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It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Great movie. Not sure what people expected but I found it highly entertaining.

It's a feast for the eyes. But what really makes this dramedy work is the acting.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

I remember this movie vividly as it was somehow playing in a large multiplex bowling/arcade/fitness/cinema (only in the '80s) complex in Peoria Illinois, where I grew up, circa 1982 or 1983.It stayed in my head because it was so unlike anything I had seen playing at the time. It was the first time I really experienced an "independent" film (this was not a town that played Art Movies) and I literally wandered out of the theater with a "did that just happen to me?" disposition.The best way to sum up "Baker County" (or "Baker Country" as the group of Vietnamese refugees we were then tutoring, kept enthusiastically chanting after the screening) is that it's a precursor to the torture-porn freak movie --- a miscarriage that occurred in the space between visceral roughhouse '70s gems like "Last House on the Left" and "Texas Chainsaw Massacre" and the more polished current-day renditions like the "Saw" and "Hostel" movies.There is absolutely no character development, the acting is amateurish (with the possible exception of Henry Silva's deranged evil-incarnate hillbilly) and the story is beyond simplistic: passive college kids witness Silva murdering a man and are then hunted and tortured for his pleasure before they get their standard, expected eye-for-an-eye revenge.Even at 18 I was aware I was being blatantly manipulated and in such an obvious way that it was annoying and condescending. Yes, I expect to be manipulated by a horror film but this does it with such little style and creativity that it's merely insulting.I was shocked to find that today this movie is considered a "cult classic" --- HA! --- and even more shocked to find it was made for $2 MILLION??? Well, it was obviously more expensive to rent film equipment in those days as that cost is nowhere to be seen on film.The only thing I will say to recommend it is that it really is a true "Grindhouse"-type film. Even in the theater I remember the print being incredibly effed-up. It's exploitation taken to the extreme and if that's what you're after, as an artifact anyway, it fills the bill.

Trapped was actually released in the late eighties, although it's every bit the seventies exploitation classic! While not as great as some of the more popular films of the genre - stuff like The Last House on the Left and House on the Edge of the Park, Trapped is still an enjoyable slice of violent entertainment from the director of the surprisingly good 'House by the Lake' and the Psycho-inspired Funeral Home. The film focuses on the idea of people in the deep south of America taking the law very much into their own hands. The main culprit is Henry Chatwill; a man who is spotted murdering someone by a bunch of college students. He quickly decides to put his cronies to use in tracking down the college students; one of which, a kid called Roger Michaels, just happens to completely against violence in all forms. The first half hour or so is fairly torrid, as it can be difficult to tell exactly what's going on since it's not pieced together very well. However, things really pick up in the final two thirds; and it all builds to a fantastically entertaining ending, which features a couple of rather original death scenes! Naturally, Trapped isn't particularly well acted or directed - although William Fruet's work behind the camera isn't too bad considering the obvious budget limitations. Once you get past the first half hour, there's a lot of fun to be had with Trapped, and it comes recommended to trash fans everywhere!

This is a brutal movie about backwoods hillpeople who live according to their own laws. Their leader, Henry Silva at his unpleasant and sadistic best, takes the law in his own hands and lead a mob to hunt down his wife´s lover. Violent complications follow. The story is unoriginal but captivating and Fruet´s no holds barred directing keep a good pace throughout the entire movie. The dialogue is good and amusing. There is nudity, banjo music, humiliation, plenty of man hunt scenes and bloody violence. Highly recommended viewing for fans of Deliverance and The Texas Chainsaw Massacre.

The film stars Henry Silva as a country bumpkin who catches the power repairman having sex with his wife. He kills him, as a bunch of college kids (headed by Nicholas Campbell) witness to the killing. Campbell doesn't believe in violence, but finally realize he must battle Silva with a chainsaw. Fruet is Roger Corman of Canada give the same slick style of directing as he did in HOUSE BY THE LAKE. The films photography is dark, and the script pace is very slow. It's worth a look for those who like to see Canadian tax shelter films.