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Very very predictable, including the post credit scene !!!

A Masterpiece!

To all those who have watched it: I hope you enjoyed it as much as I do.

This film is so real. It treats its characters with so much care and sensitivity.

***SPOILERS***Fairly decent re-make of the 1942 crime classic "This Gun for Hire" directed by, in his first and only attempt, James Cagney. It's the cat loving hit-man Kyle Niles, Robert Iver, who after murdering buildings inspector Carl Adams, Peter Baldwin, and his secretary in cold blood gets double-crossed by the person who hired him "Fat Man" Bharwell, Jacques Aubuchon, to get him out of the way. Giving Niles his cut in the double murders $1,000.00 he dropped a dime on him by informing the police that the money was stolen,and giving them a list of the bills serial numbers, which Bharwell in fact embezzled from his own construction business! Niles who soon found out about the "Fat Man's" back stabbing not taking this lying down is now determined to make him pay with his life for this dirty double-cross on his part!The film takes the same track as the original "This Gun for Hire" with Niles hooking up with this innocent bystander, while on the run from the police, Glory Hamilton,Georgann Johnson, who ends up not only falling in love but also humanizing the cold blooded killer. Who's only human emotion was when he accidentally killed a stray cat, who jumped on him in the dark, and then broke down and cried like a baby! With the police on his as well as Glory's, who helped him on every turn, tail Niles finally tracked down not only "Fat Man" Bahrwell but his boss crooked and criminal businessman AT, Richard Hale, at the AT Mansion.***SPOILERS*** It was a stroke of luck for Niles as well as later for the police and D.A's office in that AT had his tape recorder on when confronted by him that implicated him and "Fat Boy" in Adam and his secretary's murders. With nothing left for him now Niles makes a run for it after dispatching AT "Fat Man" and the house butler as well as torture freak Nichols, Murvyn Vye, on his run to freedom. Niles in a futile attempt of desperately trying to escape only gets gunned down by the police and ends up dying in Glory's arms who had tried to talk him into surrendering. A fitting ending for a man who after a life of crime & violence finally saw the light and in a strange way ended up redeeming himself!

This is the only film James Cagney directed, and for a first-time effort, this remake of THIS GUN FOR HIRE is not too shabby. Cagney supposedly made the film as a favor to producer A.C. Lyles, and he did not really intend to pursue a career as a director. While it may not be up to the original, the film still has a good deal of Cagney-esque energy, and enough suspense to sustain viewer interest. Actress Georgann Johnson is cast in the Veronica Lake role, and she applies a serious amount of realism. At one point, she has to walk down the aisle of a train, and she does it very subtly as if her equilibrium is off-balance, which if you think about it, it should be. How come other actors do not walk realistically on trains, planes and other fast-moving transportation in movies? Maybe they should consult Miss Johnson for pointers.

This is a very unusual film for two reasons. First, it's directed by James Cagney--the actor. It's his only film as a director. Second, when the film begins, it opens with Cagney himself addressing the audience about the film. And, to prove that he IS the director, he stands next to a chair with "James Cagney. Director" written on it! The movie is a remake of "This Gun for Hire". To me, this is an odd choice, as the Alan Ladd film was very good and very famous. Cagney already had an uphill job as director putting across his own version of a film that is already a familiar classic.Like "This Gun for Hire", this film is about an assassin that does some killings for a horrible man. When he is paid off, the stupid guy sets up the assassin to get arrested--a very, very bad idea. That's because the killer escapes. Now, he knows he's been set up and is out to exact revenge. And, along the way, he kidnaps a woman and forces her to go along for the ride.The film isn't bad, but you can't help but think that the originals, Alan Ladd and Veronica Lake were simply better. Instead, Cagney uses complete unknowns--and his introductory remarks come off like he's almost apologizing for using them and insists they are exceptional actors. Well, considering that unlike Ladd and Lake, they did NOT go one to great careers in films, we must assume Cagney was mistaken. Overall, a decent film (since the plot is very good) but a relatively uninspired film and one you could easily skip. Of interest mostly because of its Cagney angle.This film, I give a 5. The original is strong and earns an 8.

Robert Ivers ,mainly in the first part ,gives an impressive performance:impassive ,deadpan,cold as ice ,he will make you shiver with his robotic swagger.When he kills the secretary after her boss,the directing(and performance) seems years ahead of its time.Ditto for the scene in the restaurant where his "client" is savoring mint chocolates or later in the train where he meets the chanteuse.The problem lies in this singer's character:the courageous young girl,who feels for the unfortunate killer who's got a raw deal,whose drunkard of a father treated him so bad he could be nothing but an outlaw etc etc etc.After an offbeat and intriguing first part,the movie turns predictable and the "moving" ending is business as usual.