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A Disappointing Continuation

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Never read the Bret Harte novel on which this is based, but it must read better than it transfers to the screen. It was hard to build up any sympathy for any of the players as the film is very stagey and plays like a filmed play. It is poorly written and I squirmed in my chair at some of the dialogue mouthed by some of Hollywood's best character actors.I'm trying to think of a reason to recommend this movie and I can't think of one, apart from the performance by little Virginia Weidler as an orphan brought up by a saloon keeper. Can't recall having heard the name of the director before but he's probably a Poverty Row director unaccustomed to working with better talent. My rating is due to a lack of interest in the story and inability to generate feeling for the characters. Not worth your trouble, even at only 68 minutes.

Preston Foster plays a saloon owner who takes in a child after she is born. Unfortunately, her mother died in childbirth. He uses her because he sees her as a source of good luck. But she begins to turn hard. Poker Flat is one of those Western towns that has lost its soul. Bad guys run free and Foster's saloon is their watering hole and a source of gambling. Soon a minister and a teacher show up and the little girl is plucked from her safe haven and put in a school. In the sappy movie world of the thirties, Foster falls for the school teacher and the minister tries to settle things down. Sadly, for Foster, he incurs the wrath of the people. The conclusion is right out of the single minded moralist's handbook. This has an outstanding cast, but the story is quite simplistic, even though it is based on a Brett Harte story.

The Outcasts of Poker Flats (1937) ** (out of 4) Decent version of a couple Bret Harte stories has been told many times over the years including a 1919 version by John Ford. This one here features Preston Foster playing John Oakhurst, a gambler working out West when the gold rush struck. He's got the biggest business in town but things start to change when a teacher (Jean Muir) and a preacher (Van Heflin) show up. The story itself wasn't too original but I found the performances to be so great that they made the film worth viewing. Foster is extremely good in the lead because he really makes one believe the character development that he goes through. I thought the actor managed to do the more action packed scenes well and he made you believe that he was this tough gambler who really didn't care about anyone but himself. Muir is also extremely good in her part and she and Foster has some great chemistry that leaps off the screen. Heflin easily steals the film as the young preacher who shows up hoping to change this rather dirty town. The supporting cast includes nice work from Virginia Weidler, Si Jenks, Al St. John and Billy Gilbert. I think the biggest problem with the film is the direction of Christy Cabanne who simply never makes it too interesting. Visually the film is quite flat and a lot of the emotion that the story is going for never comes off and this is especially true during the final minutes. Still, the performances are so good that fans of the actors will still want to check this out.

Bret Harte's classic story about a gambler/saloon owner in the Gold Rush days in California has had many adaptations to the big and small screen. This one starring Preston Foster, Jean Muir and Van Heflin is a good, albeit elaborated telling of the tale.Preston Foster is our lead character, he owns the local saloon in a rip roaring mining camp in gold rush California. But times they are a changin'. He recognizes it too, Foster even goes so far as to sponsor the building of a church and a new parson in the person of Van Heflin comes to be its pastor.A new schoolmarm comes as well and Jean Muir evokes the interest of both Foster and Heflin. Like John Wayne and James Stewart in The Man Who Shot Liberty Valance, Foster and Heflin represent the old and new west.Unlike Vera Miles in The Man Who Shot Liberty Valance, Muir's choice is kind of forced on her when one of them dies. Who will it be?The Outcasts of Poker Flat also has a fine performance by young Virginia Weidler as Foster's foster daughter. It's really for her that Preston realizes change in the west is inevitable.This version of The Outcasts of Poker Flat is a an unpretentious telling of a classic tale by a great American writer.