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The Shooter
The story is of a small town in the early west and of a 'shooter' of reputation that drifts into it and stands up to the controlling family that runs it. But far from a John Wayne, this hero is caught and brutally beaten and left to die, only to be saved by a prostitute that has also suffered under the hand of this group of desperados. The only one possible to stand up to the shooter is another solitary man who joins with the notorious family although he is deputized as the town's sherif.
Release : | 1997 |
Rating : | 5.1 |
Studio : | Royal Oaks Entertainment Inc., Cabin Fever Entertainment, Amritraj / Stevens Entertainment, |
Crew : | Production Design, Director of Photography, |
Cast : | Michael Dudikoff Randy Travis Valerie Wildman Andrew Stevens William Smith |
Genre : | Western |
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Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
THE SHOOTER is a fairly middling straight-to-video western flick which is pretty good considering that it was directed by Fred Olen Ray, the king of the sci-fi B-movie. The film stars action favourite Michael Dudikoff as the usual mysterious gunslinging hero who rides into town and helps to clean out a gang of bad guys who have been busy oppressing the loyal townsfolk. There are scenes of whipping as well as a heck of a lot of shooting, a graphic and strenuous sex scene, and some overacting from the supporting cast members. By comparison Dudikoff underplays it throughout and is given a bit of a dull character to work with. William Smith's bad guy is better although the film as a whole is strictly average.
Aw, come on, have you ever seen a western, (or any other movie) where the horses do a whoopsie, or have you ever seen a pile of it in the street where they live? Of course not.But there is plenty of "it" here. In the script, the story, the plot, the whole darn 85 minutes of it. Be warned, it is a real struggle to keep watching.The "Hero" rides along, hears screams, finds the "baddies" whipping a poor girl and guess what? BANG, BANG, BANG. and the girl is rescued and taken to Kingston, to Duncan's saloon, where she "works", (as they call it).Alas, one of the bad guys was the son of a local real bad guy, who sets out to revenge the killing of his son. Of course there is the gunfight or three, where "hero" is such a sharpshooter.
Dudikoff stars as Michael Atherton a gunfighter and ex-union soldier, after stumbling across a woman being beaten by some no-good scum, Atherton naturally steps in and saves the girl(Valarie Wildman) and in the process finds himself targeted for vengeance by the family of one of the guys he killed and it's not long before Atherton is caught, beaten and almost killed, only to be saved by Wendy the girl he saved before, Atherton takes aim at taking down the family and does, however the sheriff has a vendetta, one that goes all the way back to the war in this far-better-than-you-would-expect direct to video western which features a decent story and Dudikoff in good form. This, The Silencer, Soldier Boyz and Virtual Assassin are the only watcahble movies from Dudikoff in the 90's. However where as Dudikoff is well suited to the role of a western, it's Randy Travis who ends up making the most impression and in turn steals the movie.3/5 Matt Bronson
"The Shooter" was a different type of film for Michael Dudikoff. Although normally associated with action flicks that incorporate martial arts, this film , because it was a western, enabled him to display that he is a far more capable actor than certain formula story lines have allowed.The major problem, of course, is that the film does not allow any solid character development. The fleshing in is really left to the viewer . We can only guess at the sadness that has made the Shooter, whose real name is Michael Atherton, the killer that he is- a killer, mind you, that a little town, terrorized by a local bully, welcomes as a hero who can release it from its misery.