, and I agree due to the subject matter. Only mature adults should see some of the scenes because you simply don't want to put some of the imagery inside a mind not fully formed or otherwise impressionable. It is not gruesome or gory and that makes it different from most serial killer movies about the true crime genre. This is a fictional story. If you enjoy getting inside the minds of the mentally ill or psychotic, this movie is for you. If you want a horror movie with blood and gore or a movie with a message or one that entertains it is not. I rate it 6/10 stars because it was different in tone than others in the genre & it's pace kept my attention. Had Rice & Camp not been cast, I would rate it a 3/10. My feeling at the end is melancholy. Knox D. Alford, III

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Ben Macri
2013/06/27

This film takes the viewer on a journey through the psyche of a bewildered man in his youth, who's inherent desire, not unlike those which we all experience, for human compassion, emotional connection, and acceptance of loss and denial, begin to drastically affect not only his life, but the lives of the people in which he befriends and confides in. Forgetting the Girl, seems to float within a realm of "non-genre", although that is not to say that the narrative isn't being represented in such a way that the viewer cannot discern the stories purpose, but that it plays between the boundary lines of a pseudo romance, drama, thriller and horror at the same time and achieves this with ease and an apparent show of skill and cinematic knowledge. This film is filled with moments that will draw you in, grab your attention, and then within the span of a few frames, completely throw that all of out the window, leave you with your hands over your head, eyes glued to the screen ,cringing, but all the while wanting to do it all over again. The beauty of a film like this is that it allows the audience to ask questions not only of themselves but the characters and the story as well as their expectations and interpretations of how things will play out, and it has done so with purpose. Highly recommended. Check it out and enjoy.

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Dario Dalla Lasta
2013/06/06

"Forgetting the Girl" is one of those movies that sticks with you long after the credits roll. Not an easy feat, but one that I consider essential for a film in order to remember it, discuss it to death, and even dream about it. Yes, I dreamt about this movie long after I saw it, the visceral images and suspenseful storyline lingering in my mind many a night. Kudos to director Nate Taylor and writer Peter Moore Smith for fashioning a totally original story in this day and age of cookie-cutter flicks.The film starts out as a slightly rom-com look at the life of a New York-based headshot photographer named Kevin (played by the eerie Christopher Denham in a remarkable tour-de-force). Always searching for the perfect girl, perhaps one to take the place of his sister, Kevin asks every photography subject out on a date to mostly awkward results. His lovelorn assistant Jamie, a tough-looking goth girl with her own serious issues portrayed by the extraordinary Lindsay Beamish with a perpetual wounded look in her eyes, will do anything to make Kevin her own, even though she doesn't seem to exist in his eyes. All that changes when one of Kevin's dates goes missing. What follows is a labyrinth of twists and turns that slowly turn into something more powerful and psychologically disturbing than one would expect. In fact, it left me breathless. To give any more plot points away would be a crime, but you can call me guilty of loving this movie."Forgetting the Girl" is one of those singular movies that challenges the viewer to give up all expectations of the norm, forcing one to dive headfirst into the mind of a very complex character. I, for one, was swept away.

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ehamilton37
2013/01/15

This must see movie sneaks up on you and challenges the definition of a "genre." Romance? Drama? Horror? Better...all of the above. It's visceral hard hitting nature will sneak up on you on different levels. Christopher Denham plays a layered character with a haunting past that has everything to do with his dealings in the present. Is he the hero or the villain of the piece? Stalker or lonely-heart shlub? That depend on the individual viewer. Each of the female characters builds upon his complex and ever-troubling dealings with the fair sex. This is one of those rare treat movies that asks all the questions with open-ended, yet resolute, answers. It's rare to find a movie like this that allows the audience to discuss and debate the film and what it really means. A great effort from first time director, Nate Taylor, and writer Peter Moore Smith.

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