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To me, this movie is perfection.

Highly Overrated But Still Good

Boring

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

I stumbled across the film at the San Diego Film Festival. The film has moments, especially the beginning is told nicely (the scene when Mateo decides to go after another actor who got his part), but then it becomes very confusing and somewhat indulgent. On one hand the film has plot holes. Certain scenes were left out probably because they didn't have time during production. On the other hand the film spends too much time on things that have nothing to do with the premise.The worst part for me was a weird monoloque that Matteo had, voicing his frustration about his situation. I'm sure it was supposed to be this great character revelation, but it wasn't. Cinematography and Production Design were both weak. The best part is Molly Parker. All in all, this movie, unfortunately is not as good as the premise sounds.

This was the worst movie I saw at WorldFest and it also received the least amount of applause afterwards! I can only think it is receiving such recognition based on the amount of known actors in the film. It's great to see J.Beals but she's only in the movie for a few minutes. M.Parker is a much better actress than the part allowed for. The rest of the acting is hard to judge because the movie is so ridiculous and predictable. The main character is totally unsympathetic and therefore a bore to watch. There is no real emotional depth to the story. A movie revolving about an actor who can't get work doesn't feel very original to me. Nor does the development of the cop. It feels like one of many straight-to-video movies I saw back in the 90s ... And not even a good one in those standards.

Just saw this at the Phoenix Film Festival where it won the coveted Best Film Award. Suffice to say, I'm not quite sure why it won this award. I saw much better films at the festival. This was nothing special. Basically, about a struggling Italian character actor who decides to take matters into his own enraged hands to achieve his big break after pilfering in the rediculous film industry for too long. I was impressed with the cast they managed to get, esp. all the celebrity cameos. However, I felt this film felt like an old episode of "Tales From the Crypt" where the actor kills his competition more than anything else. I loved the climatic scene with the actor and and undercover cop who, for some rediculous reason, also happens to be very talented, but that's about it. I found the humour and plot to be very predictable and lame. The symbolism was truly putrid (Jennifer Beals gets her big casting break, then breaks her leg, how quaint!) There have been plenty of great films about the rage of rejection in the film business, murder in the entertainment industry, and paranoid psychotics, but this ain't one of them. It's amusing enough with great acting, cinematography and editing. But nothing truly memorable. Mainstream-pandering if anything else. 6/10.

A struggling actor finds the best way to break into Hollywood is to start knocking off the competition. But what makes Break a Leg a real gem is the sardonic look into the existence of the struggling (and not so) LA actor. It brings us into that world with effortless irony and wit. It's also got a polished look and very adept direction under Monika Mitchell. Break a Leg is one of those rare independent films that doesn't compromise its production values at any level. The writing is tight, the dialogue first rate. Cassini is an actor's actor, and the role really shows off his talents. The climactic scene between him and Rene Garcia is an instant classic, and may go down as one of the funniest Hollywood scenes of all time. I saw it at an advanced screening, and everyone in the audience laughed uncontrollably and raved about it afterwards.