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Such a frustrating disappointment

Lack of good storyline.

Excellent adaptation.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

The site summary says that Kit Banion(Barbara Stanwick) was dubbed The Maverick Queen because in her early days around Rock Springs, she would round up all the unbranded cattle she could find and brand them. Of course, never having married and not foreseeing the possibility of such, she was a maverick herself. Considering the 2 female characters(Kit, and Mary Murphy , as Lucy Lee), this can be deduced as an iconic 'good' girl vs. 'bad' girl film, although they aren't visibly competing for the attention of the lead male: Barry Sullivan, masquerading as Jeff Younger, nephew of the infamous Younger brothers. In fact, toward the end, they sometimes cooperate as partners with Jeff against the Hole in the Wall Gang, which Kit has been an indispensable part of......If you remember the ending of the Anthony Mann western "The Far Country" Ruth Roman, as the young middle-aged 'bad 'girl, and Corinne Calvert, as the young 'good' girl both had their eyes on Jimmy Stewart, who was fighting for his life against the villain, played by John McIntire. Ruth died trying to defend Jimmy against the shooting of McIntire, leaving Corinne as the apparent winner, by default. Well, a rather similar thing happens here. Kit dies trying to defend the wounded Jeff against a variety of gang members, leaving a cute Lucy as the apparent winner. In both cases, the younger 'good' girl won, although this is not always the case in westerns("Abilene Town" comes to mind as a clear counter example).......Eventually Jim Davis, dubbed 'The Stranger' in the credits, shows up, looking dapper in his all black outfit. He claims he is the real Jeff Younger, and whips out a newspaper photo to prove his identity. He would like to meet the outlaw gang, and goes riding off. I don't remember seeing him again. He had served his purpose in confirming rumors that Sullivan wasn't the real Younger, and might be a lawman. Later, it's confirmed that he is a Pinkerton man. Kit would like him to replace The Sundance Kid(Scott Brady) as her primary lover, but recommends that he relocate far from the gang, which she considers doomed, in the long run. She seems to think she's stuck in her now ambiguous situation. ......The drawn out climax, near the end, seemed largely unrealistic, with characters supposedly safely escaping from a burning cabin, with gunslingers all around.......Spectacular mountain scenery usually composed the on location background. This was around Durango, Royal Gorge, and Silverton, CO...... The film was produced by Republic, not long before the demise of this studio, with the phasing out of B westerns.......This was one of the last Hollywood films Barbara would star in. It was also near the beginning of her emphasis on westerns, which would culminate in her "The Big Valley" TV series, that ended about a decade later. She would again costar with Barry Sullivan the following year in the western "Forty Guns". If this sounds promising, see it at YouTube.

Considering that "The Maverick Queen" was the first widescreen film from Republic Studios, you'd think it would be a prestige picture. Well, apart from sporting a once A-list actress Barbara Stanwyck (who looks pretty awful in color under such heavy makeup), it was far from a memorable movie.The film is about Butch Cassidy and the Hole in the Wall gang. It seems they are being aided, covertly, by a lady (Stanwyck) who runs a business called 'The Maverick Queen'. When a guy comes into town saying he wants to join the gang (Barry Sullivan) and that he's Jeff Younger (of the famous Younger gang), Stanwyck goes gaga for the guy and blindly pushed him into a role in their next robbery. At first the ruse seems to work--until the REAL Younger shows up--then it sure looks as if Nelson's days are numbered. Will his new sweetie just stand back and let the gang do him in or will his sheer manliness win her over to his side--getting her to give up EVERYTHING she's ever worked to create?! Well, in real life, the answer would clearly be NO--but this is a movie after all! As the film progressed, I kept feeling like I've seen this film before. The notion of a butch female gang leader falling for a lawman and betraying the gang is very old and very clichéd--and other actresses like Marlene Dietrich and Joan Crawford (among others) made similar flicks....VERY similar flicks. Additionally, in a scene when there is a showdown and Nelson's character attacks Sundance, not once does Sundance call out for help from his gang who is waiting outside!! Because of bad writing there is never any suspense in the film if you've seen many westerns--you know what MUST happen with each and every cliché--especially the ending. The bottom line is that although this movie looks nice with its location shoot and color widescreen print, the story itself is pure B-movie all the way. It's pretty indistinguishable from a Roy Rogers or Gene Autry film the studio made in previous years--films which cost a whole heck of a lot less to make and with much more modest pretensions. Passable entertainment but no more and perhaps my score of 5 is a bit generous.Please note: In the film, Sundance is killed. However, in real life he died in South America--thousands of miles from where the film is set! Historical accuracy....who needs it?!

