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Purely Joyful Movie!

A Disappointing Continuation

This is a must-see and one of the best documentaries - and films - of this year.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

It took me 8 years to see this flick which in fact started the fame of Matthias Schoenaerts. He's leading here in this dark supernatural flick. I was lucky to have worked with him just before he left for Hollywood so I'm happy he signed this DVD. But back to this flick. Not only is Matthias above mediocre, the girl (Marie) he met is played by Eline Kuppens, not that famous but she also delivers the best.The supernatural thing going on is the fact that Marie get injured while running in the woods. Her knee is damaged and slowly that knee decides her life. She falls for the smooth talking Bob (Schoenarts). They have sex everywhere they can have it and it's shown, both go the full monty. It's towards the end when Marie is solving the puzzle that the supernatural comes in. The ending is an enigma, nothing is really explained. Nice editing and shooting and the score do adds something special to the atmosphere. I can understand why this flick can be found at a lot of horror conventions. But if you want the original DVD that came out in Belgium you will have to search really hard, it's OOP. Luckily elsewhere in the world it's sold as Left Bank. A must see.Gore 0/5 Nudity 2/5 Effects 2,5/5 Story 3/5 Comedy 0/5

I'm an American w/ some familiarity w/ Antwerp and I enjoyed seeing it on film. The influence of Rosemary's Baby is obvious. While this is not in the same league, it does have some things going for it: good photography and music and 2 good leads: Schoenaerts and Eline Kuppens. (I'm not sure how good Schoenaerts is but he's nude 5 minutes after it begins so I can forgive a lot.) Probably the weak link here is the screenplay. The ending makes no sense whatsoever but getting there was enjoyable enough that I didn't much care. Atmospherics, mood, that kind of thing can be incredibly important in a film and Left Bank is quite good in the mood department. It helps too, of course, that the film is anchored by 2 strong performances.

Set in a region of Antwerp with a dark Medieval past, the mood of this flick is one of which the sun would not rather spill its radiance upon, instead hiding behind of wall of cloudy gloom, infinitely waiting for the darkness below to pass such that it can make its tardy appearance. It has been a long wait, and this flick offers no reprieve. Instead, this tale is of the seedy underbelly of ineffable undertakings, and our heroine must learn first hand of that which is best left on the other side. Eline Kuppens does just that in her commendable debut, laudably including enough skin to impress a taxidermist. This atmospheric horror from Belgium, a place not known for great horror, is the exception to its usually mediocrity, crafting stories of past times into a sweet little cringer. Maybe this country, known more for its border intrusive neighbors, is set upon changing its stale cinematic presence. Whether the exception or the vanguard, Left Bank is an unusual treat from an even more unusual source. Merci beaucoup.Genruk of Evil Eye Reviews

My beloved Belgium country hasn't got much of an impressive history when it comes to horror cinema, but at least there have always been enthusiast and visionary directors that tried to make a difference. Back in the 70's there was Harry Kümel (whose movies "Malpertuis" and "Daughters of Darkness" are highly desired and acclaimed cult-collector items nowadays), then there's Jan Verheyen (who also hosts horror movie screenings on Belgian TV) and since recently we have Pieter Van Hees. Van Hees is an extremely devoted fan of the genre, as it is illustrated in his absurdly grotesque and engrossing short movie "Black XXX-Mas" as well as in this slow-brooding and atmospheric thriller "Linkeroever". The title literally means Left Bank and refers to a very well known living area in Antwerp. It's a reputedly "troubled" area since the Middle Ages already, with dark historical secrets and mysterious inhabitants, and thus the ideal setting for a sinister story. Marie is a young and talented but introvert athlete who suddenly falls ill and gets forced to cancel her participation in a prominent European tournament. She moves in with her new boyfriend Bobby and, mostly out of boredom, begins to investigate the mysterious unsolved disappearance of the previous tenant. I don't want to reveal too much about the complex and extremely unsettling story, but the script hints at horrific elements such as human sacrifices, reincarnation, pagan rites, excommunication, witches and super massive black holes. "Linkeroever" is basically a typical folklore tale, but set in a present day social environment and decorated with style & content elements that are borrowed from similarly-themed international horror classics like "The Wicker Man", "Blood on Satan's Skin" and "Rosemary's Baby". Pieter Van Hees generates a depressing and constantly grim atmosphere through simple tricks (autumn weather conditions, pauperized living areas…) and patiently takes the time to unfold the story and draw detailed character portraits. The denouement isn't that difficult to predict – especially not when you have experience with occult horror – but it nevertheless evokes a handful of genuine chills and nightmarish afterthoughts. Considering the fairly low budget and overall tense ambiance of the film, you shouldn't hope for a lot of bloodshed, though. Van Hees could rely on a professional crew as well. The photography, editing and musical guidance are damn close to brilliant and, following good old Belgian traditions, the film contains several dared but tasteful and quintessential sex sequences. Eline Kuppens is simply fantastic in her screen debut and she carries the entire motion picture like it's the easiest job in the world. She's a natural beauty with the talent and perseverance to make it even in the international film industry. Kuppens receives excellent support from the handsome young actor Matthias Schoenaerts and a couple of Flemish TV-screen veterans like Marilou Mermans, Frank Vercruyssen and Sien Eggers. Recommended for anyone who can speak the language and fundamental viewing for all Belgian film freaks.