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Clever, believable, and super fun to watch. It totally has replay value.

It's entirely possible that sending the audience out feeling lousy was intentional

A movie that not only functions as a solid scarefest but a razor-sharp satire.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Although this film is entitled New Mexico, it certainly might have taken place in any part of our Southwest. It begins with the totally ridiculous premise that Abraham Lincoln took time out in the middle of the Civil War to visit New Mexico territory and make promises to Indian chief Ted DeCorsia that the US government would be feeding the Indians. That was really too much to swallow, anyone who has even a rudimentary knowledge of American history knows that Lincoln never got beyond 50 miles of the White House during his term of office. So when the film began with Hans Conreid as Lincoln getting out of that stagecoach I figured this one would be one ridiculous film.It turned out to be a film that was not half bad, but could have used a lot of improvement including cutting those first six or seven minutes and some other premise used to show the disappointment of the Indians in the white man's failed promises. In that meeting with Conreid and DeCorsia is Captain Lew Ayres who wants peaceful relations and is a man of some honor. But an ambitious colonel played by Walter Greaza and a corrupt judge played by Lloyd Corrigan turn the promises of Lincoln into dust. When Greaza is murdered by the Indians, Ayres has to go in pursuit of DeCorsia.Circumstance places Ayres and his men along with saloon entertainer Marilyn Maxwell and Corrigan at an old mission built on a hillside where they hold off the attacking Indians. One of the troops, Raymond Burr, shoots down a young child who is DeCorsia's son giving him and additional reason to hate the army.Jeff Corey who was having blacklist troubles got to appear in this film as a cavalry Indian scout. That this was an independent film is significant because Corey could not get work at a major studio. New Mexico which was an independent film released by United Artists is too low budget and its characters not sufficiently developed which would have made a much better film. It was a sincere effort and no one in the cast need be ashamed of their work here.

Cavalry-Indian skirmishes highlight this film that somehow has been forgotten and seems to have passed from western movie memory. President Abraham Lincoln's death sets in motion the corrupt practices of a territory commissioner whose abusive policies destroy peace initiatives and the Indians go on the warpath. Lew Ayres, an army captain, leads a cavalry troop to track down his erstwhile friend, a chief who becomes an implacable enemy. The soldiers are plagued by thirst and dissension but find water and a large cache of rifles and ammunition. The fighting between the soldiers and the Indians is intense and quite violent for its time. The cast is good and the color captures the dry, dusty mesas and deserts of New Mexico.

The movie centers on a strong clear plot structure strongly defined in the beginning. The story progresses to a seige, where pure character takes over the plot as the main element that defines the fine quality of this movie. For some reason I did not know at the time, I loved this movie as a child. Later in theater I learned the quality aspects that New Mexico writers and actors used. I wish it was available in DVD or VHS.

The great cast here, including Ayers, Maxwell, Divine, and Conried cannot save this predictable and routine Western effort. All the stereo-types are here, the fallen woman, the honor-bound Cavalry Captain and comic relief, but none of it seems to work well. The ending attempts to be different, but by that time the viewer could not care less.