Lucy Lee is a young and pretty cattle owner, trying to get her herd to market to sell. One night in camp her and her partner are joined by Jeff Young – a man who saves them when they are later ambushed by the Sundance Kid and his gang. Sundance reports back to Kit Banion (aka the Maverick Queen) and she in enraged by his failure. However the arrival in town of Jeff Younger gives her a new scheme to run. As she attempts to assert further power can the others stop her criminal schemes?Starting out with the usual style of song over the usual sort of landscapes nothing gave me any doubts that this would be a fairly ordinary western adventure and indeed that is what it turned out to be. The plot offered potential because it is more than just the standard good guys/bad guys stuff – this plot is driven by betrayal, lies, jealousy and intrigue. Shame then that it doesn't all come off, it is interesting and engaging but it does struggle to keep it tight with so many things going on – I wasn't sure exactly what my focus was supposed to be. This is also seen by it taking 15 minutes before the title character actually made it onto screen, not that bad a thing but just further suggestion of the slight lack of focus that made it a bit harder to get into. The characters don't all make sense and again the lack of focus meant I was confused as to who I was following.The cast aren't much help in this regard either because nobody really steps up and makes the film their own. Stanwyck tries hard but she was approaching the end of her long career at this point and she isn't helped by being left in the background for most of the start of the film while the much younger Murphy makes us think the film is about her. Sullivan is pretty good and has a nice easy charm. Brady, Petrie and a few others make for interesting bad guys but their performances aren't that interesting and they just accept whatever changes the script throws at them.Overall this is an enjoyable enough western that is fairly run-of-the-mill despite having aspects of it that are more than the standard stuff. The plot is good but the lack of focus for large chunks means that it is a little difficult to get into and the solid if unspectacular directing and acting don't do anything to really remedy that. Enjoyable for genre fans but no more than that.

Perhaps the first thing to note about this film is that the Maverick Queen herself, Kit Banion - cattle trader, saloon proprietor, hand in glove with Butch Cassidy's Wild Bunch, and the richest woman in Rock Springs - doesn't actually appear until ten to fifteen minutes into the action! Even then, we initially assume she must be a minor character; surely the lady of the title song must be Lucy Lee - sweeter, younger and far less hard-faced - the girl the hero has already rescued in the first scenes? (Mary Murphy, just two years into her career, as opposed to Barbara Stanwyck, at this point a full twenty-five years into - and almost at the end of - hers.)But Kit soon takes charge of the situation; and she can look after herself. There is a scene which cleverly subverts the audience's expectations, in which she is attacked and her lover rides to the rescue - only, before he can arrive, she saves the situation single-handed by deliberately sending her opponent over a cliff. When her would-be saviours arrive, they find her already bruised but triumphant. And in the final gun-battle, it is she who takes an active part when her lover is wounded, forcing him to keep moving, shooting without hesitation to protect him and taking a bullet in his defence.The outlaw gang in this film are not the usual brutal but dim-witted cannon fodder provided for the hero's benefit, either. As it turns out, they've spotted the plot twist long before the audience (or before me at least!) When the fugitives hole up in a cabin, the pursuers actually take advantage of their superior numbers to surround the cabin and force their way in - and later on, instead of obligingly shooting it out, they simply set fire to the building in order to smoke out their quarry. The hero's ruse to lead them off fools them for a while - but as soon as they see through it, they jump to the right conclusion and head back in time to foil the planned escape.The casual amorality of the outlaws is also well depicted. Sundance's disappearance after he gets the worse of a struggle with Kit is greeted by Cassidy with no more than "Well, I guess he deserved it", and his subsequent return is accepted with an equal shrug: "Thought you were dead, but I'm glad you ain't." There is no question, for example, of the rest of the outlaws hesitating for a moment to attack when they ride up just because Kit happens to have two of their number held at gunpoint.My main problem with this film is that none of the principal characters seem to have any real motivation for what they are doing. Jeff at least has a plot rationale for his inconsistent actions - and for why we never see beyond his surface - but neither Kit nor Sundance seem to have sufficient justification for acting clean against their own best interests. In both cases, they are presumably intended to be in the grip of an overwhelming and unreciprocated affection - but Sundance spends the entire film chasing Lucy Lee rather than the woman who has supposedly prompted him to wild jealousy, and the Maverick Queen also displays an unjustified and distinctly surprising concern towards her. After all, not only did we see Kit cold-bloodedly engineering this same girl's bankruptcy for her own profit earlier in the film, but she also has to know by this stage that Lucy is her rival for Jeff's affections!But whether due to bad acting or a poor script, Kit doesn't really give the impression in any case of having fallen passionately enough for Jeff to make it plausible that she should give up everything for him. Kit Banion is no lovable rogue with a heart of gold; she is depicted as a ruthless and hard-headed businesswoman - albeit with a slightly unusual turn of trade - who is deliberately toying with a young newcomer in order to pay out the lover of whom she has tired. At some point this is presumably supposed to betray her into genuine affection, but for all the kissing in evidence, it somehow fails to convince - particularly when faced with Jeff's lack of response.Lucy too remains something of a cipher. Her early appearance, when we naturally assume she is the title character, leads us to expect that she is going to have a much larger role than ultimately transpires, but in fact, that initial scene more or less sums up her entire function - to act as a (repeated) plot device so that Sundance's pursuit of her can allow Jeff to get the better of him, and to provide the token 'good woman' required as the hero's love interest. There is no convincing relationship of any kind established between her and Jeff, any more than there is between Jeff and Kit - or Kit and Sundance.All these characters come across as masks, without little or nothing real going on behind their faces. There is quite an intelligent plot going on in the background, but I simply couldn't find it in me to care very much about what happened to any of them. That lack of engagement on the part of the audience is, I think, the fatal flaw in this film.I gather it is a Zane Grey adaptation. The virtues of the plot - such as they are - are owed entirely, I would guess, to the source novel. Any essence of the original characters would seem to have got lost in the translation from page to screen. Given its intelligently-drawn villains, morally ambiguous title character and cleverly set-up twist, the material might have made even a great off-beat Western...I'm afraid, however, that this isn't it.