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Against the Wind
A disparate group of volunteers are trained as saboteurs and parachuted into Belgium to blow up an office containing important Nazi records and to rescue a prominent S.O.E. agent, who is being interrogated by the Germans for vital information.
Release : | 1949 |
Rating : | 6.3 |
Studio : | Ealing Studios, J. Arthur Rank Organisation, |
Crew : | Director of Photography, Director of Photography, |
Cast : | Robert Beatty Simone Signoret Jack Warner Gordon Jackson Paul Dupuis |
Genre : | Drama Action War |
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So much average
Load of rubbish!!
A Masterpiece!
Worth seeing just to witness how winsome it is.
I did not know this film about French Belgian resistance army. I did not know either that Chuck Crichton made such non comedy features, and I am not disappointed at all. And Simone Signoret gives here one of the three French partisan character she had - and maybe more, I don't exactly know - in her career. Before Jean-Pierre Melville's ARMEE DES OMBRES and René Clément's LE JOUR ET L'HEURE. She is awesome here and I don't understand the reviews against this movie. I just discover it after decades of film passion. Later is better than never.
First the good bits and that mainly centres around Simone Signoret, who as usual is excellent. But this poses a problem, for the "love-affair" of the film, which involves her and a young Gordon Jackson who looks and acts as though he had never been out of Cowdenbeath. So hardly the material to interest a sophisticated European lady as played by Ms. Signoret. Not good casting, indeed one of the more ridiculous romantic combinations in the history of motion pictures.That being said the film, in black and white, has some atmosphere, tension and you feel that you are there, which is important. The rather bizarre casting continues, however, with the unlikely scenario of a rather elderly Jack Warner playing the part of a commando. Still if he was still an active policeman at 80 years of age in Dixon of Dock Green , who are we to argue with his credentials. In addition he is part of the two most memorable scenes in the film, one when he meets the Irish girl working for the Germans and secondly when he has to contend with a very angry Ms. Signoret holding a pistol.James Robertson Justice is, as always, very believable as the organiser of the missions working from base and there are some good supporting actors who play around his character. For some reason the part played by John Slater irritated me from start to finish, though the rest of the cast, including Robert Beatty, were sound if a touch wooden.I would summarise this film as a pleasant and nostalgic way to spend a rainy afternoon and if it is on sale for around £5 then worth a look.
It's 1943 and a team of saboteurs, some British and some Belgian, are being trained to parachute into Belgium to cause as much damage to the Nazis as they can. After they've landed London learns that one is a traitor. Sound familiar? But this movie is very well done. The heroics are underplayed even though half of the team dies. A special mission they're given is carried out cleverly and reasonably realistically.Among the team members is a young Simone Signoret. In my opinion, over the years she developed into an extraordinarily effective actor. Here, she reflects determination, anguish and a desire not to let herself become emotionally entangled. She discovers the identity of the traitor while they are alone in a farmhouse. He's shaving and she's on the transmitter getting a message from London. The message gives the traitor's name. She picks up her pistol, calls the guy's name so he faces her, and without hesitation shoots him. A very tidy, tough scene. She and a young team member played by Gordon Jackson eventually reach a romantic understanding. Because of Signoret's fierceness as an actor it was a little like watching a teen-age cocker spaniel falling in love with a young tigress.The movie didn't do well when it was released. Some said that it was too close to the war years; nostalgia for courage and victory hadn't set in as it did during the Fifties. Signoret was, in my opinion, one of the great actors of her time with a career that spanned over 40 years. Check out the span with her performance here -- young, hurt, determined and a great looker, with Room at the Top (1959) -- pushing 40, melancholy, sexy, knowing, with Madame Rosa (1977) -- tender up to a point and looking every inch plus more of her age. As she got older she put on weight and didn't seem to give a damn. I doubt if a surgeon's touch-up scalpel ever tightened her face. And Yves Montand was fascinated enough by her for their marriage to last 34 years until her death.
In 1943 a miscellaneous group of women and men of several nationalities prepare in London to be parachuted into Belgium. They are to lead sabotage operations against the occupying German forces. A government office is destroyed, a traitor is discovered, one of their number is captured and rescued, several of them die, two fall in love.This is a classic British WWII adventure, exploiting the potential for romance of the Special Operations Executive, notwithstanding its marginal affect on the conduct of the war. The acting is good, with Simone Signoret very beautiful and suitably soulful, Gordon Jackson playing a characteristically shaky personality and Robert Beatty in a fine, solid role as the saboteur-priest. James Robertson-Justice, of course, plays himself, as always. The plot is a disappointment. The story line does not appear clearly until the second half of the film, after a series of scenes in which the members of the team are assembled and there is a series of half-hearted attempts to establish their backgrounds and motivation. The amateurishness reinforces a certain stereotype of the British people and the lamentable lack of security awareness makes one cringe. Despite the drawbacks, this film is well done and a pleasure to watch.