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Marie-Louise
The titular Marie-Louise is a young French lass who is evacuated to Switzerland when her country is overrun by the Nazis. Suffering a nervous breakdown, she is given comfort and shelter by a wealthy family. Unfortunately, living in the lap of luxury makes Marie-Louise hesitant to return home to her mother and war torn home. Eventually the girl comes to her senses, but it isn't easy.
Release : | 1944 |
Rating : | 6.8 |
Studio : | Praesens-Film, |
Crew : | Production Design, Costume Design, |
Cast : | Josiane Hegg Heinrich Gretler Margrit Winter Anne-Marie Blanc Mathilde Danegger |
Genre : | Drama War |
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Reviews
It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.
At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
This must have been the first movie I ever saw. It was showing at a small art house theater in New Haven Connecticut. Marie-Louise was mesmerizing to the eyes of a five year old. The Second World War affected the lives of our family and of all our neighbors but not in the cataclysmic way of families all over Europe. After more than 60 years this affecting wartime story of a child's escape by train, desperately trying to protect one cherished keepsake, is still powerfully vivid to me. The next two films I recall were Robert Flaherty's Nanook of the North, and Man of Aran. I've recently seen both of those again. I wish Marie-Louise were available today.